Ciné Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Gladiator: Now We Are Free
vocals:
Lisa Gerrard
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Universal Classics (in 2000)
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
Hans Zimmer & Lisa Gerrard4:14
2Atlantide: Aussi loin que tes rêves
Lena Ka4:58
3La Cité des anges: Uninvited
recording engineer:
Mark Hutchins and Renato Petruzziello
producer:
Alanis Morissette
additional mixer:
Brent Clark
assistant mixer:
Paul Pilsneniks
mixer:
Chris Fogel (engineer)
additional editor:
Oscar Gaona
recorded at:
Brooklyn Academy of Music in Brooklyn, New York, New York, United States (on 1999-09-18)
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia
live recording of:
Uninvited (on 1999-09-18)
lyricist and composer:
Alanis Morissette
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette44:35
4Coup de foudre à Notting Hill: When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:14
5La Plage: Pure Shores
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints4:28
6Phénomène: Change the World
Eric Clapton3:57
7Man on the Moon: Man on the Moon
recording of:
Man on the Moon
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4:39
8Roméo + Juliette: Love Fool
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3:15
9Batman Forever: Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
10Quatre mariages et un enterrement: Love Is All Around
Wet Wet Wet3:58
11Pulp Fiction: Girl, You'll Be a Woman Soon
cover recording of:
Girl, You’ll Be a Woman Soon
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1967)
Urge Overkill3.93:09
12Purple Rain: When Doves Cry
recording engineer:
David Leonard (US producer and engineer) (on 1984-03-01) and Peggy Mac (on 1984-03-01)
producer:
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], electric guitar, synthesizer [Oberheim OB-Xa], synthesizer [Yamaha DX7], background vocals and lead vocals:
Prince (“The Artist Formerly Known as…”) (on 1984-03-01)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1984-03-01)
edit of:
When Doves Cry (album version) by Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
When Doves Cry (on 1984-03-01)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions and Controversy Music
Prince4.53:48
13Contre toute attente: Against All Odds (Take a Look at Me Now)
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Phil Collins3.83:23
14Pretty Woman: It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:17
15Le Journal de Bridget Jones: Out of Reach (Blacksmith Rerub radio edit)
remix of:
Out of Reach by Gabrielle (British singer‐songwriter)
edit of:
Out of Reach (Blacksmith Rerub mix) by Gabrielle (British singer‐songwriter)
recording of:
Out of Reach (in 2001)
writer:
Louise Gabrielle Bobb (British singer‐songwriter) and Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3:38
16American Pie 2: Mrs. Robinson
cover recording of:
Mrs. Robinson
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
The Lemonheads3:44
17Elle est trop bien: Kiss Me (radio remix)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3:16
18Couple de stars: All the Love in the World (remix)
recording engineer:
Michel Gallone and Tim Martin (engineer)
additional programming:
Cory Churko and Kevin Churko
programming:
Richard Meyer (American folk singer-songwriter)
assistant engineer:
Michel Gallone, Frances Murphy and Keith Roche
producer:
Robert John “Mutt” Lange (Robert John Lange)
assistant mixer:
Adam Olmsted (engineer)
mixer:
Mike Shipley (audio engineer, mixer, producer)
additionally recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recorded at:
Westland Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
All the Love in the World
writer:
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr and Robert John “Mutt” Lange (Robert John Lange)
The Corrs34:22
19Ali: Ain't No Way
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Cissy Houston (from 1967-12-19 until 1967-12-20)
choir vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
horn arranger and strings arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording of:
Ain’t No Way (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin54:11