101 Girls Night

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Waterloo
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1973-12-17, il 1974-02-20)
chitarra :
Janne Schaffer (il 1973-12-17, il 1974-02-20)
chitarra acustica :
Björn Ulvaeus (il 1973-12-17)
chitarra basso :
Rutger Gunnarsson (il 1973-12-17)
moog, mellotron e pianoforte :
Benny Andersson (ABBA) (il 1973-12-17)
sassofono tenore :
Christer Eklund (il 1974-01-04)
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1974) e Polar Music International AB (nel 2014)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1973-12-17, il 1974-01-04, il 1974-02-20)
parte di:
Sweden in the Eurovision Song Contest (Svezia all'Eurovision Song Contest) (numero: 1974) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1974)
registrazione di:
Waterloo (English version) (dal 1973-12-17 al 1974-01)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Overseas Songs (conclusa), Polar Music AB (conclusa), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1974 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1974 a oggi) e Universal/Union Songs Musikförlag AB (dal 1974 a oggi)
versione tradotta di:
Waterloo (Swedish version)
parte di:
Mamma Mia! (1999 musical)
ABBA3.752:44
2If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.754:00
3Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:25
4Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:49
5Get It On
registrazione di:
Get It On (Bang a Gong)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4:26
6Common People
registrazione di:
Common People
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp2.44:05
7The Tide Is High
registrazione di:
The Tide Is High
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Atomic Kitten3:21
8Upside Down
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980)
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Tommy Jymi Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross43:37
9You’re the First, the Last, My Everything
tecnico:
Frank Kejmar (engineer)
produttore:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974)
registrazione di:
You’re the First, the Last, My Everything
autore:
Peter Sterling Radcliffe, Tony Sepe e Barry White
editore:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. e World Song Publishing Inc.
Barry White43:21
10The Grease Mega‐mix
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:48
11Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:58
12Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
13Poison Arrow
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
voce principale:
Martin Fry
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
The Downloader’s Music Source Book (numero: 76)
registrazione di:
Poison Arrow
autore:
Martin Fry, Mark Lickley, Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. e Virgin Music (Publishing) Ltd.
parte di:
Mantrap (ABC long-form film)
ABC4.43:24
14Pull Up to the Bumper
registrazione di:
Pull Up to the Bumper
autore:
Lowell “Sly” Dunbar, Grace Jones, Dana Manno e Robert “Robbie” Shakespeare
editore:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) e Ixat Music
Grace Jones3:38
15All I Wanna Do
tecnico:
Blair Lamb
produttore:
Bill Bottrell
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1993) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1993)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 405)
registrazione di:
All I Wanna Do
autore:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) e Kevin Gilbert (singer‐songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. e Zen of Iniquity
Sheryl Crow3.94:33
16Mr Rock & Roll
assistente tecnico di registrazione:
Guy Katsav
programmazione degli strumenti:
Pete Wilkinson
tecnico:
Joe Fields (American jazz producer)
produttore aggiunto:
Joe Fields (American jazz producer)
produttore esecutivo:
Paul Adam
tecnico di missaggio:
Bob Clearmountain
editor:
Beatriz Artola
batteria :
Adam Falkner
chitarra acustica e voce principale:
Amy Macdonald (Scottish singer/songwriter)
chitarra basso :
Jamie Sefton
chitarra elettrica :
Jolyon Dixon
famiglia dei violini :
Richard George (violinist), Jonathan Hill (violinist) e Laura Melhuish (British violinist)
percussione :
Adam Falkner e Pete Wilkinson
pianoforte e tastiera :
Pete Wilkinson
viola :
Susan Dench (violist) e Chris Tumbling
violoncello :
Audrey Riley
voce di accompagnamento:
Sarah Erasmus
direttore d'orchestra:
Audrey Riley
arrangiatore archi :
Pete Wilkinson
diritti fonografici (℗) detenuti da:
Melodramatic Records Ltd. (nel 2007)
registrata presso:
Brooklands Road Studio in London (Greater London), England, Regno Unito e Soho Recording Studios in London (Greater London), England, Regno Unito
registrazione di:
Mr Rock & Roll
paroliere e compositore:
Amy Macdonald (Scottish singer/songwriter)
editore:
Warner/Chappell Music Ltd. (1996–2019)
Amy Macdonald3.23:35
17It’s My Party
programmazione:
Colino Fresh
assistente tecnico:
Joel Peters (mixing, mastering, engineer) e Justin Pancione
tecnico:
Mark “Exit” Goodchild e John Hanes (audio engineer, mixer) (incarico: engineered for mix)
produttore:
Johnny BLK e Claude Kelly (incarico: and vocals)
produttore aggiunto:
Colino Fresh
tecnico di missaggio:
Serban Ghenea
basso e batteria e chitarra :
Johnny BLK
voce:
Jessie J (English singer-songwriter)
è stato produttore per:
Carousel Music Entertainment, LLC, Impact Records, LLC, Make Moves Management, Inc. e Studiobeast, LLC
registrata presso:
KMA Studios in New York, New York, Stati Uniti e Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
registrazione di:
It’s My Party
autore:
Jessica Cornish (English singer-songwriter), Claude Kelly, John Lardieri e Colin Norman
editore:
3M Holdings, Bat Radar Music, John Lardieri LLC, Norman Colin A, Sony/ATV Music Publishing (UK) Ltd., Studio Beast Music (publishing company linked to Claude Kelly) e Warner Tamerlane (publisher; do NOT use as release label)
sub-editore:
3M Holdings LLC, Kobalt Music Copyrights (UK) Ltd, Kobalt Music Copyrights SARL, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Kobalt Music Services Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present), Notting Dale Songs, Inc., Notting Hill Music (UK) Ltd., Sony Music Publishing (Germany) GmbH, Sony/ATV Music Publishing LLC (1995–2020), Warner Bros., Inc. (not for release label use!) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jessie J23:39
18She Works Hard for the Money
produttore:
Michael Omartian
registrazione di:
She Works Hard for the Money (nel 1983)
autore:
Michael Omartian e Donna Summer (soul/disco diva)
editore:
Warner Chappell, See This House Music (dal 1983 a oggi) e Sweet Summer Night Music (dal 1983 a oggi)
Donna Summer54:33
19Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.352:35
20Dreams
produttore:
Richie Fermie
tecnico di missaggio:
John Brough
chitarra :
Paul Noble (member of "Warm Jets")
diritti fonografici (℗) detenuti da:
Go Beat Ltd. (nel 1993) e Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1993)
registrazione di:
Dreams (nel 1993)
autore:
Tim Laws e Louise Gabrielle Bobb (British singer‐songwriter)
editore:
Imagem London Ltd., Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle33:48
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Accreditamenti

Gruppo di pubblicazioni

parte di:101 Hits (UMC (Universal Music Catalogue UK) Series) (numero: Girls Night) (ordine: 12)
Allmusic:https://www.allmusic.com/album/mw0003127158 [info]