Complete Beethoven Edition, Volume 19: Large Choral Works

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Orchestre Révolutionnaire et Romantique performs here on authentic instruments.

Missa solemnis:
Jessye Norman performed parts prescribed for Alto with a Soprano voice.
Gert Frischmuth concert master for Rundfunkchor Leipziger.
Gustav Sjökvist concert master for Swedish Radio Chorus & Eric Ericson Chamber Choir

Tracks 1-6 (Op. 136):
Soprano (Vienna): Luba Orgonasova
Mezz-soprano (Seherin): Iris Vermillion
Tenor (Genius): Timothy Robinson
Bass (Führer des Volkes): Franz Hawlata
Coro di voci bianche dell'Arcum Chorus Master: Paolo Lucci
Coro e Orchestra dell'Accademia Nazionale di Santa Cecilia Chorus Master: Norbert Balatsch

Tracks 7-12 (Op. 80):
Soprano: Cheryl Studer, Kristina Clemenz
Mezzo-soprano: Camille Capasso
Tenor: John aler, Hiroshi Oshima
Bass: Friedrich Molsberger
RIAS Kammerchor Chorus Master: Marcus Creed

Tracks 1-7 (WoO 87):
Soprano: Charlotte Margiono
Bass: William Shimell
Soprano-solo: Veronica Verebély
Alto-solo: Ulrike Helzel
Tenor: Clemens Bieber

Tracks 8-13 (WoO 88):
Soprano: Christine Schäfer
Tenor: Clemens Bieber
Bass: Victor von Halem
Alto-solo: Ulrike Helzel

Annotation last modified on 2008-02-27 05:55 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: I. Choir “Europa stet!”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": I. Choir "Europa stet!"
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
3:49
2Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: II. Recitative “O seht sie nah und näher treten!” (Führer des Volkes) - Choir “Vienna, Vienna, Vienna!”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
3:32
3Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: III. Recitative “O Himmel, wlch’ Entzüchekn!” (Vienna) - Aria with Choir “Alle die Herrscher darf ich grüssen” (Vienna)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": III. Recitative "O Himmel, welch' Entzücken!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
9:19
4Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: IV. Recitative “Das Auge schaut” (Seherin) - Kavatine with Choir “Dem die erste Zähre” (Seherin)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
7:09
5Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: V. Recitative “Der den Bund im Sturme festgehalten” - Quartet “In meinen Mauern bauen sich neue Zeiten auf” (Vienna, Genius, Führer des Volkes, Seherin)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
6:20
6Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell’Arcum
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) and Paolo Lucci (chorus master)
recording of:
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Der glorreiche Augenblick, op. 136
4:04
7Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
3:19
8Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐i. Finale. Allegro - Meno allegro - Allegro molto (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
6:18
9Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐ii. Adagio ma non troppo (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
2:52
10Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iii. Marcia, assai vivace - Allegro (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
2:09
11Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iv. Allegretto, ma non troppo quasi andante con moto “Schmeichelnd hold un liblich klingen” (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
2:18
12Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐v. Presto (live)
piano:
Evgeny Kissin (Russian classical pianist)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Claudio Abbado (conductor)
chorus master:
Marcus Creed (conductor)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
1:37
3▶CD
4▶CD
5▶CD

Credits

Release

chorus master:Karl Kamper
alto vocals:Ulrike Helzel
bass vocals:Victor von Halem (operatic bass)
Franz Hawlata (bass-baritone)
Friedrich Molsberger (german operatic bass and medical scientist)
William Shimell (baritone)
mezzo-soprano vocals:Camille Capasso
Iris Vermillion (mezzo-soprano)
soprano vocals:Kristina Clemenz
Charlotte Margiono (soprano)
Ľuba Orgonášová (soprano)
Christine Schäfer (soprano)
Cheryl Studer (soprano)
Veronica Verebély
tenor vocals:John Aler (tenor)
Clemens Bieber (german operatic tenor)
Hiroshi Oshima (operatic tenor)
Timothy Robinson (tenor)
part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 19) (order: 22)
ASIN:US: B000001GZM [info]

Release group

part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 19) (order: 19)