Anytime

~ Release by Brian McKnight (see all versions of this release, 16 available)

Annotation

A3 doesn't feature MA$E on the promo stickers or record label

Annotation last modified on 2022-04-15 16:25 UTC.

Tracklist

1▶12" Vinyl: Record One
2▼12" Vinyl: Record Two
#TitleRatingLength
C1Hold Me
miscellaneous support:
Rich Travali (Engineer) (task: recorder)
drum machine programming:
Poke (hip hop producer Jean Olivier, of Poke and Tone) and Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
executive producer:
Bruce Carbone and Herb Trawick
producer:
Poke (hip hop producer Jean Olivier, of Poke and Tone), Poke and Tone and Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
mixer:
Rich Travali (Engineer)
keyboard:
Cory Rooney
background vocals:
DJ Clue? and Willie Max
lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Crave Studios in New York, United States and The Hit Factory in Manhattan, New York, New York, United States
samples:
I Get Around by 2Pac (US rapper)
recording of:
Hold Me (in 1997)
writer:
Mary J. Blige, Gregory Edward Jacobs, Shirley Murdock, Poke (hip hop producer Jean Olivier, of Poke and Tone), Ronald R. Brooks (Money B, of Digital Underground), Cory Rooney, Samuel J. “Tone” Barnes (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters)), Tupac Shakur (2Pac’s personal identity) and Larry Troutman
publisher:
12 & Under Music, BMG Platinum Songs US, Cancelled Lunch Music, Joshua’s Dream, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Pubhowyalike Publishing, R2M Music (BMI), Round Hill Compositions, Slamuwell Productions, Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Tricky Track Music Inc., Twelve and Under Music and Universal Music–Z Songs
43:49
C2The Only One for Me
recording engineer:
Chris Wood (recording engineer)
drum machine programming:
Anthony Nance
assistant engineer:
Mary Ann Souza
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
other instruments [all instruments performed by] and background vocals and lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
recording of:
The Only One for Me (in 1997)
writer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
45:13
C3Til I Get Over You
recording engineer:
Chris Wood (recording engineer)
drum machine programming:
Anthony Nance
assistant engineer:
Doug "The Colonel" Kern
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
other instruments [all instruments performed by] and background vocals and lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
recording of:
Til I Get Over You (in 1997)
writer:
Brian McKnight
publisher:
Cancelled Lunch Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:58
D1I Belong to You
recording engineer:
Chris Wood (recording engineer)
assistant engineer:
Doug Elkins
executive producer:
Bruce Carbone and Herb Trawick
producer:
Peter Black (rock/soul artist on Hidden Beach Recordings)
mixer:
Brant Biles and Peter Black (rock/soul artist on Hidden Beach Recordings)
other instruments [all instruments performed by] and background vocals and lead vocals:
Brian McKnight
arranger:
Peter Black (rock/soul artist on Hidden Beach Recordings)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Enterprise in North Hollywood, Los Angeles, California, United States
recording of:
I Belong to You (in 1997)
writer:
Peter Black (US acid house producer/guitarist aka Jackmaster Black)
34:47
D2Jam Knock
recording engineer:
Carl Nappa and Chris Wood (recording engineer)
drum machine programming and co-producer:
The Characters (US production duo Charles Farrar & Troy Taylor)
keyboard programming:
Brian McKnight
assistant engineer:
Mary Ann Souza
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
mixer:
Paul Logus
background vocals:
Troy Taylor
background vocals and lead vocals:
Brian McKnight
other instruments [rhythm] arranger:
Brian McKnight and Troy Taylor
vocals arranger:
Brian McKnight and Troy Taylor
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
samples:
I Can’t Wait by Nu Shooz
recording of:
Jam Knock (in 1997)
writer:
Brian McKnight and John Smith (Nu Shooz)
publisher:
Cancelled Lunch Music, Nu Shooz Orchestra LLC and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:34
D3When the Chariot Comes
recording engineer:
Chris Wood (recording engineer)
miscellaneous support:
Suzie Katayama (task: orchestra contractor / coordinator)
assistant engineer:
Doug Elkins
engineer:
David Reitzas (other instruments [orchestra])
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
alto flute:
Gerry Rotella (flutist) and Louise De Tullio
bass:
Oscar Meza, Jr. and David Young (bass)
cello:
Chris Ermacoff, Larry Corbett, Dan Smith (cellist), Suzie Katayama, Steve Richards (cellist) and Rudy Stein
cor anglais [english horn]:
Jon Clarke
cornet [coronet / trumpet]:
Rick Baptist
French horn:
David Duke (horn), Joe Meyer (French horn player) and Brad Warnaar (American composer)
instruments:
Don Williams (US percussionist, composer, arranger)
keyboard and background vocals and lead vocals:
Brian McKnight
percussion:
Dan Greco and Bob Zimmitti
viola:
Bob Becker (strings), Denyse Buffum, Scott Haupert (violinist), Janet Lakatos, Maria Newman and John Scanlon
violin:
Murray Adler, Susan Chatman, Ron Clark (violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff (American concertmaster and violinist), Harris Goldman, Endre Granat (Hungarian violinist), Peter Kent (violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson (violinist), Barbra Porter (violinist, photographer), Jay Rosen (violinist), Anatoly Rosinsky, John Wittenberg and Ken Yerke
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
When the Chariot Comes (in 1997)
writer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) and Brian McKnight
publisher:
Cancelled Lunch Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:32

Credits

Release

printed in:U.S.A.
phonographic copyright (℗) by:Mercury Records (the holding company; for use as ℗&© credits only!)
Discogs:https://www.discogs.com/release/7190444 [info]