Ciné Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Gladiator: Now We Are Free
vocals:
Lisa Gerrard
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Universal Classics (in 2000)
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
Hans Zimmer & Lisa Gerrard4:14
2Atlantide: Aussi loin que tes rêves
Lena Ka4:58
3La Cité des anges: Uninvited
recording engineer:
Mark Hutchins und Renato Petruzziello
Produzent(in):
Alanis Morissette
assistierende(r) Mix:
Paul Pilsneniks
Mix:
Chris Fogel (engineer)
zusätzliche(r) Mix:
Brent Clark
zusätzliches Editing:
Oscar Gaona
aufgenommen bei:
Brooklyn Academy of Music in Brooklyn, New York, New York, Vereinigte Staaten (am 1999-09-18)
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australien
live recording of:
Uninvited (am 1999-09-18)
Texter und Komponist(in):
Alanis Morissette
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette44:35
4Coup de foudre à Notting Hill: When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:14
5La Plage: Pure Shores
recording of:
Pure Shores
Komponist(in):
Shaznay Lewis und William Orbit (English musician, composer and record producer)
All Saints4:28
6Phénomène: Change the World
Eric Clapton3:57
7Man on the Moon: Man on the Moon
recording of:
Man on the Moon
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4:39
8Roméo + Juliette: Love Fool
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3:15
9Batman Forever: Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
10Quatre mariages et un enterrement: Love Is All Around
Wet Wet Wet3:58
11Pulp Fiction: Girl, You'll Be a Woman Soon
cover recording of:
Girl, You’ll Be a Woman Soon
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1967)
Urge Overkill3.93:09
12Purple Rain: When Doves Cry
recording engineer:
David Leonard (US producer and engineer) (am 1984-03-01) und Peggy Mac (am 1984-03-01)
Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], E-Gitarre, Synthesizer [Oberheim OB-Xa], Synthesizer [Yamaha DX7], Hintergrundgesang und Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1984-03-01)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1984-03-01)
Bearbeitung von:
When Doves Cry (album version) von Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
When Doves Cry (am 1984-03-01)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions und Controversy Music
Prince4.53:48
13Contre toute attente: Against All Odds (Take a Look at Me Now)
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Phil Collins3.83:23
14Pretty Woman: It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:17
15Le Journal de Bridget Jones: Out of Reach (Blacksmith Rerub radio edit)
Remix von:
Out of Reach von Gabrielle (British singer‐songwriter)
Bearbeitung von:
Out of Reach (Blacksmith Rerub mix) von Gabrielle (British singer‐songwriter)
recording of:
Out of Reach (in 2001)
Verfasser(in):
Louise Gabrielle Bobb (British singer‐songwriter) und Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3:38
16American Pie 2: Mrs. Robinson
cover recording of:
Mrs. Robinson
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
The Lemonheads3:44
17Elle est trop bien: Kiss Me (radio remix)
recording of:
Kiss Me
Texter und Komponist(in):
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs und Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3:16
18Couple de stars: All the Love in the World (remix)
recording engineer:
Michel Gallone und Tim Martin (engineer)
Programmierung:
Richard Meyer (American folk singer-songwriter)
zusätzliche Programmierung:
Cory Churko und Kevin Churko
assistierende(r) Techniker(in):
Michel Gallone, Frances Murphy und Keith Roche
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
assistierende(r) Mix:
Adam Olmsted (engineer)
Mix:
Mike Shipley (audio engineer, mixer, producer)
aufgenommen bei:
Westland Studios in Dublin, County Dublin, Leinster, Irland
zusätzlich aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
All the Love in the World
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr, Sharon Corr und Robert John “Mutt” Lange (Robert John Lange)
The Corrs34:22
19Ali: Ain't No Way
recorded in:
New York, New York, Vereinigte Staaten
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Henry Haywood (von 1967-12-19 bis 1967-12-20)
Bassgitarre:
Tommy Cogbill (von 1967-12-19 bis 1967-12-20)
Bassposaune:
Tony Studd (von 1967-12-19 bis 1967-12-20)
flute:
Frank Wess (von 1967-12-19 bis 1967-12-20)
Klavier:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-19 bis 1967-12-20)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-19 bis 1967-12-20), Seldon Powell (von 1967-12-19 bis 1967-12-20) und Frank Wess (von 1967-12-19 bis 1967-12-20)
Trompete:
Bernie Glow (von 1967-12-19 bis 1967-12-20), Melvin Lastie (von 1967-12-19 bis 1967-12-20) und Joe Newman (US jazz trumpeter) (von 1967-12-19 bis 1967-12-20)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-19 bis 1967-12-20)
Chorgesang:
Carolyn Franklin (von 1967-12-19 bis 1967-12-20) und The Sweet Inspirations (von 1967-12-19 bis 1967-12-20)
Hintergrundgesang:
Cissy Houston (von 1967-12-19 bis 1967-12-20)
vocals:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Horn arranger und Saiteninstrumente arranger:
Arif Mardin
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-12-19 bis 1967-12-20)
recording of:
Ain’t No Way (von 1967-12-19 bis 1967-12-20)
Texter und Komponist(in):
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin54:11

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