Anytime

~ Release by Brian McKnight (see all versions of this release, 16 available)

Annotation

A3 doesn't feature MA$E on the promo stickers or record label

Annotation last modified on 2022-04-15 16:25 UTC.

Tracklist

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1▼12" Vinyl: Record One
#TitleRatingLength
A1Anytime
recording engineer:
Chris Wood (recording engineer)
drum machine programming:
Anthony Nance
assistant engineer:
Mary Ann Souza
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
background vocals and lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
samples:
Outside Your Door by Me’Shell NdegéOcello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
music videos:
Anytime by Brian McKnight
recording of:
Anytime
lyricist:
Brian McKnight
composer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal–Songs of PolyGram International, Inc.
44:31
A2Could
recording engineer:
Chris Wood (recording engineer)
miscellaneous support:
Suzie Katayama (task: orchestra contractor / coordinator)
drum machine programming:
Anthony Nance
assistant engineer:
Mary Ann Souza
engineer:
David Reitzas (other instruments [orchestra])
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
bass:
Oscar Meza, Jr. and David Young (bass)
cello:
Chris Ermacoff, Larry Corbett, Dan Smith (cellist), Suzie Katayama, Steve Richards (cellist) and Rudy Stein
French horn:
David Duke (horn), Joe Meyer (French horn player) and Brad Warnaar (American composer)
keyboard and background vocals and lead vocals:
Brian McKnight
viola:
Bob Becker (strings), Denyse Buffum, Scott Haupert (violinist), Janet Lakatos, Maria Newman and John Scanlon
violin:
Murray Adler, Susan Chatman, Ron Clark (violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff (American concertmaster and violinist), Harris Goldman, Endre Granat (Hungarian violinist), Peter Kent (violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson (violinist), Barbra Porter (violinist, photographer), Jay Rosen (violinist), Anatoly Rosinsky, John Wittenberg and Ken Yerke
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
Could (in 1997)
writer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) and Brian McKnight
publisher:
Brandon Barnes Music, Cancelled Lunch Music and Universal–Songs of PolyGram International, Inc.
54:27
A3You Should Be Mine (Don't Waste Your Time)
recording engineer:
Andy Cardenas, Joe Pererra and Axel Niehaus (German-born engineer and producer)
programming:
v.d. Toorn
co-engineer:
Jon "JM" Meredith (US producer/engineer aka "JM") and Pierre Smith (US engineer)
engineer:
Jon "JM" Meredith (US producer/engineer aka "JM") and Pierre Smith (US engineer)
executive producer:
Bruce Carbone and Herb Trawick
producer:
Ron Lawrence (US hip-hop producer aka Amen-Ra), Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) and Stevie J. (US hip-hop producer/songwriter Steven Jordan)
background vocals and guest background vocals:
Kelly Price
guest vocals, other vocals [rap vocals] and guest performer:
Mase (US rapper)
lead vocals:
Brian McKnight
vocals:
Mase (US rapper) and Kelly Price
vocals arranger:
Kelly Price
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
produced for:
Bad Boy Entertainment, Inc. and The Mystery System, Inc.
recorded at:
Caribbean Sound Basin in Port of Spain, Trinidad and Tobago and Daddy’s House Recording Studio in New York, New York, United States
samples:
I Got Ants in My Pants, Part 1 by James Brown (The Godfather of Soul)
recording of:
You Should Be Mine (Don't Waste Your Time)
writer:
James Brown (The Godfather of Soul), Ron Lawrence (US hip-hop producer aka Amen-Ra), Mason Betha (US rapper), Brian McKnight, Kelly Price, Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) and Steven Jordan (US hip-hop producer/songwriter Steven Jordan)
publisher:
AUSAR Music, Dynatone Publishing Co., EMI April Music Inc., Justin Combs Publishing, Price Is Right Publishing, Songs of Universal, Inc. (BMI), Steven A. Jordan Music, Inc. and Universal Music Careers
3.654:49
B1Show Me the Way Back to Your Heart
recording engineer:
Bill Whittington
miscellaneous support:
Shaun Shankel (task: production coordinator)
bass programming and bass, piano and synthesizer programming:
Keith Thomas (CCM, country, pop producer & songwriter)
drum machine programming and drums (drum set) [drum] programming:
Mark Hammond (US drummer/producer/drum programmer)
assistant engineer:
Greg Parker (engineer)
executive producer:
Bruce Carbone and Herb Trawick
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
classical guitar:
Tom Hemby
guitar family:
Dann Huff and Jerry McPherson
background vocals:
Lisa Cochran and Kim Fleming
background vocals and lead vocals:
Brian McKnight
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
The Bennett House in Franklin, Tennessee, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
cover recording of:
Show Me the Way Back to Your Heart (in 1997)
writer:
Diane Warren (US songwriter)
publisher:
Realsongs
43:55
B2Everytime We Say Goodbye
recording engineer:
Chris Wood (recording engineer)
additional drum machine programming:
Rodney Jerkins
assistant engineer:
Mary Ann Souza
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
additional keyboard and background vocals and lead vocals:
Brian McKnight
other instruments [all instruments performed by]:
Anthony Nance
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
samples:
Goodbye Love by Guy (US hip hop/r&b/soul/new jack swing group)
recording of:
Everytime We Say Goodbye (in 1997)
writer:
Brian McKnight and Anthony Nance
publisher:
ANTHONY NANCE MUZIK, Cancelled Lunch Music, EMI April Music Inc. and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:05
B3You Got the Bomb
recording engineer:
Chris Wood (recording engineer)
drum machine programming:
Anthony Nance
assistant engineer:
Doug "The Colonel" Kern
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
other instruments [all instruments performed by] and background vocals and lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
recording of:
You Got the Bomb (in 1997)
writer:
Brian McKnight
publisher:
Cancelled Lunch Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:41
2▼12" Vinyl: Record Two
#TitleRatingLength
C1Hold Me
miscellaneous support:
Rich Travali (Engineer) (task: recorder)
drum machine programming:
Poke (hip hop producer Jean Olivier, of Poke and Tone) and Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
executive producer:
Bruce Carbone and Herb Trawick
producer:
Poke (hip hop producer Jean Olivier, of Poke and Tone), Poke and Tone and Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
mixer:
Rich Travali (Engineer)
keyboard:
Cory Rooney
background vocals:
DJ Clue? and Willie Max
lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Crave Studios in New York, United States and The Hit Factory in Manhattan, New York, New York, United States
samples:
I Get Around by 2Pac (US rapper)
recording of:
Hold Me (in 1997)
writer:
Mary J. Blige, Gregory Edward Jacobs, Shirley Murdock, Poke (hip hop producer Jean Olivier, of Poke and Tone), Ronald R. Brooks (Money B, of Digital Underground), Cory Rooney, Samuel J. “Tone” Barnes (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters)), Tupac Shakur (2Pac’s personal identity) and Larry Troutman
publisher:
12 & Under Music, BMG Platinum Songs US, Cancelled Lunch Music, Joshua’s Dream, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Pubhowyalike Publishing, R2M Music (BMI), Round Hill Compositions, Slamuwell Productions, Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Tricky Track Music Inc., Twelve and Under Music and Universal Music–Z Songs
43:49
C2The Only One for Me
recording engineer:
Chris Wood (recording engineer)
drum machine programming:
Anthony Nance
assistant engineer:
Mary Ann Souza
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
other instruments [all instruments performed by] and background vocals and lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
recording of:
The Only One for Me (in 1997)
writer:
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
45:13
C3Til I Get Over You
recording engineer:
Chris Wood (recording engineer)
drum machine programming:
Anthony Nance
assistant engineer:
Doug "The Colonel" Kern
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
other instruments [all instruments performed by] and background vocals and lead vocals:
Brian McKnight
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, United States
recording of:
Til I Get Over You (in 1997)
writer:
Brian McKnight
publisher:
Cancelled Lunch Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:58
D1I Belong to You
recording engineer:
Chris Wood (recording engineer)
assistant engineer:
Doug Elkins
executive producer:
Bruce Carbone and Herb Trawick
producer:
Peter Black (rock/soul artist on Hidden Beach Recordings)
mixer:
Brant Biles and Peter Black (rock/soul artist on Hidden Beach Recordings)
other instruments [all instruments performed by] and background vocals and lead vocals:
Brian McKnight
arranger:
Peter Black (rock/soul artist on Hidden Beach Recordings)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States
mixed at:
Enterprise in North Hollywood, Los Angeles, California, United States
recording of:
I Belong to You (in 1997)
writer:
Peter Black (US acid house producer/guitarist aka Jackmaster Black)
34:47
D2Jam Knock
recording engineer:
Carl Nappa and Chris Wood (recording engineer)
drum machine programming and co-producer:
The Characters (US production duo Charles Farrar & Troy Taylor)
keyboard programming:
Brian McKnight
assistant engineer:
Mary Ann Souza
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
mixer:
Paul Logus
background vocals:
Troy Taylor
background vocals and lead vocals:
Brian McKnight
other instruments [rhythm] arranger:
Brian McKnight and Troy Taylor
vocals arranger:
Brian McKnight and Troy Taylor
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
samples:
I Can’t Wait by Nu Shooz
recording of:
Jam Knock (in 1997)
writer:
Brian McKnight and John Smith (Nu Shooz)
publisher:
Cancelled Lunch Music, Nu Shooz Orchestra LLC and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:34
D3When the Chariot Comes
recording engineer:
Chris Wood (recording engineer)
miscellaneous support:
Suzie Katayama (task: orchestra contractor / coordinator)
assistant engineer:
Doug Elkins
engineer:
David Reitzas (other instruments [orchestra])
executive producer:
Bruce Carbone and Herb Trawick
producer:
Brian McKnight
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
alto flute:
Gerry Rotella (flutist) and Louise De Tullio
bass:
Oscar Meza, Jr. and David Young (bass)
cello:
Chris Ermacoff, Larry Corbett, Dan Smith (cellist), Suzie Katayama, Steve Richards (cellist) and Rudy Stein
cor anglais [english horn]:
Jon Clarke
cornet [coronet / trumpet]:
Rick Baptist
French horn:
David Duke (horn), Joe Meyer (French horn player) and Brad Warnaar (American composer)
instruments:
Don Williams (US percussionist, composer, arranger)
keyboard and background vocals and lead vocals:
Brian McKnight
percussion:
Dan Greco and Bob Zimmitti
viola:
Bob Becker (strings), Denyse Buffum, Scott Haupert (violinist), Janet Lakatos, Maria Newman and John Scanlon
violin:
Murray Adler, Susan Chatman, Ron Clark (violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff (American concertmaster and violinist), Harris Goldman, Endre Granat (Hungarian violinist), Peter Kent (violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson (violinist), Barbra Porter (violinist, photographer), Jay Rosen (violinist), Anatoly Rosinsky, John Wittenberg and Ken Yerke
orchestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recorded at:
Backroom Studios in Glendale, California, United States and Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
When the Chariot Comes (in 1997)
writer:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) and Brian McKnight
publisher:
Cancelled Lunch Music and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:32

Credits

Release

printed in:U.S.A.
phonographic copyright (℗) by:Mercury Records (the holding company; for use as ℗&© credits only!)
Discogs:https://www.discogs.com/release/7190444 [info]