The Complete Pablo Group Masterpieces

~ Veröffentlichung von Art Tatum (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Night and Day
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1955-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
6:12
2I Won't Dance
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1955-03)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:31
3In a Sentimental Mood
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
In a Sentimental Mood (in 1955-03)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
5:04
4The Moon Is Low
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
The Moon Is Low (from MGM film "Montana Moon") (in 1955-03)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
4:15
5Moon Song
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
Moon Song
Texter:
Sam Coslow (in 1932)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:09
6You Took Advantage of Me
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
You Took Advantage of Me (in 1955-03)
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:38
7This Can't Be Love
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
This Can’t Be Love (in 1955-03)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
3:52
8I Surrender Dear
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
I Surrender Dear (in 1955-03)
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
6:58
9I Won't Dance (alternate take)
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1955-03)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:33
10In a Sentimental Mood (alternate take)
Klavier:
Art Tatum (US jazz pianist) (vom 1955-03 bis heute)
Kontrabass:
John Simmons (bassist) (in 1955-03)
Schlagzeug:
Alvin Stoller (in 1955-03)
Trompete:
Roy Eldridge (in 1955-03)
instrumental recording of:
In a Sentimental Mood (in 1955-03)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
5:01
11What Is This Thing Called Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1955-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
7:06
12I'll Never Be the Same
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
I’ll Never Be the Same (am 1955-08-01)
Texter:
Gus Kahn
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) und France Mélodie
6:38
13Makin' Whoopee
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Makin’ Whoopee! (am 1955-08-01)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
7:06
14Hallelujah
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-01)
Klavier:
Art Tatum (US jazz pianist) (am 1955-08-01)
Schlagzeug:
Buddy Rich (am 1955-08-01)
Vibraphon:
Lionel Hampton (am 1955-08-01)
instrumental recording of:
Hallelujah!
Texter:
Clifford Grey (in 1927) und Leo Robin (US composer, lyricist & songwriter) (in 1927)
Komponist(in):
Vincent Youmans (in 1927)
Teil von:
Hit the Deck (1955 movie)
4:53
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