The Legendary Quartet/Quintet Sessions

~ Release by Cannonball Adderley & Bill Evans (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Minority
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Minority (on 1958-07-01)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
7:07
2Straight Life
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Straight Life (on 1958-07-01)
composer:
Art Pepper
5:31
3Blue Funk
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Blue Funk (on 1958-07-01)
composer:
Sam Jones (US jazz bassist)
5:33
4A Little Taste
alto saxophone:
Cannonball Adderley (on 1958-07-01)
bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
A Little Taste (on 1958-07-01)
composer:
Julian “Cannonball” Adderley
4:39
5People Will Say We’re in Love
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
instrumental recording of:
People Will Say We’re in Love (on 1958-07-01)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
9:41
6Nardis
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Nardis (on 1958-07-01)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:33
7Minority (alt tk)
alto saxophone:
Cannonball Adderley (on 1958-07-01)
bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
cover recording of:
Minority (on 1958-07-01)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
7:31
8Minority (alt tk 2)
alto saxophone:
Cannonball Adderley (on 1958-07-01)
bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
cover recording of:
Minority (on 1958-07-01)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
7:12
9Nardis (alt tk)
alto saxophone:
Cannonball Adderley (on 1958-07-01)
bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
cover recording of:
Nardis (on 1958-07-01)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:39
10Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2011), Dobre Records (in 2009), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Waltz for Debby (instrumental) (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
45:16
11Goodbye
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) and Vantage Music (in 2012)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental recording of:
Goodbye (on 1961-01-27)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
6:18
12Who Cares?
recorded in:
New York, New York, United States (on 1961-01-27)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
bass and double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) and Vantage Music (in 2012)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
cover recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
instrumental cover recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
5:58
13Venice
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Venice (on 1961-03-13)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc. and Rayven Music
2:53
2▼CD
#TitleRatingLength
1Toy
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (on 1961-02-21)
producer:
Orrin Keepnews (in 1961-02)
alto saxophone:
Cannonball Adderley (on 1961-02-21)
double bass and double bass [bass]:
Percy Heath (on 1961-02-21)
drums (drum set):
Connie Kay (on 1961-02-21)
piano:
Bill Evans (pianist) (on 1961-02-21)
phonographic copyright (℗) by:
HHO Licensing (in 2005, in 2008), Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Xelon Productions (in 2010), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-21)
recording of:
Toy (on 1961-02-21)
composer:
Clifford Jordan
publisher:
Upam Music Co.
5:10
2Elsa
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
engineer:
[Recording] Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-02-21)
double bass:
Percy Heath (on 1961-02-21)
drums (drum set):
Connie Kay (on 1961-02-21)
piano:
Bill Evans (pianist) (on 1961-02-21)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012) and Vantage Music (in 2012)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-21)
recording of:
Elsa (on 1961-02-21)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
5:52
3Nancy (with the Laughing Face)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
bass and double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental recording of:
Nancy (With the Laughing Face) (on 1961-01-27)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:08
4Know What I Mean
recorded in:
New York, New York, United States (on 1961-03-13)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
bass and double bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Dobre Records (in 2009), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011, in 2012), Entertain Me Ltd. (in 2012), Vantage Music (in 2012) and Count Records (in 2013)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Know What I Mean? (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
4:56
5Who Cares? [alt tk]
recorded in:
New York, New York, United States (on 1961-01-27)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-01-27)
bass and double bass:
Percy Heath (on 1961-01-27)
drums (drum set):
Connie Kay (on 1961-01-27)
piano:
Bill Evans (pianist) (on 1961-01-27)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 2006), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2011) and Entertain Me Ltd. (in 2012)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-01-27)
instrumental recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
cover recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
5:57
6Toy [alt tk]
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-02-21)
bass:
Percy Heath (on 1961-02-21)
drums (drum set):
Connie Kay (on 1961-02-21)
piano:
Bill Evans (pianist) (on 1961-02-21)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-02-21)
cover recording of:
Toy (on 1961-02-21)
composer:
Clifford Jordan
publisher:
Upam Music Co.
5:07
7Know What I Mean? (alt tk)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1961-03-13)
bass:
Percy Heath (on 1961-03-13)
drums (drum set):
Connie Kay (on 1961-03-13)
piano:
Bill Evans (pianist) (on 1961-03-13)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1961-03-13)
recording of:
Know What I Mean? (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
7:05
8Two Left Feet
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
Two Left Feet (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
3:16
9Just Squeeze Me (but Don’t Tease Me)
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1958-08-21)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
3:19
10I Got It Band and That Ain’t Good
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
bass:
Milt Hinton (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
David Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
William Russo
cover recording of:
I Got It Bad (and That Ain’t Good) (on 1958-08-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
2:39
11Nothin’
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recording of:
Nothin’ (on 1958-08-20)
writer:
Hal Borne, Ray Golden and Sid Kuller
4:36
12Jump for Joy
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
bass and double bass [bass]:
Milt Hinton (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
cover recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
3:23
13Bli‐Blip
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Bli-Blip (on 1958-08-21)
lyricist:
Sid Kuller
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:51
14Chocolate Shake
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
William Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Chocolate Shake (on 1958-08-21)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Paul Francis Webster
2:44
15If Life Were All Peaches and Cream
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
If Life Were All Peaches and Cream (on 1958-08-20)
writer:
Hal Borne and Paul Francis Webster
5:17
16Brown‐Skin Gal (in the Calico Town)
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
The Brown-Skin Gal (in the Calico Gown) (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Paul Francis Webster
2:52
17The Tune of the Hickory Stick
recorded in:
New York, New York, United States (on 1958-08-21)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-21)
cello:
George Ricci (on 1958-08-21)
double bass [bass]:
Milt Hinton (on 1958-08-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-21)
guitar:
Barry Galbraith (on 1958-08-21)
piano:
Bill Evans (pianist) (on 1958-08-21)
trumpet:
Emmett Berry (on 1958-08-21)
viola:
Dave Schwartz (violist) (on 1958-08-21)
violin:
Leo Kruczek (on 1958-08-21) and Gene Orloff (on 1958-08-21)
conductor:
Bill Russo (on 1958-08-21)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
The Tune of the Hickory Stick (on 1958-08-21)
writer:
Hal Borne and Paul Francis Webster
3:24

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:American Jazz Classics (in 2014)
Discogs:https://www.discogs.com/release/7733294 [info]