An Easy Introduction To Jazz - Top 18 Albums

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▶CD: Somethin’ Else / Groove Yard
2▶CD: Kind of Blue
3▶CD: Ella and Louis
4▶CD: Giant Steps / Study in Brown
5▼CD: Chet Baker Sings / The Cole Porter Songbook
#TitoloArtistaValutazioneDurata
1That Old Feeling
produttore:
Richard Bock (record producer)
basso :
Carson Smith e Jimmy Bond (il 1956-07-23)
batteria :
Lawrence Marable, Bob Neel e Peter Littman (il 1956-07-23)
celesta :
Russ Freeman (pianist)
contrabbasso :
Jimmy Bond (il 1956-07-23)
pianoforte :
Russ Freeman (pianist) (il 1956-07-23)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-23)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-23)
registrata presso:
The Forum Theater in Los Angeles, California, Stati Uniti (il 1956-07-23)
registrazione cover di:
That Old Feeling (il 1956-07-23)
paroliere:
Lew Brown
compositore:
Sammy Fain
editore:
Leo Feist, Inc. e Warner Bros. Music Corp.
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
Chet Baker33:03
2It's Always You
produttore:
Richard Bock (record producer)
basso :
Jimmy Bond (il 1956-07-23)
batteria :
Peter Littman (il 1956-07-23)
pianoforte :
Russ Freeman (pianist) (il 1956-07-23)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-23)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-23)
registrata presso:
The Forum Theater in Los Angeles, California, Stati Uniti (il 1956-07-23)
registrazione di:
It’s Always You (il 1956-07-23)
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Chet Baker33:35
3Like Someone in Love
produttore:
Richard Bock (record producer)
basso :
Carson Smith (il 1956-07-30)
batteria :
Lawrence Marable (il 1956-07-30) e Bob Neel (il 1956-07-30)
pianoforte :
Russ Freeman (pianist) (il 1956-07-30)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-30)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-30)
registrata presso:
The Forum Theater in Los Angeles, California, Stati Uniti (il 1956-07-30)
registrazione cover di:
Like Someone in Love (il 1956-07-30)
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1944)
compositore:
Jimmy Van Heusen (nel 1944)
editore:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Chet Baker32:26
4By Ideal
produttore:
Richard Bock (record producer)
basso :
Carson Smith (il 1956-07-30)
batteria :
Lawrence Marable (il 1956-07-30) e Bob Neel (il 1956-07-30)
pianoforte :
Russ Freeman (pianist) (il 1956-07-30)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-30)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-30)
registrata presso:
The Forum Theater in Los Angeles, California, Stati Uniti (il 1956-07-30)
registrazione cover di:
My Ideal (from “Playboy of Paris”) (il 1956-07-30)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Newell Chase e Richard A. Whiting (composer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Chet Baker24:26
5I've Never Been in Love Before
produttore:
Richard Bock (record producer)
basso :
Jimmy Bond (il 1956-07-23)
batteria :
Peter Littman (il 1956-07-23)
pianoforte :
Russ Freeman (pianist) (il 1956-07-23)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-23)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-23)
registrata presso:
The Forum Theater in Los Angeles, California, Stati Uniti (il 1956-07-23)
registrazione cover di:
I’ve Never Been in Love Before (il 1956-07-23)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
Guys and Dolls (Broadway musical)
Chet Baker24:28
6My Buddy
basso :
Carson Smith (il 1956-07-30)
batteria :
Lawrence Marable (il 1956-07-30) e Bob Neel (il 1956-07-30)
contrabbasso :
Jimmy Bond (il 1956-07-30)
pianoforte :
Russ Freeman (pianist) (il 1956-07-30)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-30)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1956-07-30)
registrata presso:
The Forum Theater in Los Angeles, California, Stati Uniti (il 1956-07-30)
registrazione cover di:
My Buddy (il 1956-07-30)
paroliere:
Gus Kahn (nel 1922)
compositore:
Walter Donaldson (nel 1922)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chet Baker23:19
7But not for Me
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
But Not for Me (il 1954-02-15)
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Chet Baker33:04
8Time After Time
produttore:
Richard Bock (record producer)
batteria :
Peter Littman (il 1954-02-15), Lawrence Marable (il 1954-02-15) e Bob Neel (il 1954-02-15)
celesta e pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
contrabbasso :
Jimmy Bond (il 1954-02-15) e Carson Smith (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione di:
Time After Time (il 1954-02-15)
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell/Morris Ltd. e Sands Music Corp.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Chet Baker32:46
9I Get Along Without You Very Well
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
I Get Along Without You Very Well (il 1954-02-15)
paroliere:
Jane Brown Thompson
compositore:
Hoagy Carmichael (nel 1939)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) e Sony/ATV Harmony
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Chet Baker32:59
10My Funny Valentine
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954) e Blue Note (nel 1989)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker22:20
11There Will Never Be Another You
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso e contrabbasso [Bass] :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
There Will Never Be Another You (il 1954-02-15)
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Morley Music Corp.
parte di:
The Real Book (compilation of jazz standards, volume I)
Chet Baker2.53:00
12The Thrill is Gone
produttore:
Richard Bock (record producer)
basso :
Joe Mondragon (il 1953-10-27)
batteria :
Shelly Manne (US jazz drummer) (il 1953-10-27) e Bob Neel (il 1953-10-27)
pianoforte :
Russ Freeman (pianist) (il 1953-10-27)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1953-10-27)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1953-10-27)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-10-27)
registrazione cover di:
The Thrill Is Gone (Henderson/Brown song, first performed in 1931) (il 1953-10-27)
paroliere:
Lew Brown
compositore:
Ray Henderson
editore:
DeSylva, Brown and Henderson, Inc. e Redwood Music Ltd. (Carlin)
Chet Baker22:52
13I Fall In Love Too Easy
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione di:
I Fall in Love Too Easily (il 1954-02-15)
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. e Leo Feist, Inc.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Chet Baker33:21
14Look for the Silver Lining
produttore:
Richard Bock (record producer)
basso :
Carson Smith
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (dal 1954 a oggi)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
Look for the Silver Lining (il 1954-02-15)
paroliere:
Buddy DeSylva
compositore:
Jerome Kern
editore:
Chappell & Co. e T.B. Harms Co.
parte di:
Sally (1920 musical)
Chet Baker32:41
15In the Still of the Night
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
In the Still of the Night (Cole Porter song) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (library/production music) e Chappell & Co., Inc. (USA)
Oscar Peterson2:55
16It's All Right With Me
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
It’s All Right with Me (Can‐Can musical) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell & Co., Inc. (USA)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
Oscar Peterson2:57
17Love for Sale
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Love for Sale (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
Oscar Peterson3:33
18Just One of Those Things
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (nel 1959, dal 1959-07-21 al 1959-08-01)
contrabbasso :
Ray Brown (jazz bassist) (nel 1959)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1959, dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Just One of Those Things (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
registrazione strumentale di:
Just One of Those Things (nel 1959)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Oscar Peterson2:27
19I've Got You Under My Skin
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
I’ve Got You Under My Skin (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Oscar Peterson2:54
20Every Time We Say Goodbye
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson2:24
21Night and Day
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Oscar Peterson2:37
22Easy to Love
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Easy to Love (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
Oscar Peterson2:40
23Why Can't You Behave
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Why Can’t You Behave? (from Kiss Me, Kate) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co., Inc. (USA)
parte di:
Kiss Me, Kate (musical)
Oscar Peterson3:04
24I Love Paris
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
I Love Paris (Can-Can [Pistache, Company]) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
registrazione di:
I Love Paris (Can-Can [Pistache, Company])
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
Oscar Peterson2:15
25I Concertrate on You
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
I Concentrate on You (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1939)
editore:
Chappell & Co., Inc. (USA)
Oscar Peterson3:15
26It's De-Lovely
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
It’s De‐Lovely (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
parte di:
Anything Goes
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
Oscar Peterson52:29
6▶CD: The Art Tatum‐Ben Webster Quartet / Thelonious Monk Trio
7▶CD: Lady Sings the Blues / Waltz for Debby
8▶CD: Moanin’ / Tenor Madness
9▶CD: Time Out / Basie
10▶CD: The High and Mighty Hawk / Getz Meets Mulligan in Hi‐Fi

Accreditamenti