1964-1969, Plus

~ Release by Lester Flatt & Earl Scruggs (see all versions of this release, 1 available)

Annotation

Unlike most Bear Family collections, this doesn't follow a strictly chronological order.
Discs 1-3 and tracks 1-17 on disc 4 constitute the "main" studio albums from 1964-1969.
The remainder of disc 4 is the "Bonnie and Clyde" album.(recorded 1968).
Disc 5 has the "Strictly Instrumental" album with Doc Watson (1966) and the "Live at Vanderbilt" album (1963).
Disc 6 has Gordon Terry's square dance album from 1961 (previously released with overdubbed dance calls) and the "Beverly Hillbillies" album on which Flatt & Scruggs, but not the rest of the band, provide backup for the cast of the TV show.

Annotation last modified on 2025-08-20 20:45 UTC.

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Rock, Salt & Nails
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Earl Scruggs (on 1965-02-16)
double bass:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
Rock Salt and Nails (on 1965-02-16)
lyricist and composer:
Utah Phillips
publisher:
Scruggs Music, Inc.
3:10
2The Soldier’s Return
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Earl Scruggs (on 1965-02-16)
double bass:
Jake Tullock (country stand-up bass) (on 1965-02-16)
fiddle:
Paul Warren (US fiddler) (on 1965-02-16)
guitar and lead vocals:
Lester Flatt (on 1965-02-16)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-02-16)
resonator guitar:
Josh Graves (on 1965-02-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-02-16)
recording of:
The Soldier's Return (on 1965-02-16)
writer:
Utah Phillips
is based on:
Pretty Fair Maiden in the Garden
3:28
3Memphis
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Grady Martin (country/rockabilly guitarist) (on 1965-09-02)
banjo and baritone vocals:
Earl Scruggs (on 1965-09-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-09-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-02)
guitar and lead vocals:
Lester Flatt (on 1965-09-02)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-02)
resonator guitar and tenor vocals:
Josh Graves (on 1965-09-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-02)
cover recording of:
Memphis, Tennessee (on 1965-09-02)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:25
4Jackson
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Grady Martin (country/rockabilly guitarist) (on 1965-09-02)
banjo and baritone vocals:
Earl Scruggs (on 1965-09-02)
double bass and baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-09-02)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-02)
guitar and lead vocals:
Lester Flatt (on 1965-09-02)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-02)
resonator guitar and tenor vocals:
Josh Graves (on 1965-09-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-02)
recording of:
Jackson (on 1965-09-02)
lyricist and composer:
Jerry Leiber (in 1963) and Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
2:37
5Colours
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
12 string guitar:
Grady Martin (country/rockabilly guitarist) (on 1965-09-02)
banjo and baritone vocals:
Earl Scruggs (on 1965-09-02)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-02)
fiddle:
Paul Warren (US fiddler) (on 1965-09-02)
guitar and lead vocals:
Lester Flatt (on 1965-09-02)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-02)
resonator guitar:
Josh Graves (on 1965-09-02)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-02)
recording of:
Colours (on 1965-09-02)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Songs of Peer, Ltd. (ASCAP)
2:53
6For Lovin’ Me
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
For Lovin’ Me (on 1965-09-03)
lyricist and composer:
Gordon Lightfoot
publisher:
Early Morning Music, M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
2:35
7Houston
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
Houston (on 1965-09-03)
lyricist and composer:
Lee Hazlewood
2:23
8Detroit City
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
Detroit City (on 1965-09-03)
writer:
Danny Dill and Mel Tillis
publisher:
Southern Music (publisher)
2:16
9Foggy Mountain Breakdown
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle:
Paul Warren (US fiddler) (on 1965-09-03)
guitar:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 57)
recording of:
Foggy Mountain Breakdown (on 1965-09-03)
composer:
Earl Scruggs
2:22
10Kansas City
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-09-03)
guitar and lead vocals:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
2:30
11Nashville Blues
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-09-03)
double bass:
Jake Tullock (country stand-up bass) (on 1965-09-03) and Joe Zinkan (on 1965-09-03)
fiddle:
Paul Warren (US fiddler) (on 1965-09-03)
guitar:
Lester Flatt (on 1965-09-03)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-09-03)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-09-03)
resonator guitar:
Josh Graves (on 1965-09-03)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-09-03)
recording of:
Nashville Blues (on 1965-09-03)
composer:
Earl Scruggs
1:58
12Take Me Back to Tulsa
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-10-08)
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
Take Me Back to Tulsa (on 1964-10-08)
lyricist and composer:
Tommy Duncan (Western swing vocalist, songwriter and pianist) and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Peer International Corporation (BMI) (on 1941-06-18)
1:57
13The Last Public Hanging in West Virginia
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
The Last Public Hanging in W. Virginia (on 1964-10-08)
lyricist and composer:
Tom T. Hall
publisher:
Unichappell Music, Inc.
3:12
14The Boys From Tennessee
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-10-08)
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
The Boys From Tennessee (on 1964-10-08)
lyricist and composer:
Tom T. Hall
publisher:
Unichappell Music, Inc.
2:40
15Ten Miles From Natchez
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-10-08)
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
Ten Miles From Natchez (on 1964-10-08)
writer:
Josh Graves and Jake Lambert (US bluegrass/country songwriter)
2:42
16Seattle Town
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1964-10-08)
double bass and tenor vocals:
Jake Tullock (country stand-up bass) (on 1964-10-08)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1964-10-08)
guitar and lead vocals:
Lester Flatt (on 1964-10-08)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1964-10-08)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-10-08)
resonator guitar:
Josh Graves (on 1964-10-08)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1964-10-08)
recording of:
Seattle Town (on 1964-10-08)
writer:
Dixie Deen (Songwriter) and Ray King (1960s country artist & writer)
publisher:
Scruggs Music, Inc.
2:03
17Green Acres
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-12-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1965-12-14) and Jake Tullock (country stand-up bass) (on 1965-12-14)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-12-14)
fiddle:
Paul Warren (US fiddler) (on 1965-12-14)
guitar and lead vocals:
Lester Flatt (on 1965-12-14)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-12-14)
harmonica and mouth harp:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-12-14)
mandolin:
Earl Taylor (bluegrass musician) (on 1965-12-14)
resonator guitar:
Josh Graves (on 1965-12-14)
tenor vocals:
June Carter Cash (American Country singer and songwriter) (on 1965-12-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-12-14)
recording of:
Theme (Green Acres) (on 1965-12-14)
lyricist and composer:
Vic Mizzy (US television & movie composer)
2:12
18I Had a Dream
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-12-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1965-12-14) and Jake Tullock (country stand-up bass) (on 1965-12-14)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-12-14)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-12-14)
guitar and lead vocals:
Lester Flatt (on 1965-12-14)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-12-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-12-14)
mandolin:
Earl Taylor (bluegrass musician) (on 1965-12-14)
resonator guitar:
Josh Graves (on 1965-12-14)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-12-14)
tenor vocals:
June Carter Cash (American Country singer and songwriter) (on 1965-12-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-12-14)
2:55
19When the Saints Go Marching In
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-12-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1965-12-14) and Jake Tullock (country stand-up bass) (on 1965-12-14)
drums (drum set) and tambourine:
Buddy Harman (Session drummer and songwriter) (on 1965-12-14)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1965-12-14)
guitar and lead vocals:
Lester Flatt (on 1965-12-14)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-12-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-12-14)
mandolin:
Earl Taylor (bluegrass musician) (on 1965-12-14)
resonator guitar:
Josh Graves (on 1965-12-14)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-12-14)
tenor vocals:
June Carter Cash (American Country singer and songwriter) (on 1965-12-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-12-14)
recording of:
When the Saints Go Marching In (on 1965-12-14)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
2:11
20God Gave Noah the Rainbow Sign
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1965-12-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1965-12-14) and Jake Tullock (country stand-up bass) (on 1965-12-14)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1965-12-14)
guitar and lead vocals:
Lester Flatt (on 1965-12-14)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1965-12-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1965-12-14)
mandolin:
Earl Taylor (bluegrass musician) (on 1965-12-14)
resonator guitar:
Josh Graves (on 1965-12-14)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1965-12-14)
bass vocals:
Paul Warren (US fiddler) (on 1965-12-14)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1965-12-14)
recording of:
God Gave Noah the Rainbow Sign (on 1965-12-14)
lyricist and composer:
A.P. Carter
2:10
21Call Me on Home, Too
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and spoken vocals:
Lester Flatt (on 1966-03-21)
mandolin:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
2:04
22A Stone the Builders Refused
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and lead vocals:
Lester Flatt (on 1966-03-21)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
1:54
23Wait for the Sunshine
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and lead vocals:
Lester Flatt (on 1966-03-21)
mandolin:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
1:58
24No Mother in This World
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and lead vocals:
Lester Flatt (on 1966-03-21)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
2:34
25Thank God I’m on My Way
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-03-21)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
guitar and lead vocals:
Lester Flatt (on 1966-03-21)
mandolin:
Earl Taylor (bluegrass musician) (on 1966-03-21)
resonator guitar:
Josh Graves (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
2:13
26Troublesome Waters
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1966-03-21) and Jake Tullock (country stand-up bass) (on 1966-03-21)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-03-21)
guitar:
Lester Flatt (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
mandolin:
Earl Taylor (bluegrass musician) (on 1966-03-21)
baritone vocals:
Josh Graves (on 1966-03-21) and Earl Scruggs (on 1966-03-21)
bass vocals:
Paul Warren (US fiddler) (on 1966-03-21)
lead vocals:
Lester Flatt (on 1966-03-21)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-03-21)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-03-21)
recording of:
Troublesome Waters (on 1966-03-21)
writer:
Ezra J. Carter, Mother Maybelle Carter and Dixie Deen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:53
27The Last Thing on My Mind
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1966-05-16)
double bass:
Ernie Newton (contrabassist) (on 1966-05-16) and Jake Tullock (country stand-up bass) (on 1966-05-16)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-05-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-05-16)
guitar and lead vocals:
Lester Flatt (on 1966-05-16)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1966-05-16)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-05-16)
resonator guitar and tenor vocals:
Josh Graves (on 1966-05-16)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1966-05-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-05-16)
recording of:
The Last Thing on My Mind (on 1966-05-16)
lyricist and composer:
Tom Paxton (US folk singer-songwriter)
publisher:
Deep Fork Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Essex Music, Inc., Harmony Music Ltd., United Artists Music Co., Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
2:40
28Mama, You Been on My Mind
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1966-05-16)
double bass:
Ernie Newton (contrabassist) (on 1966-05-16) and Jake Tullock (country stand-up bass) (on 1966-05-16)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-05-16)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-05-16)
guitar and lead vocals:
Lester Flatt (on 1966-05-16)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1966-05-16)
harmonica:
Earl Taylor (bluegrass musician) (on 1966-05-16)
resonator guitar and tenor vocals:
Josh Graves (on 1966-05-16)
baritone vocals [high baritone vocal]:
Jake Tullock (country stand-up bass) (on 1966-05-16)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-05-16)
recording of:
Mama, You Been on My Mind (on 1966-05-16)
lyricist and composer:
Bob Dylan (in 1964-05)
publisher:
Special Rider Music
2:34
29It Was Only the Wind
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo and baritone vocals:
Earl Scruggs (on 1966-08-30)
double bass:
Floyd D. 'Lightnin'' Chance (on 1966-08-30) and Jake Tullock (country stand-up bass) (on 1966-08-30)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-08-30)
fiddle and bass vocals:
Paul Warren (US fiddler) (on 1966-08-30)
guitar and lead vocals:
Lester Flatt (on 1966-08-30)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1966-08-30)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1966-08-30)
resonator guitar:
Josh Graves (on 1966-08-30)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-08-30)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-08-30)
recording of:
It Was Only the Wind (on 1966-08-30)
writer:
Louise Certain and Tom T. Hall
2:35
30Why Can’t I Find Myself With You
producer:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) and Don Law
banjo:
Earl Scruggs (on 1966-09-12)
double bass:
Bob Moore (U.S. bassist and bandleader) (on 1966-09-12) and Jake Tullock (country stand-up bass) (on 1966-09-12)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1966-09-12)
fiddle and baritone vocals:
Paul Warren (US fiddler) (on 1966-09-12)
guitar and lead vocals:
Lester Flatt (on 1966-09-12)
guitar [lead guitar]:
Grady Martin (country/rockabilly guitarist) (on 1966-09-12)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1966-09-12)
resonator guitar:
Josh Graves (on 1966-09-12)
tenor vocals:
Jake Tullock (country stand-up bass) (on 1966-09-12)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1966-09-12)
1:46
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