Mission: Impossible: Music From the Original Motion Picture Score

~ Pubblicazione di Danny Elfman (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

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1▼Supporto digitale
#TitoloValutazioneDurata
1Sleeping Beauty
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Sleeping Beauty
compositore:
Danny Elfman (American singer and score composer)
2:29
2Mission Impossible - Main Theme
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Mission: Impossible theme (Danny Elfman version)
compositore:
Lalo Schifrin (pianist & composer)
arrangiatore:
Danny Elfman (American singer and score composer)
revisione di:
Mission: Impossible
1:03
3Red Handed
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Red Handed
compositore:
Danny Elfman (American singer and score composer)
4:21
4Big Trouble
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Big Trouble
compositore:
Danny Elfman (American singer and score composer)
5:33
5Love Theme?
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Love Theme?
compositore:
Danny Elfman (American singer and score composer)
2:21
6Mole Hunt
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Mole Hunt
compositore:
Danny Elfman (American singer and score composer)
3:02
7The Disc
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
The Disc
compositore:
Danny Elfman (American singer and score composer)
1:54
8Max Found
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Max Found
compositore:
Danny Elfman (American singer and score composer)
1:02
9Looking for “Job”
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Looking for "Job"
compositore:
Danny Elfman (American singer and score composer)
4:38
10Betrayal
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Betrayal
compositore:
Danny Elfman (American singer and score composer)
parte di:
Mission: Impossible
2:56
11The Heist
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
The Heist
compositore:
Danny Elfman (American singer and score composer)
5:47
12Uh-Oh!
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Uh-Oh!
compositore:
Danny Elfman (American singer and score composer)
1:29
13Biblical Revelation
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Biblical Revelation
compositore:
Danny Elfman (American singer and score composer)
1:34
14Phone Home
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Phone Home
compositore:
Danny Elfman (American singer and score composer)
2:25
15Train Time
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Train Time
compositore:
Danny Elfman (American singer and score composer)
4:11
16Ménage à trois
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Ménage à trois
compositore:
Danny Elfman (American singer and score composer)
2:55
17Zoom A
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Zoom A
compositore:
Danny Elfman (American singer and score composer)
1:53
18Zoom B
tecnico di registrazione e tecnico di missaggio:
Shawn Murphy (producer/engineer)
assistente tecnico:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean e Pat Weber
editor:
Ellen Segal
direttore d'orchestra:
Artie Kane
orchestratore:
Steve Bartek e Mark McKenzie (US film composer/orchestrator)
diritti fonografici (℗) detenuti da:
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1996)
registrazione di:
Zoom B
compositore:
Danny Elfman (American singer and score composer)
2:56