Live at the Matrix 1967: The Original Masters

~ Pubblicazione di The Doors (visualizza tutte le versioni di questa pubblicazione: 7 disponibili)

Annotazione

The complete and original recordings taken straight from the first-generation 7” reels from a 5-night engagement in March 1967 at The Matrix in San Francisco, CA.
Tracks 1-1 to 2-7 recorded 3/7/67.
Tracks 2-8 to 3-10 recorded 3/10/67.
Track 3-11 recorded 3/8 or 3/9/67.

Tracks 1-1, 1-3, 1-5, 1-7, 2-2, 3-3, 3-10 are previously unreleased.
Tracks 1-6, 1-8, 1-9, 2-4, 2-5, 2-9 to 2-11, 3-1, 3-2, 3-5, 3-6, 3-8, 3-9 are first time released from the original master tapes.

℗ & © «2023 Elektra Records, a Warner Music Group Company. All Rights Reserved.»
℗ & © «Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company.»

Countries excluded (Deezer + Spotify)

(As of 2025-01-20).

  • Eastern Europe: 🇧🇾 Belarus (by)
Annotazione modificata l'ultima volta il 2025-01-20 19:45 UTC.

Elenco tracce

1Supporto digitale
2Supporto digitale
3Supporto digitale
#TitoloValutazioneDurata
1Money
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo cover di:
Money (That’s What I Want) (il 1967-03-10)
autore:
Janie Bradford e Berry Gordy
editore:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
33:01
2Who Do You Love
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo cover di:
Who Do You Love? (il 1967-03-10)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (nel 1956)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Ltd.
34:34
3Moonlight Drive
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo di:
Moonlight Drive (il 1967-03-10)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Nipper Music
35:38
4Summer’s Almost Gone
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo di:
Summer’s Almost Gone (il 1967-03-10)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Nipper Music Co., Inc. (nel 1968)
33:49
5I’m a King Bee
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo cover di:
I’m a King Bee (il 1967-03-10)
paroliere e compositore:
James H. Moore (aka Slim Harpo)
editore:
Campbell Connelly & Co. e Embassy Music Corporation
33:52
6Gloria
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo cover di:
Gloria (Van Morrison/Them song) (il 1967-03-10)
paroliere e compositore:
Van Morrison
editore:
Carlin Music Corporation, Chappell & Co., Chappell & Co., Inc. (USA), Exile Publishing Ltd., Gallo Music Publishers, PolyGram Music Publishing Ltd., Unichappell Music, Bernice Music, Inc. (nel 1965) e Unichappell Music, Inc. (nel 1965)
parte di:
Gloria: In excelsis Deo
35:42
7Break On Through (to the Other Side)
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo di:
Break On Through (il 1967-03-10)
autore:
John Densmore, The Doors, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music e Rondor Music (London) Ltd.
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.53:48
8Summertime (instrumental)
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1967-03-10)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
38:32
9Back Door Man
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo cover di:
Back Door Man (il 1967-03-10)
paroliere e compositore:
Willie Dixon
autore:
Chester Burnett
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Watertoons (BMI-affiliated - publisher associated with Muddy Waters)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
35:17
10Alabama Song (Whisky Bar)
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (il 1967-03-10)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (il 1967-03-10)
registrazione dal vivo cover di:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”) (il 1967-03-10)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Elisabeth Hauptmann
editore:
Harms Co., Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) e Universal Edition (London) Ltd. (publisher; do NOT use as release label)
versione tradotta di:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
33:17
11The End (Partial) / Let’s Feed Ice Cream to the Rats
tecnico di registrazione:
Peter Abrams (co-owner of The Matrix nightclub) (dal 1967-03-08 al 1967-03-09)
produttore:
Bruce Botnick
registrata presso:
The Matrix (club) in San Francisco, California, Stati Uniti (dal 1967-03-08 al 1967-03-09)
registrazione dal vivo parziale di:
The End (dal 1967-03-08 al 1967-03-09)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e Vicious Recordings (publisher of releases on Vicious Vinyl and subsidiaries)
4:32