Bar Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Happy Hour
Nr.TitelKünstlerBewertungLänge
1Satin Doll
instrumental cover recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
Lionel Hampton2:43
2Isn’t She Lovely
instrumental cover recording of:
Isn’t She Lovely
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) und Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
recording of:
Isn’t She Lovely
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) und Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
Dexter Gordon43:25
3Milestones
alto saxophone:
Cannonball Adderley (am 1958-02-04)
Klavier:
Red Garland (am 1958-02-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1958-02-04)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-02-04)
Tenorsaxophon:
John Coltrane (am 1958-02-04)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-02-04)
aufgenommen bei:
Le Poste Parisien in Paris, Île-de-France, Frankreich (am 1957-12-04), CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1958-02-04) und Columbia Studios in New York, New York, Vereinigte Staaten (am 1958-02-04)
recording of:
Milestones (originally titled “Miles”) (am 1958-02-04)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Miles Davis5:40
4You’d Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Keiko Lee2:57
5I Remember Wes
Bass:
Chuck Rainey (American bassist)
flute und Tenorsaxophon:
Arthur Clarke (baritone saxophonist) und George Marge
Gitarre:
George Benson (jazz guitarist/singer)
Klavier:
Paul Griffin (American pianist, session musician)
Saiteninstrumente:
The Winston Collymore Strings
Schlagzeug:
Leo Morris
Vibraphon:
Jack Jennings
conductor:
Horace Ott
arranger:
Horace Ott
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1975 bis heute)
recording of:
I Remember Wes
Komponist(in):
Don Sebesky
publisher:
Screen Gems Emi Music Publishing Ltd.
George Benson4:09
6Watermelon Man
cover recording of:
Watermelon Man (with Lyrics)
Texter:
Jon Hendricks
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
basiert auf:
Watermelon Man
Version von:
Watermelon Man
Mongo Santamaría3:13
7But Not for Me
instrumental cover recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Illinois Jacquet with Joey DeFrancesco7:35
8Double Rainbow
recording engineer:
Stanley Tonkel (engineer)
Mix:
John Guerriere (recording engineer and supervisor at Columbia Records)
Bass:
Clint Houston (am 1975-05-21) und Steve Swallow (am 1975-05-21)
Gitarre:
Oscar Castro‐Neves (am 1975-05-21) und João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1975-05-21)
Klavier:
Albert Dailey (am 1975-05-21)
Perkussion:
Ray Armando (am 1975-05-21), Rubens Bassini (am 1975-05-21), Sonny Carr (am 1975-05-21), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1975-05-21) und Airto Moreira (percussionist) (am 1975-05-21)
Schlagzeug:
Billy Hart (US jazz drummer aka “Jabali” Billy Hart) (am 1975-05-21) und Grady Tate (am 1975-05-21)
Tenorsaxophon:
Stan Getz (am 1975-05-21)
vocals:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1975-05-21) und Miúcha (am 1975-05-21)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1975-05-21)
cover recording of:
Double Rainbow (am 1975-05-21)
Texter:
Gene Lees
Komponist(in):
Antônio Carlos Jobim
übersetzte Version von:
Chovendo na roseira
Stan Getz3:35
9What Now My Love
instrumental cover recording of:
Et maintenant
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Lou Donaldson6:23
10I’ve Got to Get a Message to You
instrumental cover recording of:
I’ve Gotta Get a Message to You
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc. (BMI), Universal Music Careers und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Hubert Laws3:09
11Favela
instrumental recording of:
O morro não tem vez (Favela)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
publisher:
Leeds Music
Pete Jolly3:11
12Dark Eye Tango
assistierende(r) Techniker(in):
Jim Galante
Techniker(in):
Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
Produzent(in):
Al Di Meola
Bass:
Anthony Jackson (US bassist)
E-Gitarre:
Al Di Meola
Hybrid-Piano und Orgel:
Barry Miles
Schlagzeug:
Steve Gadd (drummer) (in 1977)
arranger:
Al Di Meola
Al Di Meola5:23
13Bye and Bye
recorded in:
New York, New York, Vereinigte Staaten (am 1961-11-29)
Produzent(in):
John Hammond (producer) (am 1961-11-29)
E-Gitarre:
Kenny Burrell (am 1961-11-29)
Klavier:
Hank Jones (piano) (am 1961-11-29)
Kontrabass:
Major Holley (am 1961-11-29)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1961-11-29)
Tenorsaxophon:
Illinois Jacquet (am 1961-11-29)
arranger:
Kenny Burrell
recording of:
Bye and Bye
Komponist(in):
[traditional] (special purpose artist)
arranger:
Kenny Burrell
Kenny Burrell2:50
14Rouse’s Point
Charlie Rouse4:43
15Blue Monk
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-11-19)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1968-11-19)
Klavier:
Thelonious Monk (am 1968-11-19)
Kontrabass [bass]:
Larry Gales (am 1968-11-19)
Perkussion:
John Guerin (am 1968-11-19)
Posaune:
Mike Wimberly (am 1968-11-19)
Saxophon:
Gene Cipriano (am 1968-11-19), Charlie Rouse (am 1968-11-19) und Ernie Watts (jazz and blues saxophonist) (am 1968-11-19)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1968-11-19)
Trompete:
Conte Candoli (am 1968-11-19)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1968-11-19)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Blue Monk (am 1968-11-19)
publisher:
Thelonious Monk
Komponist(in):
Thelonious Monk
Thelonious Monk6:14
2▶CD: Cocktail Lounge
3▶CD: Round Midnight

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 2000)
Discogs:https://www.discogs.com/release/374308 [Info]
ASIN:DE: B00004XN2F [Info]
andere Datenbanken:https://www.musik-sammler.de/release/127004/ [Info]

Veröffentlichungsgruppe

Teil von:Bar Jazz (Nummer: 1) (Reihenfolge: 1)