Bach Cantatas

~ Release by Bach; Württemberg Chamber Orchestra, Rudolf Ewerhart, Helmuth Rilling (see all versions of this release, 1 available)

Annotation

This seems to have a manufacturing error where the disc labels for 1 and 3 are swapped. The tracklist here follows the order of the booklet and back cover.

Annotation last modified on 2024-03-31 02:54 UTC.

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Recitative
spoken vocals [narrator]:
Wilfrid Jochims (German Tenor)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach0:42
2Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Aria
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach3:28
3Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Recitative
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Elisabeth Speiser
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach0:43
4Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Aria
soprano vocals:
Elisabeth Speiser
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach4:31
5Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Recitative
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Elisabeth Speiser
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach1:21
6Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Aria
bass vocals:
Claus Ocker (operatic bass)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach3:18
7Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Recitative
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Elisabeth Speiser
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach1:01
8Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Aria
soprano vocals:
Elisabeth Speiser
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach8:42
9Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Recitative
spoken vocals [narrator]:
Wilfrid Jochims (German Tenor)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach0:57
10Cantata no. 211 “Schweigt stille, plaudert nicht” (Coffee): Finale
bass vocals:
Claus Ocker (operatic bass)
soprano vocals:
Elisabeth Speiser
spoken vocals [narrator]:
Wilfrid Jochims (German Tenor)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Bach5:26
11Cantata no. 203 “Amore traditore”: Aria
cello [cello continuo]:
Dieter Messlinger
harpsichord:
Martin Galling (pianist and harpsichordist)
bass vocals:
Claus Ocker (operatic bass)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 203 "Amore traditore": I. Aria (Bass) "Amore traditore"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Bach8:08
12Cantata no. 203 “Amore traditore”: Recitative
cello [cello continuo]:
Dieter Messlinger
harpsichord:
Martin Galling (pianist and harpsichordist)
bass vocals:
Claus Ocker (operatic bass)
conductor:
director
recording of:
Kantate, BWV 203 "Amore traditore": II. Recitativo (Bass) "Voglio provar"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Bach0:41
13Cantata no. 203 “Amore traditore”: Aria
cello [cello continuo]:
Dieter Messlinger
harpsichord:
Martin Galling (pianist and harpsichordist)
bass vocals:
Claus Ocker (operatic bass)
conductor:
director
recording of:
Kantate, BWV 203 "Amore traditore": III. Aria (Bass) "Chi in amore ha nemica la sorte"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Bach7:02
14Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Choral Motet
choir vocals:
Figuralchor of the Stuttgart Memorial Church
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach7:43
15Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Choral Duet
bass vocals:
Ulrich Schaible (Bass)
soprano vocals:
Antonia Fahberg (soprano)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach4:54
16Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Recitativo
bass vocals:
Ulrich Schaible (Bass)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach2:30
17Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Aria
soprano vocals:
Antonia Fahberg (soprano)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach3:28
18Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Unison Chorale
choir vocals:
Figuralchor of the Stuttgart Memorial Church
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach4:10
19Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Recitativo
tenor vocals:
Theophil Maier (tenor)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach1:49
20Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Duet
contralto vocals:
Bargarete Bence (contralto)
tenor vocals:
Theophil Maier (tenor)
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach5:08
21Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Chorale
choir vocals:
Figuralchor of the Stuttgart Memorial Church
orchestra:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn"
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Bach1:27
3CD

Credits

Release

manufactured in:The USA
printed in:U.S.A
copyrighted (©) by and phonographic copyright (℗) by:The Vox Music Group (division of SPJ Music, Inc) (in 1996)