Party Power Pack: 80’s Kult

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
2The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:30
3The Great Commandment
registrazione di:
The Great Commandment
paroliere:
Marcus Meyn
compositore:
Oliver Kreyssig, Heiko Maile e Marcus Meyn
editore:
Blue Box Publishing Promotion Karin Wirthmann e Golden Cloud Ltd.
Camouflage4:16
4You
registrazione di:
You
paroliere:
Peter Sawatzki e Holger Wobker
compositore:
Peter Sawatzki
Boytronic3:13
5Steppin’ Out
co-produttore:
David Kershenbaum
produttore e tecnico di missaggio:
Joe Jackson (English musician) e David Kershenbaum
basso :
Graham Maby
batteria :
Larry Tolfree
percussione :
Sue Hadjopoulos
tastiera :
Joe Jackson (English musician)
voce:
Joe Jackson (English musician)
registrazione di:
Steppin’ Out
dedicata a:
New York, New York, Stati Uniti
paroliere e compositore:
Joe Jackson (English musician)
editore:
Albion Music
Joe Jackson33:48
6The Riddle
assistente tecnico:
Dave Meegan (producer)
tecnico:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
voce principale:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984, nel 1985)
video musicali:
The Riddle di Nik Kershaw
registrazione di:
The Riddle
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. e Rondor Musikverlag GmbH
Nik Kershaw3.253:52
7Lessons in Love
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
sassofono ospite :
Gary Barnacle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1986) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986)
registrazione di:
Lessons in Love
paroliere:
Boon Gould
autore:
Wally Badarou e Mark King (bass guitarist and vocalist)
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:06
8Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.954:09
9Look Away
tecnico:
Will Gosling
produttore:
Robin Millar
tecnico di missaggio:
Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
voce:
Stuart Adamson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986)
video musicali:
Look Away di Big Country
registrazione di:
Look Away
paroliere e compositore:
Stuart Adamson
editore:
Big Country Music Ltd. e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1986)
Big Country3.54:26
10I Know There’s Something Going On
basso :
Mo Foster
batteria e voce di accompagnamento:
Phil Collins (of Genesis)
chitarra :
Daryl Stuermer
tastiera :
Peter Robinson (English score composer)
voce principale:
Frida (Swedish singer and member of ABBA)
registrazione di:
I Know There’s Something Going On
paroliere e compositore:
Russ Ballard
editore:
EMI April Music Inc. e Russell Ballard Ltd
Frida45:29
1125 Years
registrazione di:
25 Years
paroliere e compositore:
Don Snow
editore:
Don Snow Music, SMV Schacht Musikverlage GmbH & CO KG (GEMA-affiliated) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1983)
The Catch3:54
12In the Army Now
produttore:
Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986), Mercury Records Ltd. (UK) (nel 1986), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986) e Quo Entertainment (nel 1986)
è stato produttore per:
Handle Artists
registrazione cover di:
In the Army Now
autore:
Ferdi Bolland e Rob Bolland
editore:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV e The International Music Network
Status Quo2.53:54
13Come On Eileen
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 1)
registrazione di:
Come On Eileen (nel 1982)
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners & The Emerald Express33:29
14I Engineer
Animotion4:13
15Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:51
16Tainted Love
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1981)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell2:52
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parte di:Party Power Pack (Polystar, Germany) (numero: 2003.2) (ordine: 10)