The Complete Pablo Group Masterpieces

~ Release by Art Tatum (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Night and Day
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1955-03)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:12
2I Won't Dance
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1955-03)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:31
3In a Sentimental Mood
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
In a Sentimental Mood (in 1955-03)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
5:04
4The Moon Is Low
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
The Moon Is Low (from MGM film "Montana Moon") (in 1955-03)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
4:15
5Moon Song
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
Moon Song
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:09
6You Took Advantage of Me
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
You Took Advantage of Me (in 1955-03)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:38
7This Can't Be Love
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
This Can’t Be Love (in 1955-03)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
3:52
8I Surrender Dear
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
I Surrender Dear (in 1955-03)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
6:58
9I Won't Dance (alternate take)
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1955-03)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:33
10In a Sentimental Mood (alternate take)
double bass:
John Simmons (bassist) (in 1955-03)
drums (drum set):
Alvin Stoller (in 1955-03)
piano:
Art Tatum (US jazz pianist) (from 1955-03 to present)
trumpet:
Roy Eldridge (in 1955-03)
instrumental recording of:
In a Sentimental Mood (in 1955-03)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
5:01
11What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-08-01)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
7:06
12I'll Never Be the Same
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
I’ll Never Be the Same (on 1955-08-01)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
6:38
13Makin' Whoopee
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Makin’ Whoopee! (on 1955-08-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
7:06
14Hallelujah
recorded in:
Los Angeles, California, United States (on 1955-08-01)
drums (drum set):
Buddy Rich (on 1955-08-01)
piano:
Art Tatum (US jazz pianist) (on 1955-08-01)
vibraphone:
Lionel Hampton (on 1955-08-01)
instrumental recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
4:53
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