Edition III: Odes, Anthems, and Ceremonial Music

~ Release by Purcell; Gardiner, Leonhardt, Tragicomedia, Chanticleer (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Hail, bright Cecilia, Z328 Symphony
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: I. Symphony (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell9:37
2Hail, bright Cecilia, Z328 Hail, bright Cecilia
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21) and Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1982-02-17 until 1982-02-21)
soprano vocals:
Jennifer Smith (soprano) (from 1982-02-17 until 1982-02-21)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:43
3Hail, bright Cecilia, Z328 Hark! Hark! Each tree its silence breaks
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:59
4Hail, bright Cecilia, Z328 'Tis Nature's voice: thro' all the moving wood of creatures understood
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:13
5Hail, bright Cecilia, Z328 Soul of the world! inspir'd by thee the jarring seeds of matter did agree
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:33
6Hail, bright Cecilia, Z328 Thou tun'st this world below, the spheres above
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
soprano vocals:
Jennifer Smith (soprano) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell5:13
7Hail, bright Cecilia, Z328 With that sublime celestial lay dare any eahtly songs compare?
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
instruments:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21) and Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:06
8Hail, bright Cecilia, Z328 Wondrous machine! to thee the warbling lute, though us'd to conquest
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:16
9Hail, bright Cecilia, Z328 The airy violin and lofty viol quit the field
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell1:22
10Hail, bright Cecilia, Z328 In vain the am'rous flute and soft guitar jointly labour to inspire
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
instruments:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
alto vocals:
Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell6:18
11Hail, bright Cecilia, Z328 The fife and all the harmony of war in vain attempt the passions to alarm
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:02
12Hail, bright Cecilia, Z328 Let these among themselves contest which can discharge its single duty best
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell2:32
13Hail, bright Cecilia, Z328 Hail, bright Cecilia
producer:
Michel Garcin (French producer)
editor and balance engineer:
Yolanta Skura
alto vocals:
Brian Gordon (alto / countertenor associated with Monteverdi Choir and John Eliot Gardiner) (from 1982-02-17 until 1982-02-21) and Ashley Stafford (alto / counter-tenor) (from 1982-02-17 until 1982-02-21)
bass vocals:
David Thomas (British operatic bass) (from 1982-02-17 until 1982-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1982-02-17 until 1982-02-21)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1982-02-17 until 1982-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1982-02-17 until 1982-02-21)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1982-02-17 until 1982-02-21)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1982)
recorded at:
Barbican Concert Hall in London (Greater London), England, United Kingdom (from 1982-02-17 until 1982-02-21)
recording of:
“Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” (from 1982-02-17 until 1982-02-21)
composer:
Henry Purcell (Baroque composer)
librettist:
Nicholas Brady (Irish poet, 1659–1726)
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell4:26
14Come, ye sons of art, away, Z323 Ouverture
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:10
15Come, ye sons of art, away, Z323 Come, ye sons of art, away
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:00
16Come, ye sons of art, away, Z323 Sound the trumpet till around you make the listening shores rebound
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:28
17Come, ye sons of art, away, Z323 Come, come, ye sons of art, come, come away
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
brass:
Equale Brass Ensemble (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
orchestra:
Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:23
18Come, ye sons orfart, away, Z323 Strike the viol, touch the lute
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (in 1976-02)
lyricist and librettist:
Nahum Tate
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell4:45
19Come, ye sons of art, away, Z323 The day that such a blessing gave no common festival should be
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:33
20Come, ye sons of art, away, Z323 Bid the virtues, bid the Graces to the sacred shrine repair
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:32
21Come, ye sons of art, away, Z323 These are the sacred charms that shield her daring hero in the field
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell1:41
22Come, ye sons of art, away, Z323 See Nature, rejoicing has shown us the way
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing (in 1976-02)
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:59
2▼CD
#TitleArtistRatingLength
1Welcome, viceregent of the mighty king, Z340
performer:
Tragicomedia (instrumental ensemble)
recording of:
Welcome, vicegerent of the mighty king, Z. 340
composer:
Henry Purcell (Baroque composer) (in 1680)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 340)
Henry Purcell12:33
2O dive custos Auriacae domus, Z504
performer:
Tragicomedia (instrumental ensemble)
recording of:
O dive custos Auriacae domus, Z. 504 (An elegy upon the death of Queen Mary)
lyricist:
Henry Parker (Purcell Lyricist)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 504)
Henry Purcell6:34
3Raise, raise the voice, Z334
performer:
Tragicomedia (instrumental ensemble)
recording of:
Ode, Z 334: "Raise raise the voice"
composer:
Henry Purcell (Baroque composer) (in 1685)
Henry Purcell12:34
4Incassum, Lesbia, rogas, Z383
performer:
Tragicomedia (instrumental ensemble)
recording of:
The Queen's Epicedium, Z. 383 "Incassum Lesbia, incassum rogas"
lyricist:
George Herbert (Church poet)
composer:
Henry Purcell (Baroque composer) (in 1695)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 383)
Henry Purcell7:37
5Young Thyrsis' fate, ye hills and groves, deplore, Z473
performer:
Tragicomedia (instrumental ensemble)
recording of:
Young Thyrsis' fate, ye hills and groves, deplore, Z. 473
writer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 473)
Henry Purcell5:21
6Why, why are all the Muses mute? Z343
performer:
Tragicomedia (instrumental ensemble)
recording of:
Ode, Z 343: "Why, why are all the Muses mute?"
composer:
Henry Purcell (Baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 343)
Henry Purcell23:52
3▼CD
#TitleArtistRatingLength
1Rejoice in the Lord alway, Z49
recorded in:
Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1969-06 until 1969-07)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1969-06 until 1969-07)
bass vocals:
Max van Egmond (bass-baritone) (from 1969-06 until 1969-07)
choir vocals:
Choir of King’s College, Cambridge (from 1969-06 until 1969-07)
countertenor vocals:
James Bowman (UK countertenor) (from 1969-06 until 1969-07)
tenor vocals:
Nigel Rogers (tenor) (from 1969-06 until 1969-07)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1969-06 until 1969-07)
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1969-06 until 1969-07)
recording of:
Rejoice in the Lord Always, Z. 49 (verse anthem) (from 1969-06 until 1969-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 49)
Henry Purcell8:56
2Blow up the trumpet in Sion, Z10
recorded in:
Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1969-06 until 1969-07)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1969-06 until 1969-07)
bass vocals:
Max van Egmond (bass-baritone) (from 1969-06 until 1969-07)
choir vocals:
Choir of King’s College, Cambridge (from 1969-06 until 1969-07)
countertenor vocals:
James Bowman (UK countertenor) (from 1969-06 until 1969-07)
tenor vocals:
Nigel Rogers (tenor) (from 1969-06 until 1969-07)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1969-06 until 1969-07)
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1969-06 until 1969-07)
recording of:
Blow up the trumpet in Sion, Z. 10 (from 1969-06 until 1969-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 10)
Henry Purcell7:47
3O God, thou art my God, Z35
recorded in:
Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1969-06 until 1969-07)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1969-06 until 1969-07)
bass vocals:
Max van Egmond (bass-baritone) (from 1969-06 until 1969-07)
choir vocals:
Choir of King’s College, Cambridge (from 1969-06 until 1969-07)
countertenor vocals:
James Bowman (UK countertenor) (from 1969-06 until 1969-07)
tenor vocals:
Nigel Rogers (tenor) (from 1969-06 until 1969-07)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1969-06 until 1969-07)
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1969-06 until 1969-07)
recording of:
O God, thou art my God, Z. 35 (from 1969-06 until 1969-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 35)
Henry Purcell4:18
4My heart is inditing, Z30
recorded in:
Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1969-06 until 1969-07)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1969-06 until 1969-07)
bass vocals:
Max van Egmond (bass-baritone) (from 1969-06 until 1969-07)
choir vocals:
Choir of King’s College, Cambridge (from 1969-06 until 1969-07)
countertenor vocals:
James Bowman (UK countertenor) (from 1969-06 until 1969-07)
tenor vocals:
Nigel Rogers (tenor) (from 1969-06 until 1969-07)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1969-06 until 1969-07)
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1969-06 until 1969-07)
recording of:
My heart is inditing, Z. 30 (from 1969-06 until 1969-07)
composer:
Henry Purcell (Baroque composer) (in 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 30)
Henry Purcell16:42
5Remember not, Lord, our Offences, Z50
recorded in:
Bennebroek, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1969-06 until 1969-07)
instruments:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1969-06 until 1969-07)
bass vocals:
Max van Egmond (bass-baritone) (from 1969-06 until 1969-07)
choir vocals:
Choir of King’s College, Cambridge (from 1969-06 until 1969-07)
countertenor vocals:
James Bowman (UK countertenor) (from 1969-06 until 1969-07)
tenor vocals:
Nigel Rogers (tenor) (from 1969-06 until 1969-07)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1969-06 until 1969-07)
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1969-06 until 1969-07)
recording of:
Remember not, Lord, our offences, Z. 50 (from 1969-06 until 1969-07)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 50)
Henry Purcell3:05
6I was glad when they said unto me, Z19
vocals:
Chanticleer
recording of:
I was glad when they said unto me, Z. 19
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 19)
Henry Purcell4:01
7O Lord, rebuke me not, Z40
vocals:
Chanticleer
recording of:
O Lord, rebuke me not, Z. 40
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 40)
Henry Purcell9:28
8Praise the Lord, o my soul, and all that is within me, Z47
vocals:
Chanticleer
recording of:
Praise the Lord, O my soul, and all that is within me, Z. 47
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 47)
Henry Purcell11:00
9Now that the sun has veiled his light (An Evening Hymn on a Ground), Z193
vocals:
Chanticleer
recording of:
An Evening Hymn, Z. 193 "Now that the sun hath veiled his light"
lyricist:
Dr. William Fuller
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 193)
Henry Purcell5:01
4▼CD
#TitleArtistRatingLength
1Jehova, quam multi sunt hostes mei!, Z135
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
Monteverdi Choir (English vocal Baroque ensemble)
recording of:
Jehova, quam multi sunt hostes mei, Z. 135
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 135)
Henry Purcell6:44
2My beloved spake, Z28
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
Monteverdi Choir (English vocal Baroque ensemble)
recording of:
My beloved spake, Z. 28
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 28)
Henry Purcell10:15
3O God, thou hast cast us out and scatter'd us abroad, Z36
producer:
Michel Garcin (French producer)
bass vocals:
Owen Grundy (bass vocalist) (from 1979-02-14 until 1979-02-20)
countertenor vocals:
Christopher Robson (operatic counter-tenor) (from 1979-02-14 until 1979-02-20)
soprano vocals:
Gillian Fisher (soprano) (from 1979-02-14 until 1979-02-20) and Elisabeth Priday (soprano) (from 1979-02-14 until 1979-02-20)
tenor vocals:
Maldwyn Davies (tenor) (from 1979-02-14 until 1979-02-20)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1979-02-14 until 1979-02-20)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1979-02-14 until 1979-02-20)
performer:
Monteverdi Choir (English vocal Baroque ensemble) (from 1979-02-14 until 1979-02-20)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1980)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1979-02-14 until 1979-02-20)
recording of:
O God, Thou hast cast us out, Z. 36 (from 1979-02-14 until 1979-02-20)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 36)
Henry Purcell4:05
4Hear my prayer, o Lord, and let my crying come to thee, Z15
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
performer:
Monteverdi Choir (English vocal Baroque ensemble)
recording of:
Hear My Prayer, O Lord, Z. 15
lyricist:
[anonymous] (special purpose artist)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 15)
Henry Purcell2:22
5Music for the Funeral of Queen Mary, March
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:17
6Music for the Funeral of Queen Mary, Man that is born of a woman hath but a short time to live (first sentence)
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 27)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell3:49
7Music for the Funeral of Queen Mary, Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:44
8Music for the Funeral of Queen Mary, In the midst of life we are in death (second sentence)
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 17)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell5:55
9Music for the Funeral of Queen Mary, Canzona
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell0:53
10Music for the Funeral of Queen Mary, Thou knowest, Lord, the secrets of our hearts (third sentence)
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 58b)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:22
11Music for the Funeral of Queen Mary, March
sound engineer:
Peter Willemoës
producer:
Michel Garcin (French producer)
editor:
Françoise Garcin (editor)
bass vocals:
Sir Thomas Allen (baritone) (in 1976-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1976-02)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1976-02) and John Williams (countertenor) (in 1976-02)
soprano vocals:
Felicity Lott (soprano) (in 1976-02)
orchestra:
Equale Brass Ensemble (in 1976-02) and Monteverdi Orchestra (in 1976-02)
conductor:
John Eliot Gardiner (in 1976-02)
recorded at:
Rosslyn Hill Chapel, London in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Funeral Music on the Death of Queen Mary: VII. March, Z. 860 (in 1976-02)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:22
12In guilty night, Z134
recording of:
In guilty night, Z. 134
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 134)
Henry Purcell10:20
13Close thine eyes and sleep secure, Z184
recording of:
Close thine eyes and sleep secure, Z. 184
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 184)
Henry Purcell3:56
14Lord, what is man, lost man, that thou shouldst be so mindful of him, Z192
cello:
Myron Lutzke
organ:
Arthur Haas (harpsichordist)
soprano vocals:
Dawn Upshaw (soprano)
recording of:
Lord, what is Man?, Z. 192
lyricist:
Dr. William Fuller
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 192)
Henry Purcell5:38
15Tell me some pitying angel, quickly say (The Blessed Virgin's Expostulation), Z196
cello:
Myron Lutzke
organ:
Arthur Haas (harpsichordist)
soprano vocals:
Dawn Upshaw (soprano)
recording of:
Tell me, some pitying angel, Z. 196
lyricist:
Nahum Tate
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 196)
Henry Purcell7:38

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ASIN:UK: B0026LLC80 [info]