The Words and Music of Cole Porter

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Let's Do It
recording of:
Let’s Do It (Noël Coward version) (am 1941-03-21)
Texter und Komponist(in):
Cole Porter (composer)
zusätzlicher Texter:
Noël Coward
Version von:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Billie Holiday & Eddie Heywood and His Orchestra2:55
2Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25)
Sologesang:
The Andrews Sisters (am 1944-07-25) und Bing Crosby (am 1944-07-25)
Orchester:
Vic Schoen and His Orchestra (am 1944-07-25)
conductor:
Vic Schoen (am 1944-07-25)
recording of:
Don’t Fence Me In (am 1944-07-25)
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby & The Andrews Sisters & Vic Schoen and His Orchestra3.53:05
3It’s De-Lovely
recording of:
It’s De‐Lovely (am 1936-09-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Frances Day2:31
4How Could We Be Wrong?
recording of:
How Could We Be Wrong? (Nymph Errant) (am 1933-11-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1933)
Teil von:
Nymph Errant (Cole Porter Musical)
Al Bowlly & Lew Stone & His Band3:14
5Experiment
vocals:
Gertrude Lawrence
recording of:
Experiment (Nymph Errant) (am 1933-10-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1933)
Teil von:
Nymph Errant (Cole Porter Musical)
Gertrude Lawrence & Ray Noble and His Orchestra2:35
6Miss Otis Regrets
recording of:
Miss Otis Regrets (am 1934-10-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Jay Wilbur and His Band, Sam Browne2:57
7You Do Something to Me
vocals:
Marlene Dietrich (actress and singer) (am 1939-12-11)
Orchester:
Victor Young and His Orchestra (am 1939-12-11)
aufgenommen bei:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1939-12-11)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1939-12-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
Marlene Dietrich & Victor Young & His Orchestra32:59
8Blow, Gabriel, Blow
recording of:
Blow, Gabriel Blow (Anything Goes) (am 1935-07-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Nat Gonella & His Georgians3:10
9Easy to Love
recording of:
Easy to Love (am 1936-08-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Frances Langford & Jimmy Dorsey & His Orchestra2:42
10I’ve Got You on My Mind
vocals:
Fred Astaire (am 1932-11-22)
Orchester:
Leo Reisman and His Orchestra (am 1932-11-22)
recording of:
I’ve Got You on My Mind (Gay Divorce musical) (am 1932-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
Teil von:
Gay Divorce
Fred Astaire & Leo Reisman & His Orchestra2:43
11Anything Goes
recording of:
Anything Goes (am 1934-11-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Cole Porter3:03
12Night and Day
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-13)
alto saxophone:
Earle Warren (am 1939-12-13) und Jack Washington (am 1939-12-13)
Gitarre:
Freddie Green (am 1939-12-13)
Klavier:
Joe Sullivan (piano, USA) (am 1939-12-13)
Kontrabass:
Walter Page (am 1939-12-13)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1939-12-13)
Tenorsaxophon:
Lester Young (saxophonist) (am 1939-12-13)
Trompete:
Buck Clayton (am 1939-12-13) und Harry Edison (am 1939-12-13)
vocals:
Billie Holiday (am 1939-12-13)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1939-12-13)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Billie Holiday42:59
13What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1938-09-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Artie Shaw and His Orchestra3:12
14My Heart Belongs to Daddy
cover recording of:
My Heart Belongs to Daddy (am 1939-10-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Billy Cotton & His Band & Evelyn Dove3:19
15You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To (am 1943-07-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Noël Coward1:55
16Rap Tap on Wood
alto saxophone:
Jack Stacey (am 1936-08-03)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-03)
Klavier:
Bobby Van Eps (American composer, arranger, jazz pianist) (am 1936-08-03)
Kontrabass:
Slim Taft (am 1936-08-03)
Posaune:
Bobby Byrne (am 1936-08-03), Don Matteson (am 1936-08-03) und Joe Yukl (am 1936-08-03)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-03)
Saxophon:
Fud Livingston (am 1936-08-03)
Schlagzeug:
Ray McKinley (am 1936-08-03)
Tenorsaxophon:
Skeets Herfurt (am 1936-08-03)
Trompete:
Tutti Camarata (am 1936-08-03) und George Thow (am 1936-08-03)
vocals:
Frances Langford (am 1936-08-03)
recording of:
Rap Tap on Wood (from MGM picture "Born to Dance") (am 1936-08-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Born to Dance
Frances Langford & Jimmy Dorsey & His Orchestra2:28
17Begin the Beguine
recording of:
Begin the Beguine (am 1939-07-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Joe Loss and His Band, Chick Henderson3:30
18The Physician
recording of:
The Physician (from the musical “Nymph Errant”) (am 1933-10-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1933)
Teil von:
Nymph Errant (Cole Porter Musical)
Gertrude Lawrence & Ray Noble and His Orchestra3:03
19Let's Misbehave
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1928-03-01)
vocals:
Phil Saxe & chorus (am 1928-03-01)
recording of:
Let’s Misbehave (Paris musical) (am 1928-03-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
Teil von:
Anything Goes
Irving Aaronson and His Commanders & Phil Saxe2:50
20I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin (am 1936-10-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Virginia Bruce3:12
21Just One of Those Things
recording of:
Just One of Those Things (am 1941-01-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Ambrose and His Orchestra, Sam Browne3:06
22You’re the Top
recording of:
You’re the Top (am 1934-10-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Cole Porter3:22

Nennungen