101 Girls Night

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Waterloo
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1973-12-17)
Bassgitarre:
Rutger Gunnarsson (am 1973-12-17)
Gitarre:
Janne Schaffer (am 1973-12-17, am 1974-02-20)
Moog, mellotron und Klavier:
Benny Andersson (ABBA) (am 1973-12-17)
Schlagzeug:
Ola Brunkert (am 1973-12-17, am 1974-02-20)
Tenorsaxophon:
Christer Eklund (am 1974-01-04)
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1974) und Polar Music International AB (in 2014)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1973-12-17, am 1974-01-04, am 1974-02-20)
Teil von:
Sweden in the Eurovision Song Contest (Schweden beim Eurovision Song Contest) (Nummer: 1974) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1974)
recording of:
Waterloo (English version) (von 1973-12-17 bis 1974-01)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Overseas Songs (beendet), Polar Music AB (beendet), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1974 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1974 bis heute) und Universal/Union Songs Musikförlag AB (vom 1974 bis heute)
übersetzte Version von:
Waterloo (Swedish version)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.752:44
2If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.754:00
3Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:25
4Flashdance… What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:49
5Get It On
recording of:
Get It On (Bang a Gong)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4:26
6Common People
recording of:
Common People
Texter:
Jarvis Cocker
Komponist(in):
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) und Russell Senior
Premiere bei:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2018-03-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Pulp2.44:05
7The Tide Is High
recording of:
The Tide Is High
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Atomic Kitten3:21
8Upside Down
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:37
9You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White43:21
10The Grease Mega‐mix
Sologesang:
Olivia Newton‐John (British‐Australian singer, actress and activist) und John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-Mixer:
Ian Curnow und Phil Harding (engineer, producer and remixer)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-Mix von und Mashup von:
You’re the One That I Want von John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ von John Travolta (American actor and singer) und Summer Nights von John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
Verfasser(in):
Warren Casey, John Farrar und Jim Jacobs
Medley von:
You’re the One That I Want (Grease, 1978 film)
Medley von:
Greased Lightnin’ (Grease, 1971 musical)
Medley von:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:48
11Don’t You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:58
12Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
13Poison Arrow
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Sologesang:
Martin Fry
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
The Downloader’s Music Source Book (Nummer: 76)
recording of:
Poison Arrow
Verfasser(in):
Martin Fry, Mark Lickley, Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. und Virgin Music (Publishing) Ltd.
Teil von:
Mantrap (ABC long-form film)
ABC4.43:24
14Pull Up to the Bumper
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3:38
15All I Wanna Do
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 405)
recording of:
All I Wanna Do
Verfasser(in):
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) und Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. und Zen of Iniquity
Sheryl Crow3.94:33
16Mr Rock & Roll
Assistent recording engineer:
Guy Katsav
Keyboard-Programmierung und Klavier-Programmierung:
Pete Wilkinson
Techniker(in):
Joe Fields (American jazz producer)
leitende(r) Produzent(in):
Paul Adam
zusätzliche(r) Produzent(in):
Joe Fields (American jazz producer)
Mix:
Bob Clearmountain
Editing:
Beatriz Artola
Akustikgitarre und Sologesang:
Amy Macdonald (Scottish singer/songwriter)
Bassgitarre:
Jamie Sefton
Bratsche / Viola:
Susan Dench (violist) und Chris Tumbling
Cello:
Audrey Riley
E-Gitarre:
Jolyon Dixon
Geigenfamilie:
Richard George (violinist), Jonathan Hill (violinist) und Laura Melhuish (British violinist)
Keyboard und Klavier:
Pete Wilkinson
Perkussion:
Adam Falkner und Pete Wilkinson
Schlagzeug:
Adam Falkner
Hintergrundgesang:
Sarah Erasmus
conductor:
Audrey Riley
Saiteninstrumente arranger:
Pete Wilkinson
phonographisches Urheberrecht (℗) von:
Melodramatic Records Ltd. (in 2007)
aufgenommen bei:
Brooklands Road Studio in London (Greater London), England, Vereinigtes Königreich und Soho Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Mr Rock & Roll
Texter und Komponist(in):
Amy Macdonald (Scottish singer/songwriter)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Amy Macdonald3.23:35
17It’s My Party
Programmierung:
Colino Fresh
assistierende(r) Techniker(in):
Joel Peters (mixing, mastering, engineer) und Justin Pancione
Techniker(in):
Mark “Exit” Goodchild und John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Johnny BLK und Claude Kelly (Aufgabe: and vocals)
zusätzliche(r) Produzent(in):
Colino Fresh
Mix:
Serban Ghenea
Bass und Schlagzeug und Gitarre:
Johnny BLK
vocals:
Jessie J (English singer-songwriter)
produced for:
Carousel Music Entertainment, LLC, Impact Records, LLC, Make Moves Management, Inc. und Studiobeast, LLC
aufgenommen bei:
KMA Studios in New York, New York, Vereinigte Staaten und Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
It’s My Party
Verfasser(in):
Jessica Cornish (English singer-songwriter), Claude Kelly, John Lardieri und Colin Norman
publisher:
3M Holdings, Bat Radar Music, John Lardieri LLC, Norman Colin A, Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) und Warner Tamerlane (publisher; do NOT use as release label)
sub-publisher:
3M Holdings LLC, Kobalt Music Copyrights (UK) Ltd, Kobalt Music Copyrights SARL, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Kobalt Music Services Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Notting Dale Songs, Inc., Notting Hill Music (UK) Ltd., Sony Music Publishing (Germany) GmbH, Sony/ATV Music Publishing LLC (1995–2020), Warner Bros., Inc. (not for release label use!) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jessie J23:39
18She Works Hard for the Money
Produzent(in):
Michael Omartian
recording of:
She Works Hard for the Money (in 1983)
Verfasser(in):
Michael Omartian und Donna Summer (soul/disco diva)
publisher:
Warner Chappell, See This House Music (vom 1983 bis heute) und Sweet Summer Night Music (vom 1983 bis heute)
Donna Summer54:33
19Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:35
20Dreams
Produzent(in):
Richie Fermie
Mix:
John Brough
Gitarre:
Paul Noble (member of "Warm Jets")
phonographisches Urheberrecht (℗) von:
Go Beat Ltd. (in 1993) und Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dreams (in 1993)
Verfasser(in):
Tim Laws und Louise Gabrielle Bobb (British singer‐songwriter)
publisher:
Imagem London Ltd., Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle33:48
4▶CD
5▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:101 Hits (UMC (Universal Music Catalogue UK) Series) (Nummer: Girls Night) (Reihenfolge: 12)
Allmusic:https://www.allmusic.com/album/mw0003127158 [Info]