Today, Tomorrow & Forever

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Label Code: LC 00316

Anmerkung zuletzt geändert am 2023-08-31 07:00 UTC.

Titelliste

1CD
Nr.TitelBewertungLänge
1Harbor Lights (alternate take 3)
cover recording of:
Harbour Lights (von 1954-07-06 bis 1954-07-07)
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
12:29
2I Got a Woman (alternate take)
cover recording of:
I Got a Woman (am 1956-01-10)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
21:31
3Shake, Rattle and Roll Alternate (alternate take 2)3:09
4I Want You, I Need You, I Love You (alternate take 13)22:44
5Heartbreak Hotel (live 05‒16‒56)
aufgenommen bei:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
aufgenommen bei:
Robinson Memorial Auditorium in Little Rock, Arkansas, Vereinigte Staaten (am 1956-05-16)
live recording of:
Heartbreak Hotel (am 1956-05-16)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
32:34
6Long Tall Sally (live 05‒16‒56)
aufgenommen bei:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
aufgenommen bei:
Robinson Memorial Auditorium in Little Rock, Arkansas, Vereinigte Staaten (am 1956-05-16)
live cover recording of:
Long Tall Sally (am 1956-05-16)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
22:09
7I Was the One (live 05‒16‒56)
aufgenommen bei:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
aufgenommen bei:
Robinson Memorial Auditorium in Little Rock, Arkansas, Vereinigte Staaten (am 1956-05-16)
live recording of:
I Was the One (am 1956-05-16)
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
23:14
8Money Honey (live 05‒16‒56)
aufgenommen bei:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
aufgenommen bei:
Robinson Memorial Auditorium in Little Rock, Arkansas, Vereinigte Staaten (am 1956-05-16)
live cover recording of:
Money Honey (am 1956-05-16)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
22:21
9I Got a Woman (live 05‒16‒56)
aufgenommen bei:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
aufgenommen bei:
Robinson Memorial Auditorium in Little Rock, Arkansas, Vereinigte Staaten (am 1956-05-16)
live cover recording of:
I Got a Woman (am 1956-05-16)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
23:29
10Blue Suede Shoes (live 05‒16‒56)
aufgenommen bei:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
aufgenommen bei:
Robinson Memorial Auditorium in Little Rock, Arkansas, Vereinigte Staaten (am 1956-05-16)
live cover recording of:
Blue Suede Shoes (am 1956-05-16)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
34:00
11Hound Dog (live 05‒16‒56)
aufgenommen bei:
Elvis Presley at Robinson Memorial Auditorium (1956-05-16)
aufgenommen bei:
Robinson Memorial Auditorium in Little Rock, Arkansas, Vereinigte Staaten (am 1956-05-16)
live cover recording of:
Hound Dog (am 1956-05-16)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
42:45
12Rip It Up (alternate take 14)22:02
13Don’t Forbid Me / You Belong to My Heart (jam 12‒04‒56)
medley including a cover recording of:
Don’t Forbid Me (am 1956-12-04)
Texter und Komponist(in):
Chas. Singleton (composer/lyricist)
publisher:
Roosevelt Music Co., Inc.
medley including a cover recording of:
You Belong to My Heart (The Three Caballeros) (am 1956-12-04)
Texter:
Ray Gilbert
Komponist(in):
Agustín Lara
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI)
übersetzte Version von:
Solamente una vez
1:52
14I Beg of You (alternate take 5)
cover recording of:
I Beg of You (am 1957-01-13)
Verfasser(in):
Rose Marie McCoy und Kelly Owens (US pianist and organist)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
11:55
15Peace in the Valley (alternate take 1)
cover recording of:
There’ll Be Peace in the Valley for Me (am 1957-01-13)
publisher:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (am 1939-01-25)
Texter und Komponist(in):
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
23:24
16Is It So Strange (alternate take 10)
cover recording of:
Is It So Strange (am 1957-01-19)
Texter und Komponist(in):
Faron Young
publisher:
Chappell & Co., Inc. (USA), Elvis Presley Music, Elvis Presley Music Inc., Johnny Bienstock Music und Unichappell Music
12:33
17Got a Lot O’ Lovin to Do! (movie master take 17)
recording of:
Got a Lot o’ Livin’ to Do (am 1957-01-15)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. und Rachel’s Own Music
11:55
18Loving You (alternate take 6, farm version #3)31:47
19Treat Me Nice (alternate take 6, movie version)22:07
20Young and Beautiful (alternate take 4–5)
cover recording of:
Young and Beautiful (am 1957-04-30)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) und Rachel’s Own Music
22:53
21I Want to Be Free (alternate take 3–4)12:02
22Steadfast, Loyal and True (undubbed master)1:15
23Doncha’ Think It’s Time (alternate take 48)
cover recording of:
Doncha’ Think It’s Time (am 1958-02-01)
Verfasser(in):
Brook Benton
Komponist(in):
Clyde Otis (American songwriter and record producer)
publisher:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) und Elvis Presley Music Inc.
11:58
24I Need Your Love Tonight (alternate take 4)
cover recording of:
I Need Your Love Tonight (am 1958-06-10)
Verfasser(in):
Bickley Reichner und Sid Wayne
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
12:01
25I Got Stung (alternate take 16)
cover recording of:
I Got Stung (am 1958-06-11)
Verfasser(in):
David Hill (US songwriter) und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. und Rachel’s Own Music
11:49
26The Fool (alternate take 1, 1959)
cover recording of:
The Fool (am 1959-11-14)
Texter und Komponist(in):
Naomi Ford
publisher:
Mother Texas Music
41:55
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