Edition III: Odes, Anthems, and Ceremonial Music

~ Release by Purcell; Gardiner, Leonhardt, Tragicomedia, Chanticleer (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Hail, bright Cecilia, Z328 Symphony
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: I. Symphony (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell9:37
2Hail, bright Cecilia, Z328 Hail, bright Cecilia
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21) and Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1982-02-17 until 1982-02-21)
soprano vocals:
Jennifer Smith (soprano) (from 1982-02-17 until 1982-02-21)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:43
3Hail, bright Cecilia, Z328 Hark! Hark! Each tree its silence breaks
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:59
4Hail, bright Cecilia, Z328 'Tis Nature's voice: thro' all the moving wood of creatures understood
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:13
5Hail, bright Cecilia, Z328 Soul of the world! inspir'd by thee the jarring seeds of matter did agree
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:33
6Hail, bright Cecilia, Z328 Thou tun'st this world below, the spheres above
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
soprano vocals:
Jennifer Smith (soprano) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell5:13
7Hail, bright Cecilia, Z328 With that sublime celestial lay dare any eahtly songs compare?
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
instruments:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21) and Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:06
8Hail, bright Cecilia, Z328 Wondrous machine! to thee the warbling lute, though us'd to conquest
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:16
9Hail, bright Cecilia, Z328 The airy violin and lofty viol quit the field
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell1:22
10Hail, bright Cecilia, Z328 In vain the am'rous flute and soft guitar jointly labour to inspire
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
instruments:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
alto vocals:
Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell6:18
11Hail, bright Cecilia, Z328 The fife and all the harmony of war in vain attempt the passions to alarm
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:02
12Hail, bright Cecilia, Z328 Let these among themselves contest which can discharge its single duty best
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:32
13Hail, bright Cecilia, Z328 Hail, bright Cecilia
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21) and Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1982-02-17 until 1982-02-21)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:26
14Come, ye sons of art, away, Z323 Ouverture
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:10
15Come, ye sons of art, away, Z323 Come, ye sons of art, away
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:00
16Come, ye sons of art, away, Z323 Sound the trumpet till around you make the listening shores rebound
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:28
17Come, ye sons of art, away, Z323 Come, come, ye sons of art, come, come away
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:23
18Come, ye sons orfart, away, Z323 Strike the viol, touch the lute
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (in 1976-02)
lyricist and librettist:
Nahum Tate
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:45
19Come, ye sons of art, away, Z323 The day that such a blessing gave no common festival should be
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:33
20Come, ye sons of art, away, Z323 Bid the virtues, bid the Graces to the sacred shrine repair
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:32
21Come, ye sons of art, away, Z323 These are the sacred charms that shield her daring hero in the field
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:41
22Come, ye sons of art, away, Z323 See Nature, rejoicing has shown us the way
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:59
2▶CD
3▶CD
4▶CD

Credits

Release

ASIN:UK: B0026LLC80 [info]