Ashley McBryde Presents: Lindeville

~ Release by Ashley McBryde (see all versions of this release, 3 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Brenda Put Your Bra On
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar and mellotron:
John Osborne
bass:
Eli Beaird
drums (drum set) and percussion:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan
mandolin:
Todd Lombardo
synthesizer:
Dave Cohen (Nashville-based keyboard player)
violin:
Matt Combs
background vocals:
Caylee Hammack, Connie Harrington (American singer / songwriter and visual artist), Ashley McBryde and Pillbox Patti (alter-ego of Natalie Hayford)
lead vocals:
Caylee Hammack, Ashley McBryde and Pillbox Patti (alter-ego of Natalie Hayford)
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
Brenda Put Your Bra On
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde, Caylee Hammack, Pillbox Patti22:39
2Jesus Jenny
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar:
Todd Lombardo
baroque guitar [gut string guitar] and lead vocals:
Aaron Raitiere
bass:
Eli Beaird
drums (drum set) and percussion:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan
Hammond organ [Hammond B3]:
Dave Cohen (Nashville-based keyboard player)
steel guitar:
Russ Rahl
background vocals:
John Osborne
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
Jesus Jenny
writer:
Jon Decious and Aaron Raitiere
publisher:
Decious Music Publishing, One Tooth Productions, Super LCS Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ashley McBryde, Aaron Raitiere12:32
3Dandelion Diner
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer:
Gena Johnson
producer, mixer and editor:
John Osborne
acoustic guitar:
Todd Lombardo
bass:
Eli Beaird
drums (drum set) and tambourine:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan
Hammond organ [Hammond B3] and piano:
Dave Cohen (Nashville-based keyboard player)
background vocals:
John Osborne
lead vocals:
Ashley McBryde
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
recording of:
Dandelion Diner
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde0:27
4The Girl in the Picture
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar:
Todd Lombardo and John Osborne
bass:
Eli Beaird
drums (drum set) and tambourine:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan and John Osborne
electric sitar [sitar guitar]:
John Osborne
Hammond organ [Hammond B3] and synthesizer:
Dave Cohen (Nashville-based keyboard player)
background vocals:
Caylee Hammack, Ashley McBryde, John Osborne and Pillbox Patti (alter-ego of Natalie Hayford)
lead vocals:
Pillbox Patti (alter-ego of Natalie Hayford)
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
The Girl in the Picture
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde, Pillbox Patti13:20
5If These Dogs Could Talk
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar:
Todd Lombardo and John Osborne
baroque guitar [gut string guitar]:
John Osborne
bass:
Eli Beaird
drums (drum set) and tambourine:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan
Hammond organ [Hammond B3] and Wurlitzer electric piano [Wurlitzer]:
Dave Cohen (Nashville-based keyboard player)
steel guitar:
Russ Rahl
background vocals:
Brandy Clark and Ashley McBryde
lead vocals:
Brandy Clark
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
If These Dogs Could Talk
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde, Brandy Clark14:11
6Play Ball
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar and banjo:
Todd Lombardo
bass:
Eli Beaird
celesta [celeste]:
Dave Cohen (Nashville-based keyboard player)
double bass [uptight bass], triangle and background vocals:
John Osborne
drums (drum set) and percussion:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan and John Osborne
lead vocals:
TJ Osborne
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
Play Ball
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde, Brothers Osborne23:27
7Ronnie’s Pawn Shop
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer:
Gena Johnson
producer, mixer and editor:
John Osborne
acoustic guitar:
Todd Lombardo and John Osborne
bass:
Eli Beaird
drums (drum set) and tambourine [tambo]:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan and John Osborne
Hammond organ [Hammond B3] and piano:
Dave Cohen (Nashville-based keyboard player)
background vocals:
John Osborne
lead vocals:
Ashley McBryde
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
recording of:
Ronnie’s Pawn Shop
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde0:31
8The Missed Connection Section of the Lindeville Gazette
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar:
Kris Donegan and Todd Lombardo
bass:
Eli Beaird
bass guitar [tic tac guitar] and resonator guitar [dobro]:
John Osborne
drums (drum set) and tambourine:
Fred Eltringham (drummer)
upright piano:
Dave Cohen (Nashville-based keyboard player)
lead vocals:
Brandy Clark and Aaron Raitiere
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
The Missed Connection Section of the Lindeville Gazette
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde, Brandy Clark, Aaron Raitiere14:05
9Gospel Night at the Strip Club
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar:
Kris Donegan and Todd Lombardo
bass:
Eli Beaird
drums (drum set):
Fred Eltringham (drummer)
electric guitar:
Kris Donegan
Hammond organ [Hammond B3]:
Dave Cohen (Nashville-based keyboard player)
background vocals:
Ashley McBryde, John Osborne and Pillbox Patti (alter-ego of Natalie Hayford)
lead vocals:
Benjy Davis
other vocals [gang vocals]:
Connie Harrington (American singer / songwriter and visual artist), Gena Johnson, Ashley McBryde, John Osborne and Pillbox Patti (alter-ego of Natalie Hayford)
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
Gospel Night at the Strip Club
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde, Benjy Davis12:56
10Forkem Family Funeral Home
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer:
Gena Johnson
producer, mixer and editor:
John Osborne
acoustic guitar and vibraphone:
John Osborne
background vocals:
Ashley McBryde and John Osborne
lead vocals:
Ashley McBryde
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
recording of:
Forkem Family Funeral Home
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde0:31
11When Will I Be Loved
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar:
Tim Galloway (guitar player)
bass:
Eli Beaird
drums (drum set) and tambourine:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan and John Osborne
steel guitar:
Russ Rahl
Wurlitzer electric piano [Wurlitzer]:
Dave Cohen (Nashville-based keyboard player)
background vocals:
Brandy Clark, Caylee Hammack, John Osborne and Pillbox Patti (alter-ego of Natalie Hayford)
lead vocals:
Brandy Clark, Caylee Hammack, Ashley McBryde and Pillbox Patti (alter-ego of Natalie Hayford)
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
cover recording of:
When Will I Be Loved?
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Ashley McBryde, Brandy Clark, Caylee Hammack, Pillbox Patti22:06
12Bonfire at Tina’s
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
producer and editor:
John Osborne
acoustic guitar:
Todd Lombardo and John Osborne
bass:
Eli Beaird
cello and viola:
Matt Combs
drums (drum set) and tambourine:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan and John Osborne
Hammond organ [Hammond B3] and piano:
Dave Cohen (Nashville-based keyboard player)
background vocals:
Brandy Clark, Caylee Hammack and Pillbox Patti (alter-ego of Natalie Hayford)
lead vocals:
Brandy Clark, Caylee Hammack, Ashley McBryde and Pillbox Patti (alter-ego of Natalie Hayford)
other vocals [gang vocals]:
Caylee Hammack, Connie Harrington (American singer / songwriter and visual artist), Gena Johnson, Ashley McBryde, John Osborne and Pillbox Patti (alter-ego of Natalie Hayford)
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
Bonfire at Tina’s
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde, Caylee Hammack, Brandy Clark, Pillbox Patti23:40
13Lindeville
additional recording engineer:
John Osborne
assistant recording engineer:
Zack Zinck (recording engineer)
recording engineer and mixer:
Gena Johnson
programming, producer and editor:
John Osborne
acoustic guitar:
Tim Galloway (guitar player)
bass:
Eli Beaird
cello, viola and violin:
Matt Combs
drums (drum set) and percussion:
Fred Eltringham (drummer)
electric guitar:
Kris Donegan
Hammond organ [Hammond B3] and Wurlitzer electric piano [Wurlitzer]:
Dave Cohen (Nashville-based keyboard player)
mandolin:
John Osborne
background vocals:
Ashley McBryde and John Osborne
vocals:
Ashley McBryde
phonographic copyright (℗) by:
Warner Music Nashville LLC (not for release label use!) (in 2022)
recorded at:
The Smoakstack in Nashville, Tennessee, United States
mixed at:
Studio G in Nashville, Tennessee, United States
recording of:
Lindeville
writer:
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde and Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music and WoodyMax Music
Ashley McBryde23:17