The Legendary Quartet/Quintet Sessions

~ Veröffentlichung von Cannonball Adderley & Bill Evans (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Minority
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1989)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Minority (am 1958-07-01)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
7:07
2Straight Life
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Straight Life (am 1958-07-01)
Komponist(in):
Art Pepper
5:31
3Blue Funk
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Fantasy, Inc. (not for release label use!) (in 1989)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Blue Funk (am 1958-07-01)
Komponist(in):
Sam Jones (US jazz bassist)
5:33
4A Little Taste
alto saxophone:
Cannonball Adderley (am 1958-07-01)
Bass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
A Little Taste (am 1958-07-01)
Komponist(in):
Julian “Cannonball” Adderley
4:39
5People Will Say We’re in Love
Produzent(in):
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Fantasy, Inc. (not for release label use!) (in 1989)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
instrumental recording of:
People Will Say We’re in Love (am 1958-07-01)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
9:41
6Nardis
alto saxophone:
Julian “Cannonball” Adderley (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
recording of:
Nardis (am 1958-07-01)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers und Sony/ATV Music Publishing (UK) Ltd.
5:33
7Minority (alt tk)
alto saxophone:
Cannonball Adderley (am 1958-07-01)
Bass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
cover recording of:
Minority (am 1958-07-01)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
7:31
8Minority (alt tk 2)
alto saxophone:
Cannonball Adderley (am 1958-07-01)
Bass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
cover recording of:
Minority (am 1958-07-01)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
7:12
9Nardis (alt tk)
alto saxophone:
Cannonball Adderley (am 1958-07-01)
Bass:
Sam Jones (US jazz bassist) (am 1958-07-01)
Klavier:
Bill Evans (pianist) (am 1958-07-01)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-07-01)
Trompete:
Blue Mitchell (American trumpet player) (am 1958-07-01)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-07-01)
cover recording of:
Nardis (am 1958-07-01)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers und Sony/ATV Music Publishing (UK) Ltd.
5:39
10Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Kontrabass:
Percy Heath (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2011), Dobre Records (in 2009), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Waltz for Debby (instrumental) (am 1961-03-13)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
45:16
11Goodbye
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Kontrabass:
Percy Heath (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) und Vantage Music (in 2012)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental recording of:
Goodbye (am 1961-01-27)
Texter und Komponist(in):
Gordon Jenkins
Verfasser(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
6:18
12Who Cares?
recorded in:
New York, New York, Vereinigte Staaten (am 1961-01-27)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass und Kontrabass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) und Vantage Music (in 2012)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
cover recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
instrumental cover recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
5:58
13Venice
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Kontrabass:
Percy Heath (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) und Count Records (in 2013)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Venice (am 1961-03-13)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc. und Rayven Music
2:53
2▶CD

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:American Jazz Classics (in 2014)
Discogs:https://www.discogs.com/release/7733294 [Info]