Ashley McBryde Presents: Lindeville

~ Veröffentlichung von Ashley McBryde (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Brenda Put Your Bra On
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre und mellotron:
John Osborne
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan
Geige / Violine:
Matt Combs
Mandoline:
Todd Lombardo
Perkussion und Schlagzeug:
Fred Eltringham (drummer)
Synthesizer:
Dave Cohen (Nashville-based keyboard player)
Hintergrundgesang:
Caylee Hammack, Connie Harrington (American singer / songwriter and visual artist), Ashley McBryde und Pillbox Patti (alter-ego of Natalie Hayford)
Sologesang:
Caylee Hammack, Ashley McBryde und Pillbox Patti (alter-ego of Natalie Hayford)
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
Brenda Put Your Bra On
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde, Caylee Hammack, Pillbox Patti22:39
2Jesus Jenny
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Todd Lombardo
Barockgitarre [gut string guitar] und Sologesang:
Aaron Raitiere
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan
Hammond-Orgel [Hammond B3]:
Dave Cohen (Nashville-based keyboard player)
Perkussion und Schlagzeug:
Fred Eltringham (drummer)
Steel-Gitarre:
Russ Rahl
Hintergrundgesang:
John Osborne
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
Jesus Jenny
Verfasser(in):
Jon Decious und Aaron Raitiere
publisher:
Decious Music Publishing, One Tooth Productions, Super LCS Publishing und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ashley McBryde, Aaron Raitiere12:32
3Dandelion Diner
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in), Mix und Editing:
John Osborne
Akustikgitarre:
Todd Lombardo
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan
Hammond-Orgel [Hammond B3] und Klavier:
Dave Cohen (Nashville-based keyboard player)
Schlagzeug und Tamburin:
Fred Eltringham (drummer)
Hintergrundgesang:
John Osborne
Sologesang:
Ashley McBryde
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
recording of:
Dandelion Diner
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde0:27
4The Girl in the Picture
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Todd Lombardo und John Osborne
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan und John Osborne
E-Sitars [sitar guitar]:
John Osborne
Hammond-Orgel [Hammond B3] und Synthesizer:
Dave Cohen (Nashville-based keyboard player)
Schlagzeug und Tamburin:
Fred Eltringham (drummer)
Hintergrundgesang:
Caylee Hammack, Ashley McBryde, John Osborne und Pillbox Patti (alter-ego of Natalie Hayford)
Sologesang:
Pillbox Patti (alter-ego of Natalie Hayford)
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
The Girl in the Picture
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde, Pillbox Patti13:20
5If These Dogs Could Talk
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Todd Lombardo und John Osborne
Barockgitarre [gut string guitar]:
John Osborne
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan
Hammond-Orgel [Hammond B3] und Wurlitzer Electric Piano [Wurlitzer]:
Dave Cohen (Nashville-based keyboard player)
Schlagzeug und Tamburin:
Fred Eltringham (drummer)
Steel-Gitarre:
Russ Rahl
Hintergrundgesang:
Brandy Clark und Ashley McBryde
Sologesang:
Brandy Clark
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
If These Dogs Could Talk
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde, Brandy Clark14:11
6Play Ball
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre und Banjo:
Todd Lombardo
Bass:
Eli Beaird
Celesta [celeste]:
Dave Cohen (Nashville-based keyboard player)
E-Gitarre:
Kris Donegan und John Osborne
Kontrabass [uptight bass], triangle und Hintergrundgesang:
John Osborne
Perkussion und Schlagzeug:
Fred Eltringham (drummer)
Sologesang:
TJ Osborne
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
Play Ball
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde, Brothers Osborne23:27
7Ronnie’s Pawn Shop
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in), Mix und Editing:
John Osborne
Akustikgitarre:
Todd Lombardo und John Osborne
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan und John Osborne
Hammond-Orgel [Hammond B3] und Klavier:
Dave Cohen (Nashville-based keyboard player)
Schlagzeug und Tamburin [tambo]:
Fred Eltringham (drummer)
Hintergrundgesang:
John Osborne
Sologesang:
Ashley McBryde
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
recording of:
Ronnie’s Pawn Shop
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde0:31
8The Missed Connection Section of the Lindeville Gazette
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Kris Donegan und Todd Lombardo
Bass:
Eli Beaird
Bassgitarre [tic tac guitar] und Resonatorgitarre [dobro]:
John Osborne
Pianino:
Dave Cohen (Nashville-based keyboard player)
Schlagzeug und Tamburin:
Fred Eltringham (drummer)
Sologesang:
Brandy Clark und Aaron Raitiere
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
The Missed Connection Section of the Lindeville Gazette
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde, Brandy Clark, Aaron Raitiere14:05
9Gospel Night at the Strip Club
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Kris Donegan und Todd Lombardo
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan
Hammond-Orgel [Hammond B3]:
Dave Cohen (Nashville-based keyboard player)
Schlagzeug:
Fred Eltringham (drummer)
Hintergrundgesang:
Ashley McBryde, John Osborne und Pillbox Patti (alter-ego of Natalie Hayford)
Sologesang:
Benjy Davis
sonstiger Gesang [gang vocals]:
Connie Harrington (American singer / songwriter and visual artist), Gena Johnson, Ashley McBryde, John Osborne und Pillbox Patti (alter-ego of Natalie Hayford)
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
Gospel Night at the Strip Club
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde, Benjy Davis12:56
10Forkem Family Funeral Home
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in), Mix und Editing:
John Osborne
Akustikgitarre und Vibraphon:
John Osborne
Hintergrundgesang:
Ashley McBryde und John Osborne
Sologesang:
Ashley McBryde
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
recording of:
Forkem Family Funeral Home
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde0:31
11When Will I Be Loved
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Tim Galloway (guitar player)
Bass:
Eli Beaird
E-Gitarre:
Kris Donegan und John Osborne
Schlagzeug und Tamburin:
Fred Eltringham (drummer)
Steel-Gitarre:
Russ Rahl
Wurlitzer Electric Piano [Wurlitzer]:
Dave Cohen (Nashville-based keyboard player)
Hintergrundgesang:
Brandy Clark, Caylee Hammack, John Osborne und Pillbox Patti (alter-ego of Natalie Hayford)
Sologesang:
Brandy Clark, Caylee Hammack, Ashley McBryde und Pillbox Patti (alter-ego of Natalie Hayford)
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
When Will I Be Loved?
Texter und Komponist(in):
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Ashley McBryde, Brandy Clark, Caylee Hammack, Pillbox Patti22:06
12Bonfire at Tina’s
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Todd Lombardo und John Osborne
Bass:
Eli Beaird
Bratsche / Viola und Cello:
Matt Combs
E-Gitarre:
Kris Donegan und John Osborne
Hammond-Orgel [Hammond B3] und Klavier:
Dave Cohen (Nashville-based keyboard player)
Schlagzeug und Tamburin:
Fred Eltringham (drummer)
Hintergrundgesang:
Brandy Clark, Caylee Hammack und Pillbox Patti (alter-ego of Natalie Hayford)
Sologesang:
Brandy Clark, Caylee Hammack, Ashley McBryde und Pillbox Patti (alter-ego of Natalie Hayford)
sonstiger Gesang [gang vocals]:
Caylee Hammack, Connie Harrington (American singer / songwriter and visual artist), Gena Johnson, Ashley McBryde, John Osborne und Pillbox Patti (alter-ego of Natalie Hayford)
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
Bonfire at Tina’s
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde, Caylee Hammack, Brandy Clark, Pillbox Patti23:40
13Lindeville
Assistent recording engineer:
Zack Zinck (recording engineer)
recording engineer und Mix:
Gena Johnson
zusätzlich recording engineer:
John Osborne
Programmierung, Produzent(in) und Editing:
John Osborne
Akustikgitarre:
Tim Galloway (guitar player)
Bass:
Eli Beaird
Bratsche / Viola, Cello und Geige / Violine:
Matt Combs
E-Gitarre:
Kris Donegan
Hammond-Orgel [Hammond B3] und Wurlitzer Electric Piano [Wurlitzer]:
Dave Cohen (Nashville-based keyboard player)
Mandoline:
John Osborne
Perkussion und Schlagzeug:
Fred Eltringham (drummer)
Hintergrundgesang:
Ashley McBryde und John Osborne
vocals:
Ashley McBryde
phonographisches Urheberrecht (℗) von:
Warner Music Nashville LLC (not for release label use!) (in 2022)
aufgenommen bei:
The Smoakstack in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Studio G in Nashville, Tennessee, Vereinigte Staaten
recording of:
Lindeville
Verfasser(in):
Brandy Clark, Benjy Davis, Connie Harrington (American singer / songwriter and visual artist), Nicolette Hayford, Ashley McBryde und Aaron Raitiere
publisher:
Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Well That Was Awkward Music und WoodyMax Music
Ashley McBryde23:17