Now That’s What I Call the 80s

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1(Just Like) Starting Over
tecnico:
Lee DeCarlo
produttore:
Jack Douglas, John Lennon (The Beatles) e Yoko Ono (Japanese‐American musician and artist)
batteria :
Andy Newmark
chitarra basso :
Tony Levin (US rock bassist/Chapman stick player)
chitarra elettrica :
John Lennon (The Beatles), Hugh McCracken e Earl Slick
percussione :
Arthur Jenkins
tastiera :
George Small
voce di accompagnamento:
Cheryl Mason Jacks, Michelle Simpson, Eric Troyer e Cassandra Wooten
voce principale:
John Lennon (The Beatles)
diritti fonografici (℗) detenuti da:
The David Geffen Company (legal rights relating to Geffen Records) (nel 1980) e Calderstone Productions Limited (nel 2016)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1980-08-09)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1980-09-25 al 1980-09-26)
video musicali:
(Just Like) Starting Over di John Lennon (The Beatles)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 76)
registrazione di:
(Just Like) Starting Over
paroliere e compositore:
John Lennon (The Beatles)
editore:
Lenono Music e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
John Lennon3.753:56
2I’m Still Standing
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray
batteria :
Nigel Olsson
chitarra elettrica :
Davey Johnstone
pianoforte , sintetizzatore e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1983-06-26)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
I’m Still Standing di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
I’m Still Standing
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.93:02
3Footloose (from “Footloose” soundtrack)
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:46
4Uptown Girl
assistente tecnico:
Scott James (US recording engineer) e Mike Mairé
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
basso elettrico :
Doug Stegmeyer (bass player, aka Slug Douglas) (nel 1983)
batteria :
Liberty DeVitto (US drummer) (nel 1983)
chitarra elettrica :
David Brown (guitarist for Billy Joel) (nel 1983)
pianoforte e voce principale:
Billy Joel (American singer‐songwriter and pianist) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1987)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
video musicali:
Uptown Girl di Billy Joel (American singer‐songwriter and pianist)
parte di:
BILLIONS CLUB e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 443)
registrazione di:
Uptown Girl (nel 1983)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
EMI Songs Ltd., CBS Songs Ltd. (nel 1983) e Joelsongs (nel 1983)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel4.13:16
5You Can Call Me Al
Paul Simon4:41
6Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:08
7I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
8Stand and Deliver
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Chris Hughes (producer, aka “Merrick”)
batteria :
Chris Hughes (producer, aka “Merrick”) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso e voce principale:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1981) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
parte di:
The Downloader’s Music Source Book (numero: 145)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:08
9The Look of Love, Pt. 1
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3:29
10Cruel Summer
registrazione di:
Cruel Summer
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama3:36
11Walking on Sunshine
registrata a:
England, Regno Unito
assistente tecnico:
Jon Goldberger (engineer)
tecnico e tecnico di missaggio:
Scott Litt (producer and engineer)
produttore:
Pat Collier e Katrina and the Waves (British‐American rock band)
produttore aggiunto:
Scott Litt (producer and engineer)
batteria e percussione :
Alex Cooper (drummer, member of “Katrina and the Waves”)
chitarra [lead guitar] :
Kimberley Rew
chitarra [rhythm guitar] e voce principale:
Katrina Leskanich
chitarra basso :
Vince de la Cruz
organo ospite :
Nick Glennie‐Smith
ottoni [Rumour Brass Section] ospite :
Ray Beavis, Dick Hanson e John "Irish" Earl (Irish saxophonist)
voce di accompagnamento:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz e Kimberley Rew
arrangiatore ottoni :
Eamon Fitzpatrick
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1985)
registrata presso:
Alaska Studios in London (Greater London), England, Regno Unito e Greenhouse Studio (London) in London (Greater London), England, Regno Unito
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1984-12 al 1985-03)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 378)
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:56
12Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:01
13Fantastic Day
produttore:
Bob Sargeant
registrazione di:
Fantastic Day
paroliere e compositore:
Nick Heyward
Haircut One Hundred2.53:14
14Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:46
15Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:21
16Too Much Too Young
registrata presso:
Lyceum Theatre in London (Greater London), England, Regno Unito
registrazione dal vivo di:
Too Much Too Young
paroliere e compositore:
Jerry Dammers
The Specials3.62:06
17House of Fun
registrazione di:
House of Fun
paroliere:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness32:58
18This Ole House
registrazione cover di:
This Ole House
paroliere e compositore:
Stuart Hamblen
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Universal/MCA Music Publishing Pty Ltd
Shakin’ Stevens3:04
19Working My Way Back to You
produttore:
Michael Zager
produttore esecutivo:
Jerry Love
direttore d'orchestra:
Michael Zager
arrangiatore:
Michael Zager
medley che comprende una registrazione di:
Forgive Me Girl
autore:
Michael Zager
medley che comprende una registrazione di:
Forgive Me Girl
autore:
Michael Zager
medley che comprende una registrazione cover di:
Working My Way Back to You
autore:
Sandy Linzer e Denny Randell
editore:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. e Seasons 4 Music
medley che comprende una registrazione cover di:
Working My Way Back to You
autore:
Sandy Linzer e Denny Randell
editore:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. e Seasons 4 Music
The Spinners4:03
20Frankie
registrazione di:
Frankie
paroliere e compositore:
Denise Rich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge3.353:53
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parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 57)