Complete Beethoven Edition, Volume 19: Large Choral Works

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Orchestre Révolutionnaire et Romantique performs here on authentic instruments.

Missa solemnis:
Jessye Norman performed parts prescribed for Alto with a Soprano voice.
Gert Frischmuth concert master for Rundfunkchor Leipziger.
Gustav Sjökvist concert master for Swedish Radio Chorus & Eric Ericson Chamber Choir

Tracks 1-6 (Op. 136):
Soprano (Vienna): Luba Orgonasova
Mezz-soprano (Seherin): Iris Vermillion
Tenor (Genius): Timothy Robinson
Bass (Führer des Volkes): Franz Hawlata
Coro di voci bianche dell'Arcum Chorus Master: Paolo Lucci
Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia Chorus Master: Norbert Balatsch

Tracks 7-12 (Op. 80):
Soprano: Cheryl Studer, Kristina Clemenz
Mezzo-soprano: Camille Capasso
Tenor: John aler, Hiroshi Oshima
Bass: Friedrich Molsberger
RIAS Kammerchor Chorus Master: Marcus Creed

Tracks 1-7 (WoO 87):
Soprano: Charlotte Margiono
Bass: William Shimell
Soprano-solo: Veronica Verebély
Alto-solo: Ulrike Helzel
Tenor: Clemens Bieber

Tracks 8-13 (WoO 88):
Soprano: Christine Schäfer
Tenor: Clemens Bieber
Bass: Victor von Halem
Alto-solo: Ulrike Helzel

Annotation last modified on 2008-02-27 05:55 UTC.

Tracklist

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1Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live)
bass vocals:
Kurt Moll (operatic bass) (in 1991-08)
choir vocals:
Eric Ericsons Kammarkör (in 1991-08), MDR Rundfunkchor Leipzig (in 1991-08) and Radiokören (Swedish Radio Choir) (in 1991-08)
soprano vocals:
Jessye Norman (soprano) (in 1991-08) and Cheryl Studer (soprano) (in 1991-08)
tenor vocals:
Plácido Domingo (tenor) (in 1991-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-08)
conductor:
James Levine (US conductor and pianist) (in 1991-08)
chorus master:
Gert Frischmuth (in 1991-08) and Gustaf Sjökvist (in 1991-08)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1991-08)
live recording of:
Missa solemnis D-Dur, op. 123: Va. Agnus Dei: Adagio: Agnus Dei, qui tollis peccata mundi (in 1991-08)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
7:21
2Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Vb. Agnus Dei. Dona nobis pacem (live)
bass vocals:
Kurt Moll (operatic bass) (in 1991-08)
choir vocals:
Eric Ericsons Kammarkör (in 1991-08), MDR Rundfunkchor Leipzig (in 1991-08) and Radiokören (Swedish Radio Choir) (in 1991-08)
soprano vocals:
Jessye Norman (soprano) (in 1991-08) and Cheryl Studer (soprano) (in 1991-08)
tenor vocals:
Plácido Domingo (tenor) (in 1991-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-08)
conductor:
James Levine (US conductor and pianist) (in 1991-08)
chorus master:
Gert Frischmuth (in 1991-08) and Gustaf Sjökvist (in 1991-08)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1991-08)
live recording of:
Missa solemnis D-Dur, op. 123: Vb. Agnus Dei: Allegretto vivace: Dona nobis pacem (in 1991-08)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
is based on:
Dona nobis pacem
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
2:10
3Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (live)
bass vocals:
Kurt Moll (operatic bass) (in 1991-08)
choir vocals:
Eric Ericsons Kammarkör (in 1991-08), MDR Rundfunkchor Leipzig (in 1991-08) and Radiokören (Swedish Radio Choir) (in 1991-08)
soprano vocals:
Jessye Norman (soprano) (in 1991-08) and Cheryl Studer (soprano) (in 1991-08)
tenor vocals:
Plácido Domingo (tenor) (in 1991-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-08)
conductor:
James Levine (US conductor and pianist) (in 1991-08)
chorus master:
Gert Frischmuth (in 1991-08) and Gustaf Sjökvist (in 1991-08)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1991-08)
live recording of:
Missa solemnis D-Dur, op. 123: Vc. Agnus Dei: Allegro assai – Recit. – Tempo I – Presto – Tempo I: Agnus Dei, miserere (in 1991-08)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
2:52
4Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (live)
bass vocals:
Kurt Moll (operatic bass) (in 1991-08)
choir vocals:
Eric Ericsons Kammarkör (in 1991-08), MDR Rundfunkchor Leipzig (in 1991-08) and Radiokören (Swedish Radio Choir) (in 1991-08)
soprano vocals:
Jessye Norman (soprano) (in 1991-08) and Cheryl Studer (soprano) (in 1991-08)
tenor vocals:
Plácido Domingo (tenor) (in 1991-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-08)
conductor:
James Levine (US conductor and pianist) (in 1991-08)
chorus master:
Gert Frischmuth (in 1991-08) and Gustaf Sjökvist (in 1991-08)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1991-08)
live recording of:
Missa solemnis D-Dur, op. 123: Vd. Agnus Dei: Adagio: Agnus Dei - Dona nobis pacem (in 1991-08)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
3:42
5Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ia. Introduction. Grave - Adagio
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ia. Introduction. Grave - Adagio (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I
6:52
6Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ib. Recitative “Jehova, du mein Vater!” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I
4:22
7Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ic. Aria “Meine Seele ist erschüttert” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: I
5:11
8Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIa. Recitative “Erzittre, Erde, Jehova’s Sohn liegt hier!” (Seraph)
producer:
Werner Mayer (classical producer)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
1:48
9Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIb. Aria “Preist des Erlösers Güte” (Seraph) / IIc. Choir of Angels “O Heil euch, ihr Erlösten” (Seraph, Choir)
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: II
8:44
10Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIa. Recitative “Verkündet, Seraph, mir dein Mund Erbarmen” (Jesus, Seraph)
producer:
Werner Mayer (classical producer)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III
1:21
11Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIb. Duet “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)
producer:
Werner Mayer (classical producer)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: III
6:06
12Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVa. Recitative “Willkommen, Tod” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVa. Recitative "Willkommen, Tod" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV
1:00
13Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVb. Choir of Warriors “Wir haben ihn gesehen”
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: IV
2:39
14Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Va. Recitative “Die mich zu fangen ausgezogen sind” (Jesus)
producer:
Werner Mayer (classical producer)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
1:52
15Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vb. Choir of Warriors “Hier ist er, der Verbannte” / Vc. Choir of Children “Was soll der Lärm bedeuten?”
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: Vc. Choir of Children "Was soll der Lärm bedeuten?" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: V
2:12
16Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIa. Recitative “Nicht ungestraft soll der Verweg’nen Schar” (Petrus, Jesus)
producer:
Werner Mayer (classical producer)
bass vocals:
Franz Crass (operatic bass) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
1:24
17Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIb. Trio “In meinen Adern wühlen gerechter Zorn und Wut” (Petrus, Jesus, Seraph)
producer:
Werner Mayer (classical producer)
bass vocals:
Franz Crass (operatic bass) (from 1970-05 until 1970-07)
soprano vocals:
Elizabeth Harwood (soprano) (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
5:12
18Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIc. Choir of Warriors “Auf, auf! Ergreifet den Verräter” / VId. Choir of Children “Ach! wir werden seinetwegen auch gehasst, verfolget sein” / VIe. “Meine Qual ist bald ver…” (Jesus)
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
tenor vocals:
James King (tenor) (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" / VId. Choir of Children "Ach! wir werden seinetwegen auch gehasst, verfolget sein" / VIe. "Meine Qual ist bald ver..." (Jesus) (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
2:42
19Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIf. Choir of Angels “Welten singen Dank und Ehre”
producer:
Werner Mayer (classical producer)
choir vocals:
Wiener Singverein (from 1970-05 until 1970-07)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (from 1970-05 until 1970-07)
conductor:
Bernhard Klee (conductor) (from 1970-05 until 1970-07)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1970-05 until 1970-07)
recording of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre" (from 1970-05 until 1970-07)
composer:
Ludwig van Beethoven (German composer) (in 1803)
revised by:
Ludwig van Beethoven (German composer) (in 1804)
part of:
Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, op. 85: VI
4:40

Credits

Release

chorus master:Karl Kamper
alto vocals:Ulrike Helzel
bass vocals:Victor von Halem (operatic bass)
Franz Hawlata (bass-baritone)
Friedrich Molsberger (german operatic bass and medical scientist)
William Shimell (baritone)
mezzo-soprano vocals:Camille Capasso
Iris Vermillion (mezzo-soprano)
soprano vocals:Kristina Clemenz
Charlotte Margiono (soprano)
Ľuba Orgonášová (soprano)
Christine Schäfer (soprano)
Cheryl Studer (soprano)
Veronica Verebély
tenor vocals:John Aler (tenor)
Clemens Bieber (german operatic tenor)
Hiroshi Oshima (operatic tenor)
Timothy Robinson (tenor)
part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 19) (order: 22)
ASIN:US: B000001GZM [info]

Release group

part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 19) (order: 19)