Party Power Pack: 80’s Kult

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
2The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:30
3The Great Commandment
recording of:
The Great Commandment
lyricist:
Marcus Meyn
composer:
Oliver Kreyssig, Heiko Maile and Marcus Meyn
publisher:
Blue Box Publishing Promotion Karin Wirthmann and Golden Cloud Ltd.
Camouflage4:16
4You
recording of:
You
lyricist:
Peter Sawatzki and Holger Wobker
composer:
Peter Sawatzki
Boytronic3:13
5Steppin’ Out
co-producer:
David Kershenbaum
producer and mixer:
Joe Jackson (English musician) and David Kershenbaum
bass:
Graham Maby
drums (drum set):
Larry Tolfree
keyboard:
Joe Jackson (English musician)
percussion:
Sue Hadjopoulos
vocals:
Joe Jackson (English musician)
recording of:
Steppin’ Out
dedicated to:
New York, New York, United States
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson33:48
6The Riddle
assistant engineer:
Dave Meegan (producer)
engineer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
lead vocals:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
music videos:
The Riddle by Nik Kershaw
recording of:
The Riddle
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. and Rondor Musikverlag GmbH
Nik Kershaw3.253:52
7Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:06
8Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.954:09
9Look Away
engineer:
Will Gosling
producer:
Robin Millar
mixer:
Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
vocals:
Stuart Adamson
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986)
music videos:
Look Away by Big Country
recording of:
Look Away
lyricist and composer:
Stuart Adamson
publisher:
Big Country Music Ltd. and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1986)
Big Country3.54:26
10I Know There’s Something Going On
bass:
Mo Foster
drums (drum set) and background vocals:
Phil Collins (of Genesis)
guitar:
Daryl Stuermer
keyboard:
Peter Robinson (English score composer)
lead vocals:
Frida (Swedish singer and member of ABBA)
recording of:
I Know There’s Something Going On
lyricist and composer:
Russ Ballard
publisher:
EMI April Music Inc. and Russell Ballard Ltd
Frida45:29
1125 Years
recording of:
25 Years
lyricist and composer:
Don Snow
publisher:
Don Snow Music, SMV Schacht Musikverlage GmbH & CO KG (GEMA-affiliated) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1983)
The Catch3:54
12In the Army Now
producer:
Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986), Mercury Records Ltd. (UK) (in 1986), Phonogram Ltd. (London) (company name, NOT a label!) (in 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986) and Quo Entertainment (in 1986)
produced for:
Handle Artists
cover recording of:
In the Army Now
writer:
Ferdi Bolland and Rob Bolland
publisher:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV and The International Music Network
Status Quo2.53:54
13Come On Eileen
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 1)
recording of:
Come On Eileen (in 1982)
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners & The Emerald Express33:29
14I Engineer
Animotion4:13
15Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.13:51
16Tainted Love
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1981)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell2:52
2▼CD
#TitleArtistRatingLength
1You Keep Me Hangin’ On
recorded in:
England, United Kingdom
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
guitar:
Steve Byrd
keyboard:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
part of:
Cachitos Nochevieja 2022 (number: 108)
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kim Wilde3.454:15
2Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.653:51
3Maniac
producer:
Phil Ramone and Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
writer:
Dennis Matkosky and Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1983 nominee)
Michael Sembello4.154:03
4High Energy
phonographic copyright (℗) by:
Record Shack (in 1984)
recording of:
High Energy
writer:
Ian Levine (Hi-NRG music songwriter and producer) and Fiachra Trench
publisher:
EMI Tunes Ltd and Filmtracks Picture
Evelyn Thomas33:40
5So Many Men So Little Time
recording of:
So Many Men, So Little Time
writer:
Ian Levine (Hi-NRG music songwriter and producer) and Fiachra Trench
publisher:
ATV Music Ltd. (in 1983)
Miquel Brown4:45
6Down on the Streets
recording of:
Down on the Street
writer:
Roger Odell and Bill Sharpe
publisher:
Skratch Music Publishing Ltd.
Shakatak3:18
7Let the Music Play
recording of:
Let the Music Play
writer:
Chris Barbosa (Rhythm Method) and Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
Shannon3:30
8Somebody’s Watching Me
producer:
Curtis Anthony Nolen and Rockwell (R & B – “Somebody’s Watching Me”)
background vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5)
guest vocals:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 20)
recording of:
Somebody’s Watching Me
lyricist and composer:
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:58
9Last Night a DJ Saved My Life
recording of:
Last Night a D.J. Saved My Life
lyricist and composer:
Mike Cleveland (80's dance)
publisher:
Windswept Pacific Music Ltd.
Indeep44:42
10Fresh
recording of:
Fresh
writer:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang4.254:24
11The Night You Murdered Love
assistant recording engineer and assistant mixer:
Tim Burrell
recording engineer:
Martyn Webster (engineer)
co-producer:
Bernard Edwards (American bassist and record producer)
producer:
Bernard Edwards (American bassist and record producer), Martin Fry and Mark White (ABC/Vice Versa)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
bass:
Brad Lang
double bass:
Danny Thompson (English double bass player)
drums (drum set):
Graham Broad
harmonica:
Judd Lander
keyboard:
David Clayton
percussion:
Pandit Dinesh and Louis Jardim
saxophone:
Howie Casey
strings arranger:
Richard Niles
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recorded at and mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom
part of:
The Downloader’s Music Source Book (number: 74)
recording of:
The Night You Murdered Love
writer:
Martin Fry and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music and Neutron Music Ltd.
ABC54:54
12She’s Strange
recording of:
She’s Strange
writer:
Larry Blackmon, Tomi Jenkins, Nathan Leftenant and Charlie Singleton (Cameo)
Cameo3:47
13Just an Illusion
recording of:
Just an Illusion
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Broadley Music (International) Ltd. (PRS)
Imagination4.353:54
14Live Is Life
drums (drum set):
Günter Grasmuck (on 1984-09-02)
electric bass guitar:
Niki Gruber (on 1984-09-02)
guitar:
Ewald Pfleger (on 1984-09-02)
keyboard:
Kurt René Plisnier (on 1984-09-02)
lead vocals:
Herwig Rüdisser (on 1984-09-02)
phonographic copyright (℗) by:
OK Music (in 1984) and Deshima Music GmbH (in 2000)
recorded at:
Informstadion in Oberwart, Burgenland, Austria (on 1984-09-02)
music videos:
Live Is Life by Opus (Austrian band; track: “Live Is Life”)
live recording of:
Live Is Life (song by Opus) (on 1984-09-02)
lyricist:
Ewald Pfleger
composer:
Günter Grasmuck, Peter Niklas Gruber, Ewald Pfleger, Kurt René Plisnier and Herwig Rüdisser
publisher:
Garden of Music Publishing and Opus Music (Publisher for Opus)
Opus3.54:14
15Square Rooms
recording of:
Square Rooms
writer:
Al Corley, Harold Faltermeyer and Peter Wood (UK keyboardist/pianist)
publisher:
Kilauea Musikverlag and Ufaton (publisher)
Al Corley3:42
16Slice Me Nice
recording of:
Slice Me Nice
lyricist and composer:
Todd Canedy
Fancy44:22

Credits

Release group

part of:Party Power Pack (Polystar, Germany) (number: 2003.2) (order: 10)