Bar Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Happy Hour
#TitleArtistRatingLength
1Satin Doll
instrumental cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Lionel Hampton2:43
2Isn’t She Lovely
instrumental cover recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
recording of:
Isn’t She Lovely
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) and Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
Dexter Gordon43:25
3Milestones
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (on 1957-12-04), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04) and Columbia Studios in New York, New York, United States (on 1958-02-04)
recording of:
Milestones (originally titled “Miles”) (on 1958-02-04)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Miles Davis5:40
4You’d Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Keiko Lee2:57
5I Remember Wes
bass:
Chuck Rainey (American bassist)
drums (drum set):
Leo Morris
flute and tenor saxophone:
Arthur Clarke (baritone saxophonist) and George Marge
guitar:
George Benson (jazz guitarist/singer)
piano:
Paul Griffin (American pianist, session musician)
strings:
The Winston Collymore Strings
vibraphone:
Jack Jennings
conductor:
Horace Ott
arranger:
Horace Ott
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1975 to present)
recording of:
I Remember Wes
composer:
Don Sebesky
publisher:
Screen Gems Emi Music Publishing Ltd.
George Benson4:09
6Watermelon Man
cover recording of:
Watermelon Man (with Lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
is based on:
Watermelon Man
version of:
Watermelon Man
Mongo Santamaría3:13
7But Not for Me
instrumental cover recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Illinois Jacquet with Joey DeFrancesco7:35
8Double Rainbow
recording engineer:
Stanley Tonkel (engineer)
mixer:
John Guerriere (recording engineer and supervisor at Columbia Records)
bass:
Clint Houston (on 1975-05-21) and Steve Swallow (on 1975-05-21)
drums (drum set):
Billy Hart (US jazz drummer aka “Jabali” Billy Hart) (on 1975-05-21) and Grady Tate (on 1975-05-21)
guitar:
Oscar Castro‐Neves (on 1975-05-21) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (on 1975-05-21)
percussion:
Ray Armando (on 1975-05-21), Rubens Bassini (on 1975-05-21), Sonny Carr (on 1975-05-21), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (on 1975-05-21) and Airto Moreira (percussionist) (on 1975-05-21)
piano:
Albert Dailey (on 1975-05-21)
tenor saxophone:
Stan Getz (on 1975-05-21)
vocals:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (on 1975-05-21) and Miúcha (on 1975-05-21)
recorded at:
Columbia Studios in New York, New York, United States (on 1975-05-21)
cover recording of:
Double Rainbow (on 1975-05-21)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
translated version of:
Chovendo na roseira
Stan Getz3:35
9What Now My Love
instrumental cover recording of:
Et maintenant
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
Lou Donaldson6:23
10I’ve Got to Get a Message to YouHubert Laws3:09
11Favela
instrumental recording of:
O morro não tem vez (Favela)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Leeds Music
Pete Jolly3:11
12Dark Eye Tango
assistant engineer:
Jim Galante
engineer:
Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
producer:
Al Di Meola
bass:
Anthony Jackson (US bassist)
drums (drum set):
Steve Gadd (drummer) (in 1977)
electric guitar:
Al Di Meola
electric piano and organ:
Barry Miles
arranger:
Al Di Meola
Al Di Meola5:23
13Bye and Bye
recorded in:
New York, New York, United States (on 1961-11-29)
producer:
John Hammond (producer) (on 1961-11-29)
double bass:
Major Holley (on 1961-11-29)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1961-11-29)
electric guitar:
Kenny Burrell (on 1961-11-29)
piano:
Hank Jones (piano) (on 1961-11-29)
tenor saxophone:
Illinois Jacquet (on 1961-11-29)
arranger:
Kenny Burrell
recording of:
Bye and Bye
composer:
[traditional] (special purpose artist)
arranger:
Kenny Burrell
Kenny Burrell2:50
14Rouse’s Point
Charlie Rouse4:43
15Blue Monk
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-11-19)
producer:
Teo Macero (American jazz saxophonist and composer)
double bass [bass]:
Larry Gales (on 1968-11-19)
drums (drum set):
Ben Riley (American jazz drummer) (on 1968-11-19)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1968-11-19)
percussion:
John Guerin (on 1968-11-19)
piano:
Thelonious Monk (on 1968-11-19)
saxophone:
Gene Cipriano (on 1968-11-19), Charlie Rouse (on 1968-11-19) and Ernie Watts (jazz and blues saxophonist) (on 1968-11-19)
trombone:
Mike Wimberly (on 1968-11-19)
trumpet:
Conte Candoli (on 1968-11-19)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1968-11-19)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Blue Monk (on 1968-11-19)
publisher:
Thelonious Monk
composer:
Thelonious Monk
Thelonious Monk6:14
2CD: Cocktail Lounge
3CD: Round Midnight

Credits

Release

copyrighted (©) by:Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 2000)
Discogs:https://www.discogs.com/release/374308 [info]
ASIN:DE: B00004XN2F [info]
other databases:https://www.musik-sammler.de/release/127004/ [info]

Release group

part of:Bar Jazz (number: 1) (order: 1)