An Easy Introduction To Jazz - Top 18 Albums

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Somethin’ Else / Groove Yard
2▶CD: Kind of Blue
3▶CD: Ella and Louis
4▶CD: Giant Steps / Study in Brown
5▼CD: Chet Baker Sings / The Cole Porter Songbook
Nr.TitelKünstlerBewertungLänge
1That Old Feeling
Produzent(in):
Richard Bock (record producer)
Bass:
Carson Smith und Jimmy Bond (am 1956-07-23)
Celesta:
Russ Freeman (pianist)
Klavier:
Russ Freeman (pianist) (am 1956-07-23)
Kontrabass:
Jimmy Bond (am 1956-07-23)
Schlagzeug:
Lawrence Marable, Bob Neel und Peter Littman (am 1956-07-23)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-23)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-23)
aufgenommen bei:
The Forum Theater in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-07-23)
cover recording of:
That Old Feeling (am 1956-07-23)
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
Chet Baker33:03
2It's Always You
Produzent(in):
Richard Bock (record producer)
Bass:
Jimmy Bond (am 1956-07-23)
Klavier:
Russ Freeman (pianist) (am 1956-07-23)
Schlagzeug:
Peter Littman (am 1956-07-23)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-23)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-23)
aufgenommen bei:
The Forum Theater in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-07-23)
recording of:
It’s Always You (am 1956-07-23)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Chet Baker33:35
3Like Someone in Love
Produzent(in):
Richard Bock (record producer)
Bass:
Carson Smith (am 1956-07-30)
Klavier:
Russ Freeman (pianist) (am 1956-07-30)
Schlagzeug:
Lawrence Marable (am 1956-07-30) und Bob Neel (am 1956-07-30)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-30)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-30)
aufgenommen bei:
The Forum Theater in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-07-30)
cover recording of:
Like Someone in Love (am 1956-07-30)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Chet Baker32:26
4By Ideal
Produzent(in):
Richard Bock (record producer)
Bass:
Carson Smith (am 1956-07-30)
Klavier:
Russ Freeman (pianist) (am 1956-07-30)
Schlagzeug:
Lawrence Marable (am 1956-07-30) und Bob Neel (am 1956-07-30)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-30)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-30)
aufgenommen bei:
The Forum Theater in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-07-30)
cover recording of:
My Ideal (from “Playboy of Paris”) (am 1956-07-30)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Newell Chase und Richard A. Whiting (composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Chet Baker24:26
5I've Never Been in Love Before
Produzent(in):
Richard Bock (record producer)
Bass:
Jimmy Bond (am 1956-07-23)
Klavier:
Russ Freeman (pianist) (am 1956-07-23)
Schlagzeug:
Peter Littman (am 1956-07-23)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-23)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-23)
aufgenommen bei:
The Forum Theater in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-07-23)
cover recording of:
I’ve Never Been in Love Before (am 1956-07-23)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Chet Baker24:28
6My Buddy
Bass:
Carson Smith (am 1956-07-30)
Klavier:
Russ Freeman (pianist) (am 1956-07-30)
Kontrabass:
Jimmy Bond (am 1956-07-30)
Schlagzeug:
Lawrence Marable (am 1956-07-30) und Bob Neel (am 1956-07-30)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-30)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1956-07-30)
aufgenommen bei:
The Forum Theater in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-07-30)
cover recording of:
My Buddy (am 1956-07-30)
Texter:
Gus Kahn (in 1922)
Komponist(in):
Walter Donaldson (in 1922)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chet Baker23:19
7But not for Me
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
But Not for Me (am 1954-02-15)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Chet Baker33:04
8Time After Time
Produzent(in):
Richard Bock (record producer)
Celesta und Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Jimmy Bond (am 1954-02-15) und Carson Smith (am 1954-02-15)
Schlagzeug:
Peter Littman (am 1954-02-15), Lawrence Marable (am 1954-02-15) und Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
recording of:
Time After Time (am 1954-02-15)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Chet Baker32:46
9I Get Along Without You Very Well
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
I Get Along Without You Very Well (am 1954-02-15)
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Chet Baker32:59
10My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) und Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker22:20
11There Will Never Be Another You
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass und Kontrabass [Bass]:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
There Will Never Be Another You (am 1954-02-15)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Chet Baker2.53:00
12The Thrill is Gone
Produzent(in):
Richard Bock (record producer)
Bass:
Joe Mondragon (am 1953-10-27)
Klavier:
Russ Freeman (pianist) (am 1953-10-27)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1953-10-27) und Bob Neel (am 1953-10-27)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-10-27)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-10-27)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-10-27)
cover recording of:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (am 1953-10-27)
Texter:
Lew Brown
Komponist(in):
Ray Henderson
publisher:
DeSylva, Brown and Henderson, Inc. und Redwood Music Ltd. (Carlin)
Chet Baker22:52
13I Fall In Love Too Easy
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
recording of:
I Fall in Love Too Easily (am 1954-02-15)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. und Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Chet Baker33:21
14Look for the Silver Lining
Produzent(in):
Richard Bock (record producer)
Bass:
Carson Smith
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (vom 1954 bis heute)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
Look for the Silver Lining (am 1954-02-15)
Texter:
Buddy DeSylva
Komponist(in):
Jerome Kern
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Sally (1920 musical)
Chet Baker32:41
15In the Still of the Night
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
In the Still of the Night (Cole Porter song) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Oscar Peterson2:55
16It's All Right With Me
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Oscar Peterson2:57
17Love for Sale
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Love for Sale (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Oscar Peterson3:33
18Just One of Those Things
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1959, von 1959-07-21 bis 1959-08-01)
Kontrabass:
Ray Brown (jazz bassist) (in 1959)
Schlagzeug:
Ed Thigpen (in 1959, von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Just One of Those Things (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
instrumental recording of:
Just One of Those Things (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Oscar Peterson2:27
19I've Got You Under My Skin
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
I’ve Got You Under My Skin (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Oscar Peterson2:54
20Every Time We Say Goodbye
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:24
21Night and Day
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Oscar Peterson2:37
22Easy to Love
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Easy to Love (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Oscar Peterson2:40
23Why Can't You Behave
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
Why Can’t You Behave? (from Kiss Me, Kate) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Oscar Peterson3:04
24I Love Paris
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Oscar Peterson2:15
25I Concertrate on You
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
I Concentrate on You (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Oscar Peterson3:15
26It's De-Lovely
Produzent(in):
Norman Granz
Bass:
Ray Brown (jazz bassist) (von 1959-07-21 bis 1959-08-01)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1959-07-21 bis 1959-08-01)
Schlagzeug:
Ed Thigpen (von 1959-07-21 bis 1959-08-01)
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1959-07-21 bis 1959-08-01)
instrumental recording of:
It’s De‐Lovely (von 1959-07-21 bis 1959-08-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Oscar Peterson52:29
6▶CD: The Art Tatum‐Ben Webster Quartet / Thelonious Monk Trio
7▶CD: Lady Sings the Blues / Waltz for Debby
8▶CD: Moanin’ / Tenor Madness
9▶CD: Time Out / Basie
10▶CD: The High and Mighty Hawk / Getz Meets Mulligan in Hi‐Fi

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