Live at the Matrix 1967: The Original Masters

~ Veröffentlichung von The Doors (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Anmerkung

The complete and original recordings taken straight from the first-generation 7” reels from a 5-night engagement in March 1967 at The Matrix in San Francisco, CA.
Tracks 1-1 to 2-7 recorded 3/7/67.
Tracks 2-8 to 3-10 recorded 3/10/67.
Track 3-11 recorded 3/8 or 3/9/67.

Tracks 1-1, 1-3, 1-5, 1-7, 2-2, 3-3, 3-10 are previously unreleased.
Tracks 1-6, 1-8, 1-9, 2-4, 2-5, 2-9 to 2-11, 3-1, 3-2, 3-5, 3-6, 3-8, 3-9 are first time released from the original master tapes.

℗ & © «2023 Elektra Records, a Warner Music Group Company. All Rights Reserved.»
℗ & © «Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company.»

Countries excluded (Deezer + Spotify)

(As of 2025-01-20).

  • Eastern Europe: 🇧🇾 Belarus (by)
Anmerkung zuletzt geändert am 2025-01-20 19:45 UTC.

Titelliste

1▶Digitales Medium
2▶Digitales Medium
3▼Digitales Medium
Nr.TitelBewertungLänge
1Money
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live cover recording of:
Money (That’s What I Want) (am 1967-03-10)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
33:01
2Who Do You Love
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live cover recording of:
Who Do You Love? (am 1967-03-10)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
34:34
3Moonlight Drive
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live recording of:
Moonlight Drive (am 1967-03-10)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Nipper Music
35:38
4Summer’s Almost Gone
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live recording of:
Summer’s Almost Gone (am 1967-03-10)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Nipper Music Co., Inc. (in 1968)
33:49
5I’m a King Bee
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live cover recording of:
I’m a King Bee (am 1967-03-10)
Texter und Komponist(in):
James H. Moore (aka Slim Harpo)
publisher:
Campbell Connelly & Co. und Embassy Music Corporation
33:52
6Gloria
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live cover recording of:
Gloria (Van Morrison/Them song) (am 1967-03-10)
Texter und Komponist(in):
Van Morrison
publisher:
Carlin Music Corporation, Chappell & Co., Chappell & Co., Inc. (USA), Exile Publishing Ltd., Gallo Music Publishers, PolyGram Music Publishing Ltd., Unichappell Music, Bernice Music, Inc. (in 1965) und Unichappell Music, Inc. (in 1965)
Teil von:
Gloria: In excelsis Deo
35:42
7Break On Through (to the Other Side)
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live recording of:
Break On Through (am 1967-03-10)
Verfasser(in):
John Densmore, The Doors, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.53:48
8Summertime (instrumental)
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1967-03-10)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
38:32
9Back Door Man
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live cover recording of:
Back Door Man (am 1967-03-10)
Texter und Komponist(in):
Willie Dixon
Verfasser(in):
Chester Burnett
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Watertoons (BMI-affiliated - publisher associated with Muddy Waters)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
35:17
10Alabama Song (Whisky Bar)
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (am 1967-03-10)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1967-03-10)
live cover recording of:
Alabama Song (from the songspiel “Mahagonny” & opera “Rise and Fall of the City of Mahagonny”) (am 1967-03-10)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Elisabeth Hauptmann
publisher:
Harms Co., Kurt Weill Foundation for Music, Inc., Universal Edition (publisher; do NOT use as release label) und Universal Edition (London) Ltd. (publisher; do NOT use as release label)
übersetzte Version von:
Alabama Song (from “Aufstieg und Fall der Stadt Mahagonny”)
33:17
11The End (Partial) / Let’s Feed Ice Cream to the Rats
recording engineer:
Peter Abrams (co-owner of The Matrix nightclub) (von 1967-03-08 bis 1967-03-09)
Produzent(in):
Bruce Botnick
aufgenommen bei:
The Matrix (club) in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1967-03-08 bis 1967-03-09)
live teilweise recording of:
The End (von 1967-03-08 bis 1967-03-09)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und Vicious Recordings (publisher of releases on Vicious Vinyl and subsidiaries)
4:32