100 Hits: Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.654:01
2Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:46
3Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonanno and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.73:46
4Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.152:59
5Maniac
recording of:
Maniac
writer:
Dennis Matkosky and Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1983 nominee)
Michael Sembello5:51
6When the Going Gets Tough, the Tough Get Going
executive producer:
Robert John “Mutt” Lange (Robert John Lange)
producer:
Barry J. Eastmond and Wayne Brathwaite
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
music videos:
When the Going Gets Tough, the Tough Get Going by Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
writer:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) and Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:06
7Oh Yeah
producer:
Yello (Swiss electronica duo)
guest drums (drum set):
Beat Ash
guest guitar:
Chico Hablas
phonographic copyright (℗) by:
Phonogram GmbH (in 1985)
recorded at:
Yello Studio in Zurich (Zürich), Zürich (Canton of Zürich), Switzerland
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 48)
recording of:
Oh Yeah
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. and Neue Welt (in 1985)
Yello43:05
8Brilliant Mind
engineer:
John Brough, Renny Hill (engineer) and Seb (Engineer)
producer:
Mick Glossop (producer & engineer)
bass:
Sally Still
drums (drum set) and percussion:
Hamilton Lee
guitar and background vocals:
Tim Whelan
keyboard:
Maya Gilder (Keyboardist)
saxophone:
Larry Whelan (Saxophonist)
strings:
Tim Beaton and Charlie Buchannon
lead vocals:
Jim Irvin
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recorded at:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, United Kingdom
mixed at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 86)
recording of:
Brilliant Mind
writer:
Jim Irvin, Hamilton Lee, Sally Still and Tim Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:39
9Weird Science
recording engineer and mixer:
David Leonard (US producer and engineer)
producer:
Steve Bartek and Danny Elfman (American singer and score composer)
alto saxophone and baritone saxophone:
Leon Schneiderman
bass guitar:
John Avila
drums (drum set) and percussion:
Johnny "Vatos" Hernandez
guitar:
Steve Bartek and Danny Elfman (American singer and score composer)
keyboard:
Mike Bacich
tenor saxophone:
Sam "Sluggo" Phipps
trombone and trumpet:
Dale Turner (Oingo Boingo trumpeter)
vocals:
John Avila and Danny Elfman (American singer and score composer)
recorded at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Weird Science (Oingo Boingo song)
lyricist and composer:
Danny Elfman (American singer and score composer)
Oingo Boingo3.656:05
10Dance Hall Days
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Geffen Records and The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:54
11On Our Own
producer:
L.A. & Babyface (US R&B songwriting/production duo)
recording of:
On Our Own
writer:
Babyface (R&B musician Kenny Edmonds), L.A. Reid and Daryl Simmons
publisher:
Chappell Music Ltd.
Bobby Brown4.54:50
12Real Wild Child (Wild One)
drum machine [Linn drum] programming:
David Richards (Swiss-based producer and engineer) (from 1986-04 until 1986-05)
engineer:
David Richards (Swiss-based producer and engineer)
producer and mixer:
David Bowie (English singer‐songwriter) and David Richards (Swiss-based producer and engineer)
bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
Erdal Kızılçay (from 1986-04 until 1986-05)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05) and Steve Jones (Sex Pistols member) (from 1986-04 until 1986-05)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05), David Bowie (English singer‐songwriter) (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
lead vocals:
Iggy Pop (from 1986-04 until 1986-05)
phonographic copyright (℗) by:
A&M Records (in 1986)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1986-04 until 1986-05)
cover recording of:
Wild One (Real Wild Child) (from 1986-04 until 1986-05)
writer:
Johnny Greenan, Johnny O’Keefe and Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music (publisher)
Iggy Pop3.853:35
13Shout to the Top
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:22
14Pass the Dutchie
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth43:20
15Iko Iko
engineer and producer:
Brian Tench
alto saxophone:
Miranda Joyce
bass guitar:
Lesley Shone
drums (drum set):
Judy Parsons
guitar:
Sarah‐Jane Owen
lead vocals:
Jennie Matthias
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1982) and Stiff Records (in 1983)
cover recording of:
Iko Iko
lyricist:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins and Joan Marie Johnson (Joan Marie Johnson Faust)
composer:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins and Rosa Lee Hawkins
publisher:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
revision of:
Jockomo
The Belle Stars32:56
16Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:26
17Licence to Kill
producer:
Walter Afanasieff and Narada Michael Walden
vocals:
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Walter Afanasieff and Narada Michael Walden
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recording of:
Licence to Kill
writer:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989)
part of:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight3.355:12
18Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee3:40
19Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:44
20You’ve Lost That Lovin’ Feeling
recording of:
You’ve Lost That Lovin’ Feelin’
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Righteous Brothers3:39
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Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 28) (order: 59)
Allmusic:https://www.allmusic.com/album/mw0000814325 [info]