| # | Title | Artist | Rating | Length |
|---|
| 1 | (Just Like) Starting Over- engineer:
- Lee DeCarlo
- producer:
- Jack Douglas, John Lennon and Yoko Ono
- bass guitar:
- Tony Levin
- drums (drum set):
- Andy Newmark
- electric guitar:
- John Lennon , Hugh McCracken and Earl Slick
- keyboard:
- George Small
- percussion:
- Arthur Jenkins
- background vocals:
- Cheryl Mason Jacks, Michelle Simpson, Eric Troyer and Cassandra Wooten
- lead vocals:
- John Lennon
- phonographic copyright (℗) by:
- The David Geffen Company (in 1980) and Calderstone Productions Limited (in 2016)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (on 1980-08-09)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1980-09-25 until 1980-09-26)
- music videos:
- (Just Like) Starting Over by John Lennon
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 76)
- recording of:
- (Just Like) Starting Over
- lyricist and composer:
- John Lennon
- publisher:
- Lenono Music and Universal Music Publishing Pty Ltd.
| John Lennon | 3.75 | 3:56 |
| 2 | I’m Still Standing | Elton John | 3.9 | 3:02 |
| 3 | Footloose (from “Footloose” soundtrack)- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Kenny Loggins | 4.1 | 3:46 |
| 4 | Uptown Girl | Billy Joel | 4.1 | 3:16 |
| 5 | You Can Call Me Al | Paul Simon | | 4:41 |
| 6 | Come On Eileen | Dexys Midnight Runners | 4.15 | 4:08 |
| 7 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:35 |
| 8 | Stand and Deliver | Adam and the Ants | 4 | 3:08 |
| 9 | The Look of Love, Pt. 1 | ABC | | 3:29 |
| 10 | Cruel Summer- recording of:
- Cruel Summer
- lyricist:
- Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain and Keren Woodward
- composer:
- Leo Birenberg , Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel , Tony Swain and Keren Woodward
- publisher:
- In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. , Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Warner Chappell Music Ltd.
| Bananarama | | 3:36 |
| 11 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing , Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3.95 | 3:56 |
| 12 | Break My Stride- drums (drum set) programming:
- John Gilston (in 1983)
- producer:
- Peter Bunetta, Rick Chudacoff and Bill Elliott
- analog synthesizer [Prophet-5]:
- Bill Elliott (in 1983) and Matthew Wilder (in 1983)
- drum machine [Oberheim DMX], drums (drum set) and percussion:
- Peter Bunetta (in 1983)
- guitar:
- Dennis Herring (in 1983)
- background vocals:
- Greg Prestopino (in 1983), Joe Turano (in 1983) and Matthew Wilder (in 1983)
- lead vocals:
- Matthew Wilder (in 1983)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983), Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (in 1983)
- recorded at:
- Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
- recording of:
- Break My Stride (in 1983)
- writer:
- Greg Prestopino and Matthew Wilder
- publisher:
- Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing , Music of Windswept, Universal Studios, Inc. , WB Music Corp. , Wilder Kingdom Music, Big Ears Music (in 1983), No Ears Music (in 1983) and Streetwise Music (in 1983)
| Matthew Wilder | 3.4 | 3:01 |
| 13 | Fantastic Day | Haircut One Hundred | 2.5 | 3:14 |
| 14 | Hold Me Now- recording engineer, engineer and mixer:
- Phil Thornalley
- drums (drum set) programming:
- Tom Bailey
- producer:
- Tom Bailey and Alex Sadkin
- congas and synthesizer [Prophet V]:
- Joe Leeway
- double bass [contrabass], guitar, harmonica, piano and synthesizer:
- Tom Bailey
- drums (drum set), marimba, percussion and xylophone:
- Alannah Currie
- background vocals:
- Alannah Currie and Joe Leeway
- vocals:
- Tom Bailey
- phonographic copyright (℗) by:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) and Arista Records, Inc. (in 1984)
- music videos:
- Hold Me Now by Thompson Twins
- recording of:
- Hold Me Now
- writer:
- Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie and Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music and Point Music Ltd.
| Thompson Twins | 4.5 | 4:46 |
| 15 | Love & Pride | King | 4 | 3:21 |
| 16 | Too Much Too Young | The Specials | 3.6 | 2:06 |
| 17 | House of Fun | Madness | 3 | 2:58 |
| 18 | This Ole House | Shakin’ Stevens | | 3:04 |
| 19 | Working My Way Back to You | The Spinners | | 4:03 |
| 20 | Frankie | Sister Sledge | 3.35 | 3:53 |
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