Now That’s What I Call Christmas

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Barcode and Other Identifiers

Barcode (Text): 1 98028 30382 8
Barcode (Scanned): 198028303828
Rights Society: BIEM/SDRM
Label Code: LC48653
Matrix / Runout: CD 1 58483215/0060246800514821 Universal Logo x 4
Matrix / Runout: CD 2 58483209/0060246800515521 Universal x 4
Matrix / Runout: CD 3 58483203/0060246800518621 Universal x 4
Matrix / Runout: CD 4 58483197/0060246800516221 Universal x 4

Annotazione modificata l'ultima volta il 2024-12-16 18:49 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1The Power of Love
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
arrangiatore archi e arrangiatore aggiunto:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:30
2Stay Another Day
voce di accompagnamento:
Tee Green
esecutore ospite aggiunto:
Dominic Hawken
registrazione di:
Stay Another Day
autore e compositore:
Dominic Hawken, Rob Kean e Tony Mortimer
editore:
Polygram Music e Porky Publishing
East 172.654:26
3Always on My Mind
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987, nel 1991)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 42)
registrazione cover di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
registrazione di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:52
4Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
5Love of the Common People
produttore:
Laurie Latham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Love of the Common People
paroliere e compositore:
John Hurley e Ronnie Wilkins
editore:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1983) e Westminster Music Ltd. (nel 1983)
Paul Young23:41
6Keeping the Dream Alive
produttore:
Armand Volker
esecutore ospite:
The Jackson Singers e London Symphony Orchestra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1988)
registrazione di:
Keeping the Dream Alive
paroliere:
Curtis Briggs e Timothy Touchton
autore:
Vic Briggs (Victor Briggs)
compositore:
Aron Strobel e Stefan Zauner (pop vocalist and keyboardist)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Sony/ATV Music Publishing LLC (1995–2020) (nel 1988)
versione tradotta di:
Solang’ man Träume noch leben kann
Münchener Freiheit24:13
7Let It Go (from “Frozen” / soundtrack version)
tecnico di registrazione e tecnico di missaggio:
David Boucher
produttore:
Kristen Anderson‐Lopez (American songwriter), Earl Ghaffari e Robert Lopez (songwriter of musicals)
editor:
Earl Ghaffari
voce:
Idina Menzel
direttore d'orchestra:
Stephen Oremus
diritti fonografici (℗) detenuti da:
Walt Disney Records (nel 2013)
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 21) e Billboard Decade End Chart: Streaming Songs (2010s) (numero: 31)
registrazione di:
Let It Go (Frozen)
orchestratore:
David Metzger
autore:
Kristen Anderson‐Lopez (American songwriter) e Robert Lopez (songwriter of musicals)
editore:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
parte di:
The 86th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 2013 winner)
parte di:
Frozen (Disney 2013 animated musical film, English soundtrack and score)
Idina Menzel3.253:44
8Somethin’ Stupid
tecnico di registrazione:
Al Schmitt (voce principale [vocals])
assistente tecnico:
Steve Genewick, Christina Paakkari e Steve Price (UK recording engineer/producer/orchestrator/arranger)
tecnico:
Richard Flack (producer/engineer) e Mike Ross‐Trevor (engineer)
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
assistente tecnico di missaggio:
Rupert Coulson (sound engineer) e Ricky Graham (engineer)
basso :
David Catlin‐Birch (UK bassist and guitarist)
batteria [drums] :
Ralph Salmins
chitarra [guitars] :
Mitch Dalton
percussione :
Frank Ricotti (percussionist)
tromba [trumpets] :
Simon Gardner (trumpet player), Steve Sidwell (English composer & wind instrumentalist) e Paul Spong (trumpetist)
voce:
Nicole Kidman (actress) e Robbie Williams
orchestra:
The London Session Orchestra
direttore d'orchestra:
Steve Sidwell (English composer & wind instrumentalist)
arrangiatore:
Steve Sidwell (English composer & wind instrumentalist)
primo violino:
Gavyn Wright (UK violinist, conductor)
video musicali:
Somethin’ Stupid di Robbie Williams and Nicole Kidman (actress)
registrazione cover di:
Somethin’ Stupid
paroliere e compositore:
Carson Parks
editore:
Greenwood Music, Montclare Music e Montclare Music Co Ltd.
versione tradotta di:
Forelsket
Robbie Williams & Nicole Kidman3.452:51
9When I Fall in Love
supporto a vario titolo:
Nat King Cole (incarico: dedicated to)
programmazione degli strumenti:
Ian Curnow (nel 1987)
assistente tecnico:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico e tecnico di missaggio:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman) e Waterman
batteria [drums] :
A Linn (Linn 9000) (nel 1987)
chitarra [guitars] :
Matt Aitken (nel 1987)
tastiera [keyboards] :
Matt Aitken (nel 1987) e Mike Stock (of Stock Aitken Waterman) (nel 1987)
voce:
Rick Astley (English singer, songwriter and radio personality) (nel 1987)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1987), Shirley Lewis (nel 1987), Mae McKenna (vocalist) (nel 1987) e Suzanne Rhatigan (nel 1987)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
Pete Waterman Ltd. (copyrights holder) (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1987) e PWL Studio 2 (nel 1987)
mixata presso:
PWL Studio 1 e PWL Studio 2
registrazione cover di:
When I Fall in Love (nel 1987)
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rick Astley2:59
102 Become 1 (single version)
co-produttore e produttore aggiunto:
Andy Bradfield
produttore:
Matt Rowe e Richard “Biff” Stannard
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
arrangiatore archi :
Craig Armstrong (Scottish score composer)
registrazione di:
2 Become 1
autore:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe e Victoria Beckham (née Adams)
editore:
PolyGram Music Publishing Ltd. e Windswept Pacific Music Ltd.
Spice Girls44:05
11Winter Melody (single version)
registrazione di:
Winter Melody
autore:
Pete Bellotte (English lyricist and producer), Giorgio Moroder e Donna Summer (soul/disco diva)
Donna Summer4:00
12When You Come Back to Me (single version)
registrazione di:
When You Come Back to Me
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
Jason Donovan3:32
13Tragedy
tecnico:
Chris McDonnell (engineer)
produttore:
Mark Topham, Karl Twigg e Pete Waterman
tecnico di missaggio:
Dan Frampton (engineer) e Paul Waterman
basso e chitarra :
Mark Topham
batteria [drums] :
Chris McDonnell (engineer)
tastiera :
Karl Twigg
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1998)
registrata presso e mixata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito e PWL Studios (London) in London (Greater London), England, Regno Unito
registrazione cover di:
Tragedy
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) e Warner/Chappell (Warner/Chappell Music, Inc.)
Steps3.44:32
14I Have a Dream
voce:
Westlife
esecutore:
Brian, Kian, Mark (Mark Feehily), Nicky e Shane
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1999)
registrazione cover di:
I Have a Dream
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (dal 1979 al ????), EMI Waterford Music (dal 1979 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1979 a oggi) e Universal/Union Songs Musikförlag AB (dal 1979 a oggi)
parte di:
Mamma Mia! (1999 musical)
Westlife44:06
15River (It’s Coming on Christmas)
registrazione cover di:
River
paroliere e compositore:
Joni Mitchell
editore:
Joni Mitchell Publishing Corp. e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
cita la musica di:
Jingle Bells
Ellie Goulding34:03
16Hallelujah
diritti fonografici (℗) detenuti da:
Simco Limited (not for release label use, for copyright/licensor use only) (dal 2008 a oggi)
registrazione cover di:
Hallelujah
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-editore:
Sony/ATV Music Publishing (Hong Kong)
Alexandra Burke3.653:38
17Only You
produttore:
The Flying Pickets e John Sherry
esecutore:
The Flying Pickets
video musicali:
Only You di The Flying Pickets
registrazione cover di:
Only You
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing e Sony/ATV Music Publishing (UK) Ltd.
The Flying Pickets43:23
18Caravan of Love
tecnico:
Phil Bodger (engineer)
produttore:
John Williams (English A&R executive, producer, songwriter...)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1986, nel 1987)
registrazione cover di:
Caravan of Love
autore:
Ernie Isley, Marvin Isley e Chris Jasper
editore:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:39
19The Perfect Year (radio mix)
produttore:
Nigel Lowis
voce:
Dina Carroll
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1993)
video musicali:
The Perfect Year di Dina Carroll
registrazione cover di:
The Perfect Year
paroliere:
Don Black (English lyricist) e Christopher Hampton
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Really Useful Group e The Really Useful Group Limited (not for release label use!)
parte di:
Sunset Boulevard (Andrew Lloyd Webber musical)
Dina Carroll33:45
20We All Stand Together (remastered 2020)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
flauto :
Elena Durán (Mexican American flautist)
cori:
The King’s Singers e St. Paul’s Cathedral Choir (London)
voce:
Paul McCartney (The Beatles)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Paul McCartney (The Beatles)
orchestratore:
Kenneth Sillito (violinist)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1984) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 1984)
registrazione di:
We All Stand Together (dal 1980-10 al 1980-11)
paroliere e compositore:
Paul McCartney (The Beatles)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parte di:
Rupert and the Frog Song
Paul McCartney & The Frog Chorus14:26

Accreditamenti

Gruppo di pubblicazioni

parte di:Now That’s What I Call Christmas (UK Now subseries) (numero: 2024) (ordine: 10)
Discogs:https://www.discogs.com/master/3655593 [info]