Bach Cantatas

~ Release by Bach; Württemberg Chamber Orchestra, Rudolf Ewerhart, Helmuth Rilling (see all versions of this release, 1 available)

Annotation

This seems to have a manufacturing error where the disc labels for 1 and 3 are swapped. The tracklist here follows the order of the booklet and back cover.

Annotation last modified on 2024-03-31 02:54 UTC.

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		6:58
2	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		0:33
3	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		3:57
4	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		0:43
5	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		3:03
6	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		0:50
7	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		5:32
8	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		0:31
9	Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Gavotte (aria) cello: Peter Buck (cellist in the Melos Quartet) harpsichord: Martin Galling (pianist and harpsichordist) oboe: Willy Schnell (oboist) violin: Werner Keltsch soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Bach		1:50
10	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Sinfonia cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		2:44
11	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria, duetto cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:44
12	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitative cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		1:10
13	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		1:15
14	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:24
15	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		1:21
16	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:27
17	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici is based on: Folia part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		2:15
18	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:35
19	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): [untitled] cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		1:23
20	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:45
21	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:57
22	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:31
23	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		6:08
24	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:23
25	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:58
26	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:26
27	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:31
28	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:20
29	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		6:43
30	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:22
31	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:48
32	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		0:35
33	Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Chor cello: Peter Buck (cellist in the Melos Quartet) flute: Gabriele Zimmermann harpsichord: Martin Galling (pianist and harpsichordist) bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn) conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1742-08-30) composed in: Leipzig, Sachsen (Saxony), Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Bach		1:15

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manufactured in:	The USA
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copyrighted (©) by and phonographic copyright (℗) by:	The Vox Music Group (division of SPJ Music, Inc) (in 1996)

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