The Words and Music of Cole Porter

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Let's Do It
registrazione di:
Let’s Do It (Noël Coward version) (il 1941-03-21)
paroliere e compositore:
Cole Porter (composer)
paroliere aggiunto:
Noël Coward
versione di:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Billie Holiday & Eddie Heywood and His Orchestra2:55
2Don’t Fence Me In
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1944-07-25) e Los Angeles, California, Stati Uniti (il 1944-07-25)
voce principale:
The Andrews Sisters (il 1944-07-25) e Bing Crosby (il 1944-07-25)
orchestra:
Vic Schoen and His Orchestra (il 1944-07-25)
direttore d'orchestra:
Vic Schoen (il 1944-07-25)
registrazione di:
Don’t Fence Me In (il 1944-07-25)
paroliere:
Robert Fletcher (US poet) (nel 1934) e Cole Porter (composer) (nel 1934)
compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner Bros., Inc. (not for release label use!)
Bing Crosby & The Andrews Sisters & Vic Schoen and His Orchestra3.53:05
3It’s De-Lovely
registrazione di:
It’s De‐Lovely (il 1936-09-07)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
parte di:
Anything Goes
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
Frances Day2:31
4How Could We Be Wrong?
registrazione di:
How Could We Be Wrong? (Nymph Errant) (il 1933-11-03)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Al Bowlly & Lew Stone & His Band3:14
5Experiment
voce:
Gertrude Lawrence
registrazione di:
Experiment (Nymph Errant) (il 1933-10-18)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Gertrude Lawrence & Ray Noble and His Orchestra2:35
6Miss Otis Regrets
registrazione di:
Miss Otis Regrets (il 1934-10-12)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1934)
Jay Wilbur and His Band, Sam Browne2:57
7You Do Something to Me
voce:
Marlene Dietrich (actress and singer) (il 1939-12-11)
orchestra:
Victor Young and His Orchestra (il 1939-12-11)
registrata presso:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, Stati Uniti (il 1939-12-11)
registrazione di:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (il 1939-12-19)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
Fifty Million Frenchmen
Marlene Dietrich & Victor Young & His Orchestra32:59
8Blow, Gabriel, Blow
registrazione di:
Blow, Gabriel Blow (Anything Goes) (il 1935-07-15)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
parte di:
Anything Goes
Nat Gonella & His Georgians3:10
9Easy to Love
registrazione di:
Easy to Love (il 1936-08-03)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
Frances Langford & Jimmy Dorsey & His Orchestra2:42
10I’ve Got You on My Mind
voce:
Fred Astaire (il 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (il 1932-11-22)
registrazione di:
I’ve Got You on My Mind (Gay Divorce musical) (il 1932-11-22)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
parte di:
Gay Divorce
Fred Astaire & Leo Reisman & His Orchestra2:43
11Anything Goes
registrazione di:
Anything Goes (il 1934-11-27)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
Cole Porter3:03
12Night and Day
registrata a:
New York, New York, Stati Uniti (il 1939-12-13)
batteria :
Jo Jones (US jazz drummer) (il 1939-12-13)
chitarra :
Freddie Green (il 1939-12-13)
contrabbasso :
Walter Page (il 1939-12-13)
pianoforte :
Joe Sullivan (piano, USA) (il 1939-12-13)
sassofono contralto :
Earle Warren (il 1939-12-13) e Jack Washington (il 1939-12-13)
sassofono tenore :
Lester Young (saxophonist) (il 1939-12-13)
tromba :
Buck Clayton (il 1939-12-13) e Harry Edison (il 1939-12-13)
voce:
Billie Holiday (il 1939-12-13)
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1939-12-13)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Billie Holiday42:59
13What Is This Thing Called Love?
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1938-09-27)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Artie Shaw and His Orchestra3:12
14My Heart Belongs to Daddy
registrazione cover di:
My Heart Belongs to Daddy (il 1939-10-27)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
Billy Cotton & His Band & Evelyn Dove3:19
15You’d Be So Nice to Come Home To
registrazione di:
You’d Be So Nice to Come Home To (il 1943-07-06)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Noël Coward1:55
16Rap Tap on Wood
ance :
Jimmy Dorsey (il 1936-08-03)
batteria :
Ray McKinley (il 1936-08-03)
chitarra :
Roc Hillman (songwriter, arranger) (il 1936-08-03)
contrabbasso :
Slim Taft (il 1936-08-03)
pianoforte :
Bobby Van Eps (American composer, arranger, jazz pianist) (il 1936-08-03)
sassofono :
Fud Livingston (il 1936-08-03)
sassofono contralto :
Jack Stacey (il 1936-08-03)
sassofono tenore :
Skeets Herfurt (il 1936-08-03)
tromba :
Tutti Camarata (il 1936-08-03) e George Thow (il 1936-08-03)
trombone :
Bobby Byrne (il 1936-08-03), Don Matteson (il 1936-08-03) e Joe Yukl (il 1936-08-03)
voce:
Frances Langford (il 1936-08-03)
registrazione di:
Rap Tap on Wood (from MGM picture "Born to Dance") (il 1936-08-03)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
parte di:
Born to Dance
Frances Langford & Jimmy Dorsey & His Orchestra2:28
17Begin the Beguine
registrazione di:
Begin the Beguine (il 1939-07-05)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Joe Loss and His Band, Chick Henderson3:30
18The Physician
registrazione di:
The Physician (from the musical “Nymph Errant”) (il 1933-10-18)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Gertrude Lawrence & Ray Noble and His Orchestra3:03
19Let's Misbehave
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1928-03-01)
voce:
Phil Saxe & chorus (il 1928-03-01)
registrazione di:
Let’s Misbehave (Paris musical) (il 1928-03-01)
paroliere e compositore:
Cole Porter (composer) (nel 1927)
parte di:
Anything Goes
Irving Aaronson and His Commanders & Phil Saxe2:50
20I’ve Got You Under My Skin
registrazione di:
I’ve Got You Under My Skin (il 1936-10-05)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Virginia Bruce3:12
21Just One of Those Things
registrazione di:
Just One of Those Things (il 1941-01-17)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Ambrose and His Orchestra, Sam Browne3:06
22You’re the Top
registrazione di:
You’re the Top (il 1934-10-26)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
parte di:
Anything Goes
Cole Porter3:22

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