1964-1969, Plus

~ Veröffentlichung von Lester Flatt & Earl Scruggs (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Unlike most Bear Family collections, this doesn't follow a strictly chronological order.
Discs 1-3 and tracks 1-17 on disc 4 constitute the "main" studio albums from 1964-1969.
The remainder of disc 4 is the "Bonnie and Clyde" album.(recorded 1968).
Disc 5 has the "Strictly Instrumental" album with Doc Watson (1966) and the "Live at Vanderbilt" album (1963).
Disc 6 has Gordon Terry's square dance album from 1961 (previously released with overdubbed dance calls) and the "Beverly Hillbillies" album on which Flatt & Scruggs, but not the rest of the band, provide backup for the cast of the TV show.

Anmerkung zuletzt geändert am 2025-08-20 20:45 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Rock, Salt & Nails
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Fiddle:
Paul Warren (US fiddler) (am 1965-02-16)
Gitarre und Sologesang:
Lester Flatt (am 1965-02-16)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-02-16)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-02-16)
Resonatorgitarre:
Josh Graves (am 1965-02-16)
zwölfsaitige Gitarre:
Earl Scruggs (am 1965-02-16)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-02-16)
recording of:
Rock Salt and Nails (am 1965-02-16)
Texter und Komponist(in):
Utah Phillips
publisher:
Scruggs Music, Inc.
3:10
2The Soldier’s Return
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Fiddle:
Paul Warren (US fiddler) (am 1965-02-16)
Gitarre und Sologesang:
Lester Flatt (am 1965-02-16)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-02-16)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-02-16)
Resonatorgitarre:
Josh Graves (am 1965-02-16)
zwölfsaitige Gitarre:
Earl Scruggs (am 1965-02-16)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-02-16)
recording of:
The Soldier's Return (am 1965-02-16)
Verfasser(in):
Utah Phillips
basiert auf:
Pretty Fair Maiden in the Garden
3:28
3Memphis
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1965-09-02)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-09-02)
Gitarre und Sologesang:
Lester Flatt (am 1965-09-02)
Kontrabass und Baritongesang [high baritone vocal]:
Jake Tullock (country stand-up bass) (am 1965-09-02)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-02)
Resonatorgitarre und Tenor-Gesang:
Josh Graves (am 1965-09-02)
zwölfsaitige Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1965-09-02)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-02)
cover recording of:
Memphis, Tennessee (am 1965-09-02)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:25
4Jackson
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1965-09-02)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-09-02)
Gitarre und Sologesang:
Lester Flatt (am 1965-09-02)
Kontrabass und Baritongesang [high baritone vocal]:
Jake Tullock (country stand-up bass) (am 1965-09-02)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-02)
Resonatorgitarre und Tenor-Gesang:
Josh Graves (am 1965-09-02)
zwölfsaitige Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1965-09-02)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-02)
recording of:
Jackson (am 1965-09-02)
Texter und Komponist(in):
Jerry Leiber (in 1963) und Billy Edd Wheeler (in 1963)
publisher:
Sony/ATV Songs LLC
2:37
5Colours
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1965-09-02)
Fiddle:
Paul Warren (US fiddler) (am 1965-09-02)
Gitarre und Sologesang:
Lester Flatt (am 1965-09-02)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-02)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-02)
Resonatorgitarre:
Josh Graves (am 1965-09-02)
zwölfsaitige Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1965-09-02)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-02)
recording of:
Colours (am 1965-09-02)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. und Songs of Peer, Ltd. (ASCAP)
2:53
6For Lovin’ Me
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1965-09-03)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre und Sologesang:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
recording of:
For Lovin’ Me (am 1965-09-03)
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Early Morning Music, M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
2:35
7Houston
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1965-09-03)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre und Sologesang:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
recording of:
Houston (am 1965-09-03)
Texter und Komponist(in):
Lee Hazlewood
2:23
8Detroit City
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1965-09-03)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre und Sologesang:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
recording of:
Detroit City (am 1965-09-03)
Verfasser(in):
Danny Dill und Mel Tillis
publisher:
Southern Music (publisher)
2:16
9Foggy Mountain Breakdown
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-09-03)
Fiddle:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 57)
recording of:
Foggy Mountain Breakdown (am 1965-09-03)
Komponist(in):
Earl Scruggs
2:22
10Kansas City
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1965-09-03)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre und Sologesang:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
2:30
11Nashville Blues
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-09-03)
Fiddle:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
recording of:
Nashville Blues (am 1965-09-03)
Komponist(in):
Earl Scruggs
1:58
12Take Me Back to Tulsa
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1964-10-08)
Fiddle und Baritongesang:
Paul Warren (US fiddler) (am 1964-10-08)
Gitarre und Sologesang:
Lester Flatt (am 1964-10-08)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1964-10-08)
Kontrabass und Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1964-10-08)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-10-08)
Resonatorgitarre:
Josh Graves (am 1964-10-08)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-10-08)
recording of:
Take Me Back to Tulsa (am 1964-10-08)
Texter und Komponist(in):
Tommy Duncan (Western swing vocalist, songwriter and pianist) und Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Peer International Corporation (BMI) (am 1941-06-18)
1:57
13The Last Public Hanging in West Virginia
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Fiddle und Baritongesang:
Paul Warren (US fiddler) (am 1964-10-08)
Gitarre und Sologesang:
Lester Flatt (am 1964-10-08)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1964-10-08)
Kontrabass und Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1964-10-08)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-10-08)
Resonatorgitarre:
Josh Graves (am 1964-10-08)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-10-08)
recording of:
The Last Public Hanging in W. Virginia (am 1964-10-08)
Texter und Komponist(in):
Tom T. Hall
publisher:
Unichappell Music, Inc.
3:12
14The Boys From Tennessee
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1964-10-08)
Fiddle und Baritongesang:
Paul Warren (US fiddler) (am 1964-10-08)
Gitarre und Sologesang:
Lester Flatt (am 1964-10-08)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1964-10-08)
Kontrabass und Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1964-10-08)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-10-08)
Resonatorgitarre:
Josh Graves (am 1964-10-08)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-10-08)
recording of:
The Boys From Tennessee (am 1964-10-08)
Texter und Komponist(in):
Tom T. Hall
publisher:
Unichappell Music, Inc.
2:40
15Ten Miles From Natchez
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1964-10-08)
Fiddle und Baritongesang:
Paul Warren (US fiddler) (am 1964-10-08)
Gitarre und Sologesang:
Lester Flatt (am 1964-10-08)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1964-10-08)
Kontrabass und Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1964-10-08)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-10-08)
Resonatorgitarre:
Josh Graves (am 1964-10-08)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-10-08)
recording of:
Ten Miles From Natchez (am 1964-10-08)
Verfasser(in):
Josh Graves und Jake Lambert (US bluegrass/country songwriter)
2:42
16Seattle Town
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1964-10-08)
Fiddle und Baritongesang:
Paul Warren (US fiddler) (am 1964-10-08)
Gitarre und Sologesang:
Lester Flatt (am 1964-10-08)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1964-10-08)
Kontrabass und Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1964-10-08)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-10-08)
Resonatorgitarre:
Josh Graves (am 1964-10-08)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-10-08)
recording of:
Seattle Town (am 1964-10-08)
Verfasser(in):
Dixie Deen (Songwriter) und Ray King (1960s country artist & writer)
publisher:
Scruggs Music, Inc.
2:03
17Green Acres
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-12-14)
Fiddle:
Paul Warren (US fiddler) (am 1965-12-14)
Gitarre und Sologesang:
Lester Flatt (am 1965-12-14)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-12-14)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1965-12-14) und Jake Tullock (country stand-up bass) (am 1965-12-14)
Mandoline:
Earl Taylor (bluegrass musician) (am 1965-12-14)
Mundharfe und Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-12-14)
Resonatorgitarre:
Josh Graves (am 1965-12-14)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1965-12-14)
Tenor-Gesang:
June Carter Cash (American Country singer and songwriter) (am 1965-12-14)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-12-14)
recording of:
Theme (Green Acres) (am 1965-12-14)
Texter und Komponist(in):
Vic Mizzy (US television & movie composer)
2:12
18I Had a Dream
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-12-14)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-12-14)
Gitarre und Sologesang:
Lester Flatt (am 1965-12-14)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-12-14)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1965-12-14) und Jake Tullock (country stand-up bass) (am 1965-12-14)
Mandoline:
Earl Taylor (bluegrass musician) (am 1965-12-14)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-12-14)
Resonatorgitarre:
Josh Graves (am 1965-12-14)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1965-12-14)
Baritongesang [high baritone vocal]:
Jake Tullock (country stand-up bass) (am 1965-12-14)
Tenor-Gesang:
June Carter Cash (American Country singer and songwriter) (am 1965-12-14)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-12-14)
2:55
19When the Saints Go Marching In
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-12-14)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1965-12-14)
Gitarre und Sologesang:
Lester Flatt (am 1965-12-14)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-12-14)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1965-12-14) und Jake Tullock (country stand-up bass) (am 1965-12-14)
Mandoline:
Earl Taylor (bluegrass musician) (am 1965-12-14)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-12-14)
Resonatorgitarre:
Josh Graves (am 1965-12-14)
Schlagzeug und Tamburin:
Buddy Harman (Session drummer and songwriter) (am 1965-12-14)
Baritongesang [high baritone vocal]:
Jake Tullock (country stand-up bass) (am 1965-12-14)
Tenor-Gesang:
June Carter Cash (American Country singer and songwriter) (am 1965-12-14)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-12-14)
recording of:
When the Saints Go Marching In (am 1965-12-14)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
2:11
20God Gave Noah the Rainbow Sign
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-12-14)
Gitarre und Sologesang:
Lester Flatt (am 1965-12-14)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-12-14)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1965-12-14) und Jake Tullock (country stand-up bass) (am 1965-12-14)
Mandoline:
Earl Taylor (bluegrass musician) (am 1965-12-14)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-12-14)
Resonatorgitarre:
Josh Graves (am 1965-12-14)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1965-12-14)
Baritongesang [high baritone vocal]:
Jake Tullock (country stand-up bass) (am 1965-12-14)
Bass-Gesang:
Paul Warren (US fiddler) (am 1965-12-14)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-12-14)
recording of:
God Gave Noah the Rainbow Sign (am 1965-12-14)
Texter und Komponist(in):
A.P. Carter
2:10
21Call Me on Home, Too
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1966-03-21)
Fiddle:
Paul Warren (US fiddler) (am 1966-03-21)
Gitarre und Sprecher:
Lester Flatt (am 1966-03-21)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1966-03-21) und Jake Tullock (country stand-up bass) (am 1966-03-21)
Mandoline:
Earl Taylor (bluegrass musician) (am 1966-03-21)
Resonatorgitarre:
Josh Graves (am 1966-03-21)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-03-21)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-21)
2:04
22A Stone the Builders Refused
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1966-03-21)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1966-03-21)
Gitarre und Sologesang:
Lester Flatt (am 1966-03-21)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1966-03-21) und Jake Tullock (country stand-up bass) (am 1966-03-21)
Mundharmonika:
Earl Taylor (bluegrass musician) (am 1966-03-21)
Resonatorgitarre:
Josh Graves (am 1966-03-21)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-03-21)
Baritongesang:
Josh Graves (am 1966-03-21) und Earl Scruggs (am 1966-03-21)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1966-03-21)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-21)
1:54
23Wait for the Sunshine
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1966-03-21)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1966-03-21)
Gitarre und Sologesang:
Lester Flatt (am 1966-03-21)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1966-03-21) und Jake Tullock (country stand-up bass) (am 1966-03-21)
Mandoline:
Earl Taylor (bluegrass musician) (am 1966-03-21)
Resonatorgitarre:
Josh Graves (am 1966-03-21)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-03-21)
Baritongesang:
Josh Graves (am 1966-03-21) und Earl Scruggs (am 1966-03-21)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1966-03-21)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-21)
1:58
24No Mother in This World
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1966-03-21)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1966-03-21)
Gitarre und Sologesang:
Lester Flatt (am 1966-03-21)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1966-03-21) und Jake Tullock (country stand-up bass) (am 1966-03-21)
Mundharmonika:
Earl Taylor (bluegrass musician) (am 1966-03-21)
Resonatorgitarre:
Josh Graves (am 1966-03-21)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-03-21)
Baritongesang:
Josh Graves (am 1966-03-21) und Earl Scruggs (am 1966-03-21)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1966-03-21)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-21)
2:34
25Thank God I’m on My Way
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1966-03-21)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1966-03-21)
Gitarre und Sologesang:
Lester Flatt (am 1966-03-21)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1966-03-21) und Jake Tullock (country stand-up bass) (am 1966-03-21)
Mandoline:
Earl Taylor (bluegrass musician) (am 1966-03-21)
Resonatorgitarre:
Josh Graves (am 1966-03-21)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-03-21)
Baritongesang:
Josh Graves (am 1966-03-21) und Earl Scruggs (am 1966-03-21)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1966-03-21)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-21)
2:13
26Troublesome Waters
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Gitarre:
Lester Flatt (am 1966-03-21) und Earl Scruggs (am 1966-03-21)
Kontrabass:
Junior Huskey (father of Roy Huskey, Jr.) (am 1966-03-21) und Jake Tullock (country stand-up bass) (am 1966-03-21)
Mandoline:
Earl Taylor (bluegrass musician) (am 1966-03-21)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-03-21)
Baritongesang:
Josh Graves (am 1966-03-21) und Earl Scruggs (am 1966-03-21)
Bass-Gesang:
Paul Warren (US fiddler) (am 1966-03-21)
Sologesang:
Lester Flatt (am 1966-03-21)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1966-03-21)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-03-21)
recording of:
Troublesome Waters (am 1966-03-21)
Verfasser(in):
Ezra J. Carter, Mother Maybelle Carter und Dixie Deen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:53
27The Last Thing on My Mind
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1966-05-16)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1966-05-16)
Gitarre und Sologesang:
Lester Flatt (am 1966-05-16)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1966-05-16)
Kontrabass:
Ernie Newton (contrabassist) (am 1966-05-16) und Jake Tullock (country stand-up bass) (am 1966-05-16)
Mundharmonika:
Earl Taylor (bluegrass musician) (am 1966-05-16)
Resonatorgitarre und Tenor-Gesang:
Josh Graves (am 1966-05-16)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-05-16)
Baritongesang [high baritone vocal]:
Jake Tullock (country stand-up bass) (am 1966-05-16)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-05-16)
recording of:
The Last Thing on My Mind (am 1966-05-16)
Texter und Komponist(in):
Tom Paxton (US folk singer-songwriter)
publisher:
Deep Fork Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Essex Music, Inc., Harmony Music Ltd., United Artists Music Co., Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
2:40
28Mama, You Been on My Mind
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1966-05-16)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1966-05-16)
Gitarre und Sologesang:
Lester Flatt (am 1966-05-16)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1966-05-16)
Kontrabass:
Ernie Newton (contrabassist) (am 1966-05-16) und Jake Tullock (country stand-up bass) (am 1966-05-16)
Mundharmonika:
Earl Taylor (bluegrass musician) (am 1966-05-16)
Resonatorgitarre und Tenor-Gesang:
Josh Graves (am 1966-05-16)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-05-16)
Baritongesang [high baritone vocal]:
Jake Tullock (country stand-up bass) (am 1966-05-16)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-05-16)
recording of:
Mama, You Been on My Mind (am 1966-05-16)
Texter und Komponist(in):
Bob Dylan (in 1964-05)
publisher:
Special Rider Music
2:34
29It Was Only the Wind
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo und Baritongesang:
Earl Scruggs (am 1966-08-30)
Fiddle und Bass-Gesang:
Paul Warren (US fiddler) (am 1966-08-30)
Gitarre und Sologesang:
Lester Flatt (am 1966-08-30)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1966-08-30)
Kontrabass:
Floyd D. 'Lightnin'' Chance (am 1966-08-30) und Jake Tullock (country stand-up bass) (am 1966-08-30)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1966-08-30)
Resonatorgitarre:
Josh Graves (am 1966-08-30)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-08-30)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1966-08-30)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-08-30)
recording of:
It Was Only the Wind (am 1966-08-30)
Verfasser(in):
Louise Certain und Tom T. Hall
2:35
30Why Can’t I Find Myself With You
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1966-09-12)
Fiddle und Baritongesang:
Paul Warren (US fiddler) (am 1966-09-12)
Gitarre und Sologesang:
Lester Flatt (am 1966-09-12)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1966-09-12)
Kontrabass:
Bob Moore (U.S. bassist and bandleader) (am 1966-09-12) und Jake Tullock (country stand-up bass) (am 1966-09-12)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1966-09-12)
Resonatorgitarre:
Josh Graves (am 1966-09-12)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1966-09-12)
Tenor-Gesang:
Jake Tullock (country stand-up bass) (am 1966-09-12)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1966-09-12)
1:46
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