Fidelio

~ Release by Beethoven; Christa Ludwig, Jon Vickers, Gottlob Frick, Walter Berry, Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer (see all versions of this release, 7 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fidelio, Act I: Ouvertüre
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1962-02, from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1962-02, from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-02, from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1962-02)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:56
2Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:54
3Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:14
4Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:05
5Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:10
6Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:39
7Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:18
8Fidelio, Act I, No. 4: Arie. "Hat man nicht auch Gold beineben"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:55
9Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:21
10Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:08
11Fidelio, Act I, No. 6: Marsch
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:19
12Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:55
13Fidelio, Act I, No. 7: Arie mit Chor. "Ha! Welch'ein Augenblick!"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:38
14Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:35
15Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (bass‐baritone) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:26
16Fidelio, Act I, No. 9: Rezitativ und Arie. "Abscheulicher! Wo eilst du hin?"
producer:
Walter Legge (British classical producer)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:20
17Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft"
producer:
Walter Legge (British classical producer)
solo bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (mezzo-soprano) (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (soprano) (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (tenor) (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:47
2▶CD