Charlie Parker Big Band

~ Release by Charlie Parker Big Band (see all versions of this release, 2 available)

Annotation

45 RPM, mono

Annotation last modified on 2017-08-26 05:13 UTC.

Tracklist

1▼7" Vinyl
#TitleRatingLength
A1Night and Day
producer:
Norman Granz
alto saxophone:
Murray Williamson (on 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-03-25) and Harry Terrill (Musician - Saxophone Player) (on 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (on 1952-03-25)
bass and double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Pool (big-band era trumpet player) (on 1952-03-25), Carl Poole (US trumpeter) (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (on 1952-03-25)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1952-03-25)
arranger:
Joe Lipman (Joseph P. Lippman)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:50
A2I Can’t Get Started
recorded in:
New York, New York, United States (on 1952-03-25)
producer:
Norman Granz
alto saxophone:
Murray Williamson (on 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-03-25) and Harry Terrill (Musician - Saxophone Player) (on 1952-03-25)
baritone saxophone and bass saxophone:
Danny Bank (reeds) (on 1952-03-25)
double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Pool (big-band era trumpet player) (on 1952-03-25), Carl Poole (US trumpeter) (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (on 1952-03-25)
conductor:
Don Lamond (on 1952-03-25) and Joe Lipman (Joseph P. Lippman) (on 1952-03-25)
arranger:
Don Lamond and Joe Lipman (Joseph P. Lippman)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
instrumental recording of:
I Can’t Get Started (on 1952-03-25)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:08
B1What Is This Thing Called Love
recorded in:
New York, New York, United States (on 1952-03-25)
producer:
Norman Granz
alto saxophone:
Murray Williamson (on 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-03-25) and Harry Terrill (Musician - Saxophone Player) (on 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (on 1952-03-25)
double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Pool (big-band era trumpet player) (on 1952-03-25), Carl Poole (US trumpeter) (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (on 1952-03-25)
conductor:
Joe Lippman (Joseph P. Lippman) (on 1952-03-25)
arranger:
Joe Lippman (Joseph P. Lippman) (on 1952-03-25)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:36
B2Almost Like Being in Love
producer:
Norman Granz
alto saxophone:
Murray Williamson (on 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-03-25) and Harry Terrill (Musician - Saxophone Player) (on 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (on 1952-03-25)
bass and double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Pool (big-band era trumpet player) (on 1952-03-25), Carl Poole (US trumpeter) (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (on 1952-03-25)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1952-03-25)
arranger:
Joe Lipman (Joseph P. Lippman)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
instrumental cover recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1952-03-25)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:33