Now That’s What I Call Christmas

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Barcode and Other Identifiers

Barcode (Text): 1 98028 30382 8
Barcode (Scanned): 198028303828
Rights Society: BIEM/SDRM
Label Code: LC48653
Matrix / Runout: CD 1 58483215/0060246800514821 Universal Logo x 4
Matrix / Runout: CD 2 58483209/0060246800515521 Universal x 4
Matrix / Runout: CD 3 58483203/0060246800518621 Universal x 4
Matrix / Runout: CD 4 58483197/0060246800516221 Universal x 4

Annotation last modified on 2024-12-16 18:49 UTC.

Tracklist

1CD
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3CD
4CD
#TitleArtistRatingLength
1The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:30
2Stay Another Day
background vocals:
Tee Green
additional guest performer:
Dominic Hawken
recording of:
Stay Another Day
writer and composer:
Dominic Hawken, Rob Kean and Tony Mortimer
publisher:
Polygram Music and Porky Publishing
East 172.654:26
3Always on My Mind
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
part of:
New York Post: 100 Greatest Covers (2007) (number: 42)
cover recording of:
Always on My Mind
writer:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
recording of:
Always on My Mind
writer:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:52
4Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
5Love of the Common People
producer:
Laurie Latham
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Love of the Common People
lyricist and composer:
John Hurley and Ronnie Wilkins
publisher:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1983) and Westminster Music Ltd. (in 1983)
Paul Young23:41
6Keeping the Dream Alive
producer:
Armand Volker
guest performer:
The Jackson Singers and London Symphony Orchestra
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1988)
recording of:
Keeping the Dream Alive
lyricist:
Curtis Briggs and Timothy Touchton
writer:
Vic Briggs (Victor Briggs)
composer:
Aron Strobel and Stefan Zauner (pop vocalist and keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Sony/ATV Music Publishing LLC (1995–2020) (in 1988)
translated version of:
Solang’ man Träume noch leben kann
Münchener Freiheit24:13
7Let It Go (from “Frozen” / soundtrack version)
recording engineer and mixer:
David Boucher
producer:
Kristen Anderson‐Lopez (American songwriter), Earl Ghaffari and Robert Lopez (songwriter of musicals)
editor:
Earl Ghaffari
vocals:
Idina Menzel
conductor:
Stephen Oremus
phonographic copyright (℗) by:
Walt Disney Records (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 21) and Billboard Decade End Chart: Streaming Songs (2010s) (number: 31)
recording of:
Let It Go (Frozen)
orchestrator:
David Metzger
writer:
Kristen Anderson‐Lopez (American songwriter) and Robert Lopez (songwriter of musicals)
publisher:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
part of:
The 86th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 2013 winner)
part of:
Frozen (Disney 2013 animated musical film, English soundtrack and score)
Idina Menzel3.253:44
8Somethin’ Stupid
recording engineer:
Al Schmitt (lead vocals [vocals])
assistant engineer:
Steve Genewick, Christina Paakkari and Steve Price (UK recording engineer/producer/orchestrator/arranger)
engineer:
Richard Flack (producer/engineer) and Mike Ross‐Trevor (engineer)
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
assistant mixer:
Rupert Coulson (sound engineer) and Ricky Graham (engineer)
bass:
David Catlin‐Birch (UK bassist and guitarist)
drums (drum set) [drums]:
Ralph Salmins
guitar [guitars]:
Mitch Dalton
percussion:
Frank Ricotti (percussionist)
trumpet [trumpets]:
Simon Gardner (trumpet player), Steve Sidwell (English composer & wind instrumentalist) and Paul Spong (trumpetist)
vocals:
Nicole Kidman (actress) and Robbie Williams
orchestra:
The London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
music videos:
Somethin’ Stupid by Robbie Williams and Nicole Kidman (actress)
cover recording of:
Somethin’ Stupid
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
Robbie Williams & Nicole Kidman3.452:51
9When I Fall in Love
miscellaneous support:
Nat King Cole (task: dedicated to)
keyboard [Fairlight] programming:
Ian Curnow (in 1987)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer and mixer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1987)
guitar [guitars]:
Matt Aitken (in 1987)
keyboard [keyboards]:
Matt Aitken (in 1987) and Mike Stock (of Stock Aitken Waterman) (in 1987)
background vocals [backing vocals]:
Dee Lewis (in 1987), Shirley Lewis (in 1987), Mae McKenna (vocalist) (in 1987) and Suzanne Rhatigan (in 1987)
vocals:
Rick Astley (English singer, songwriter and radio personality) (in 1987)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1987) and PWL Studio 2 (in 1987)
mixed at:
PWL Studio 1 and PWL Studio 2
cover recording of:
When I Fall in Love (in 1987)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rick Astley2:59
102 Become 1 (single version)
additional producer and co-producer:
Andy Bradfield
producer:
Matt Rowe and Richard “Biff” Stannard
mixer:
Mark “Spike” Stent (producer, engineer)
strings arranger:
Craig Armstrong (Scottish score composer)
recording of:
2 Become 1
writer:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls44:05
11Winter Melody (single version)
recording of:
Winter Melody
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
Donna Summer4:00
12When You Come Back to Me (single version)
recording of:
When You Come Back to Me
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Jason Donovan3:32
13Tragedy
engineer:
Chris McDonnell (engineer)
producer:
Mark Topham, Karl Twigg and Pete Waterman
mixer:
Dan Frampton (engineer) and Paul Waterman
bass and guitar:
Mark Topham
drums (drum set) [drums]:
Chris McDonnell (engineer)
keyboard:
Karl Twigg
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1998)
recorded at and mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, United Kingdom and PWL Studios (London) in London (Greater London), England, United Kingdom
cover recording of:
Tragedy
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) and Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:32
14I Have a Dream
vocals:
Westlife
performer:
Brian, Kian, Mark (Mark Feehily), Nicky and Shane
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1999)
cover recording of:
I Have a Dream
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
part of:
Mamma Mia! (1999 musical)
Westlife44:06
15River (It’s Coming on Christmas)
cover recording of:
River
lyricist and composer:
Joni Mitchell
publisher:
Joni Mitchell Publishing Corp. and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
quotes music from:
Jingle Bells
Ellie Goulding34:03
16Hallelujah
phonographic copyright (℗) by:
Simco Limited (not for release label use, for copyright/licensor use only) (from 2008 to present)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Alexandra Burke3.653:38
17Only You
producer:
The Flying Pickets and John Sherry
performer:
The Flying Pickets
music videos:
Only You by The Flying Pickets
cover recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
The Flying Pickets43:23
18Caravan of Love
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
writer:
Ernie Isley, Marvin Isley and Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:39
19The Perfect Year (radio mix)
producer:
Nigel Lowis
vocals:
Dina Carroll
phonographic copyright (℗) by:
A&M Records, Inc. (in 1993)
music videos:
The Perfect Year by Dina Carroll
cover recording of:
The Perfect Year
lyricist:
Don Black (English lyricist) and Christopher Hampton
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Really Useful Group and The Really Useful Group Limited (not for release label use!)
part of:
Sunset Boulevard (Andrew Lloyd Webber musical)
Dina Carroll33:45
20We All Stand Together (remastered 2020)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
flute:
Elena Durán (Mexican American flautist)
choir vocals:
The King’s Singers and St. Paul’s Cathedral Choir (London)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
orchestrator:
Kenneth Sillito (violinist)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1984) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1984)
recording of:
We All Stand Together (from 1980-10 until 1980-11)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
Rupert and the Frog Song
Paul McCartney & The Frog Chorus14:26

Credits

Release group

part of:Now That’s What I Call Christmas (UK Now subseries) (number: 2024) (order: 10)
Discogs:https://www.discogs.com/master/3655593 [info]