100 Hits: Movies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Pretty in Pink
tecnico:
Will Gosling e Phil Thornalley
produttore:
Steve Lillywhite
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981, nel 1986)
registrazione di:
Pretty in Pink
autore:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn e Roger Morris (UK guitarist for The Psychedelic Furs)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30) e EMI Songs Ltd.
The Psychedelic Furs4.654:01
2Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:46
3Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonanno e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Volcano Entertainment III, L.L.C. (nel 1985)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.73:46
4Axel F
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.152:59
5Maniac
registrazione di:
Maniac
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello5:51
6When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:06
7Oh Yeah
produttore:
Yello (Swiss electronica duo)
batteria ospite :
Beat Ash
chitarra ospite :
Chico Hablas
diritti fonografici (℗) detenuti da:
Phonogram GmbH (nel 1985)
registrata presso:
Yello Studio in Zurich (Zurigo), Zürich (Canton Zurigo), Svizzera
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 48)
registrazione di:
Oh Yeah
paroliere:
Dieter Meier (member of Yello)
compositore:
Boris Blank
editore:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. e Neue Welt (nel 1985)
Yello43:05
8Brilliant Mind
tecnico:
John Brough, Renny Hill (engineer) e Seb (Engineer)
produttore:
Mick Glossop (producer & engineer)
archi :
Tim Beaton e Charlie Buchannon
basso :
Sally Still
batteria e percussione :
Hamilton Lee
chitarra e voce di accompagnamento:
Tim Whelan
sassofono :
Larry Whelan (Saxophonist)
tastiera :
Maya Gilder (Keyboardist)
voce principale:
Jim Irvin
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1986)
registrata presso:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, Regno Unito
mixata presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 86)
registrazione di:
Brilliant Mind
autore:
Jim Irvin, Hamilton Lee, Sally Still e Tim Whelan
editore:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:39
9Weird Science
tecnico di registrazione e tecnico di missaggio:
David Leonard (US producer and engineer)
produttore:
Steve Bartek e Danny Elfman (American singer and score composer)
batteria e percussione :
Johnny "Vatos" Hernandez
chitarra :
Steve Bartek e Danny Elfman (American singer and score composer)
chitarra basso :
John Avila
sassofono contralto e sassofono baritono :
Leon Schneiderman
sassofono tenore :
Sam "Sluggo" Phipps
tastiera :
Mike Bacich
trombone e tromba :
Dale Turner (Oingo Boingo trumpeter)
voce:
John Avila e Danny Elfman (American singer and score composer)
registrata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Weird Science (Oingo Boingo song)
paroliere e compositore:
Danny Elfman (American singer and score composer)
Oingo Boingo3.656:05
10Dance Hall Days
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
diritti fonografici (℗) detenuti da:
Geffen Records e The David Geffen Company (legal rights relating to Geffen Records) (nel 1984)
registrazione di:
Dance Hall Days
autore:
Darren Costin, Nick Feldman e Jack Hues
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:54
11On Our Own
produttore:
L.A. & Babyface (US R&B songwriting/production duo)
registrazione di:
On Our Own
autore:
Babyface (R&B musician Kenny Edmonds), L.A. Reid e Daryl Simmons
editore:
Chappell Music Ltd.
Bobby Brown4.54:50
12Real Wild Child (Wild One)
programmazione degli strumenti:
David Richards (Swiss-based producer and engineer) (dal 1986-04 al 1986-05)
tecnico:
David Richards (Swiss-based producer and engineer)
produttore e tecnico di missaggio:
David Bowie (English singer‐songwriter) e David Richards (Swiss-based producer and engineer)
basso, batteria, organo, campionatore [Akai S900], sintetizzatore [Yamaha DX7] e violino :
Erdal Kızılçay (dal 1986-04 al 1986-05)
chitarra :
Kevin Armstrong (UK guitarist, producer & songwriter) (dal 1986-04 al 1986-05) e Steve Jones (Sex Pistols member) (dal 1986-04 al 1986-05)
voce di accompagnamento:
Kevin Armstrong (UK guitarist, producer & songwriter) (dal 1986-04 al 1986-05), David Bowie (English singer‐songwriter) (dal 1986-04 al 1986-05) e Erdal Kızılçay (dal 1986-04 al 1986-05)
voce principale:
Iggy Pop (dal 1986-04 al 1986-05)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1986)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1986-04 al 1986-05)
registrazione cover di:
Wild One (Real Wild Child) (dal 1986-04 al 1986-05)
autore:
Johnny Greenan, Johnny O’Keefe e Dave Owens (US songwriter, known for "Wild One")
editore:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Southern Music (publisher)
Iggy Pop3.853:35
13Shout to the Top
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1984)
registrazione di:
Shout to the Top
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:22
14Pass the Dutchie
produttore:
Peter Collins (producer)
batteria :
Junior
chitarra :
Kelvin
chitarra basso :
Patrick
tastiera :
Michael (Keyboard player for Musical Youth)
voce:
Dennis
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 25)
registrazione cover di:
Pass the Kouchie
autore:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) e Fitzroy “Bunny” Simpson
parte di:
My Kind of People
Musical Youth43:20
15Iko Iko
tecnico e produttore:
Brian Tench
batteria :
Judy Parsons
chitarra :
Sarah‐Jane Owen
chitarra basso :
Lesley Shone
sassofono contralto :
Miranda Joyce
voce principale:
Jennie Matthias
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1982) e Stiff Records (nel 1983)
registrazione cover di:
Iko Iko
paroliere:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins e Joan Marie Johnson (Joan Marie Johnson Faust)
compositore:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins e Rosa Lee Hawkins
editore:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
revisione di:
Jockomo
The Belle Stars32:56
16Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983, nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:26
17Licence to Kill
produttore:
Walter Afanasieff e Narada Michael Walden
voce:
Gladys Knight (soul and r&b music singer-songwriter)
arrangiatore:
Walter Afanasieff e Narada Michael Walden
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1989)
registrazione di:
Licence to Kill
autore:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e SBK Songs Ltd. (nel 1989)
parte di:
James Bond themes
cita la musica di:
Goldfinger
Gladys Knight3.355:12
18Show Me Heaven
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee3:40
19Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:44
20You’ve Lost That Lovin’ Feeling
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers3:39
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Accreditamenti

Pubblicazione

ASIN:UK: B001NOMORO [info]
US: B001NOMORO [info]

Gruppo di pubblicazioni

parte di:100 Hits (UK Demon Music Group) (numero: 28) (ordine: 59)
Allmusic:https://www.allmusic.com/album/mw0000814325 [info]