Today, Tomorrow & Forever

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Label Code: LC 00316

Annotazione modificata l'ultima volta il 2023-08-31 07:00 UTC.

Elenco tracce

1CD
#TitoloValutazioneDurata
1Harbor Lights (alternate take 3)
registrazione cover di:
Harbour Lights (dal 1954-07-06 al 1954-07-07)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
12:29
2I Got a Woman (alternate take)
registrazione cover di:
I Got a Woman (il 1956-01-10)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
21:31
3Shake, Rattle and Roll Alternate (alternate take 2)3:09
4I Want You, I Need You, I Love You (alternate take 13)22:44
5Heartbreak Hotel (live 05‒16‒56)
registrata presso:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
registrata presso:
Robinson Memorial Auditorium in Little Rock, Arkansas, Stati Uniti (il 1956-05-16)
registrazione dal vivo di:
Heartbreak Hotel (il 1956-05-16)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
32:34
6Long Tall Sally (live 05‒16‒56)
registrata presso:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
registrata presso:
Robinson Memorial Auditorium in Little Rock, Arkansas, Stati Uniti (il 1956-05-16)
registrazione dal vivo cover di:
Long Tall Sally (il 1956-05-16)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
22:09
7I Was the One (live 05‒16‒56)
registrata presso:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
registrata presso:
Robinson Memorial Auditorium in Little Rock, Arkansas, Stati Uniti (il 1956-05-16)
registrazione dal vivo di:
I Was the One (il 1956-05-16)
autore:
Hal Blair, Claude Demetrius, Bill Peppers e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. e Rachel’s Own Music
23:14
8Money Honey (live 05‒16‒56)
registrata presso:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
registrata presso:
Robinson Memorial Auditorium in Little Rock, Arkansas, Stati Uniti (il 1956-05-16)
registrazione dal vivo cover di:
Money Honey (il 1956-05-16)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
22:21
9I Got a Woman (live 05‒16‒56)
registrata presso:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
registrata presso:
Robinson Memorial Auditorium in Little Rock, Arkansas, Stati Uniti (il 1956-05-16)
registrazione dal vivo cover di:
I Got a Woman (il 1956-05-16)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
23:29
10Blue Suede Shoes (live 05‒16‒56)
registrata presso:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
registrata presso:
Robinson Memorial Auditorium in Little Rock, Arkansas, Stati Uniti (il 1956-05-16)
registrazione dal vivo cover di:
Blue Suede Shoes (il 1956-05-16)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
34:00
11Hound Dog (live 05‒16‒56)
registrata presso:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
registrata presso:
Robinson Memorial Auditorium in Little Rock, Arkansas, Stati Uniti (il 1956-05-16)
registrazione dal vivo cover di:
Hound Dog (il 1956-05-16)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
42:45
12Rip It Up (alternate take 14)22:02
13Don’t Forbid Me / You Belong to My Heart (jam 12‒04‒56)
medley che comprende una registrazione cover di:
Don’t Forbid Me (il 1956-12-04)
paroliere e compositore:
Chas. Singleton (composer/lyricist)
editore:
Roosevelt Music Co., Inc.
medley che comprende una registrazione cover di:
You Belong to My Heart (The Three Caballeros) (il 1956-12-04)
paroliere:
Ray Gilbert
compositore:
Agustín Lara
editore:
APRS (American Performing Rights Society, Inc.(BMI)) e Peer International Corporation (BMI)
versione tradotta di:
Solamente una vez
1:52
14I Beg of You (alternate take 5)
registrazione cover di:
I Beg of You (il 1957-01-13)
autore:
Rose Marie McCoy e Kelly Owens (US pianist and organist)
editore:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
11:55
15Peace in the Valley (alternate take 1)
registrazione cover di:
There’ll Be Peace in the Valley for Me (il 1957-01-13)
editore:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (il 1939-01-25)
paroliere e compositore:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
editore:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
23:24
16Is It So Strange (alternate take 10)
registrazione cover di:
Is It So Strange (il 1957-01-19)
paroliere e compositore:
Faron Young
editore:
Chappell & Co., Inc. (USA), Elvis Presley Music, Elvis Presley Music Inc., Johnny Bienstock Music e Unichappell Music
12:33
17Got a Lot O’ Lovin to Do! (movie master take 17)
registrazione di:
Got a Lot o’ Livin’ to Do (il 1957-01-15)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
11:55
18Loving You (alternate take 6, farm version #3)31:47
19Treat Me Nice (alternate take 6, movie version)22:07
20Young and Beautiful (alternate take 4–5)
registrazione cover di:
Young and Beautiful (il 1957-04-30)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Abner Silver
editore:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) e Rachel’s Own Music
22:53
21I Want to Be Free (alternate take 3–4)12:02
22Steadfast, Loyal and True (undubbed master)1:15
23Doncha’ Think It’s Time (alternate take 48)
registrazione cover di:
Doncha’ Think It’s Time (il 1958-02-01)
autore:
Brook Benton
compositore:
Clyde Otis (American songwriter and record producer)
editore:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) e Elvis Presley Music Inc.
11:58
24I Need Your Love Tonight (alternate take 4)
registrazione cover di:
I Need Your Love Tonight (il 1958-06-10)
autore:
Bickley Reichner e Sid Wayne
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
12:01
25I Got Stung (alternate take 16)
registrazione cover di:
I Got Stung (il 1958-06-11)
autore:
David Hill (US songwriter) e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
11:49
26The Fool (alternate take 1, 1959)
registrazione cover di:
The Fool (il 1959-11-14)
paroliere e compositore:
Naomi Ford
editore:
Mother Texas Music
41:55
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