Mission: Impossible: Music From the Original Motion Picture Score

~ Release by Danny Elfman (see all versions of this release, 6 available)

Annotation

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(As of 2025-07-15).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
Annotation last modified on 2025-07-15 19:31 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Sleeping Beauty
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Sleeping Beauty
composer:
Danny Elfman (American singer and score composer)
2:29
2Mission Impossible - Main Theme
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Mission: Impossible theme (Danny Elfman version)
composer:
Lalo Schifrin (pianist & composer)
arranger:
Danny Elfman (American singer and score composer)
revision of:
Mission: Impossible
1:03
3Red Handed
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Red Handed
composer:
Danny Elfman (American singer and score composer)
4:21
4Big Trouble
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Big Trouble
composer:
Danny Elfman (American singer and score composer)
5:33
5Love Theme?
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Love Theme?
composer:
Danny Elfman (American singer and score composer)
2:21
6Mole Hunt
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Mole Hunt
composer:
Danny Elfman (American singer and score composer)
3:02
7The Disc
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
The Disc
composer:
Danny Elfman (American singer and score composer)
1:54
8Max Found
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Max Found
composer:
Danny Elfman (American singer and score composer)
1:02
9Looking for “Job”
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Looking for "Job"
composer:
Danny Elfman (American singer and score composer)
4:38
10Betrayal
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Betrayal
composer:
Danny Elfman (American singer and score composer)
part of:
Mission: Impossible
2:56
11The Heist
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
The Heist
composer:
Danny Elfman (American singer and score composer)
5:47
12Uh-Oh!
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Uh-Oh!
composer:
Danny Elfman (American singer and score composer)
1:29
13Biblical Revelation
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Biblical Revelation
composer:
Danny Elfman (American singer and score composer)
1:34
14Phone Home
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Phone Home
composer:
Danny Elfman (American singer and score composer)
2:25
15Train Time
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Train Time
composer:
Danny Elfman (American singer and score composer)
4:11
16Ménage à trois
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Ménage à trois
composer:
Danny Elfman (American singer and score composer)
2:55
17Zoom A
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Zoom A
composer:
Danny Elfman (American singer and score composer)
1:53
18Zoom B
recording engineer and mixer:
Shawn Murphy (producer/engineer)
assistant engineer:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean and Pat Weber
editor:
Ellen Segal
conductor:
Artie Kane
orchestrator:
Steve Bartek and Mark McKenzie (US film composer/orchestrator)
phonographic copyright (℗) by:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
recording of:
Zoom B
composer:
Danny Elfman (American singer and score composer)
2:56