Charlie Parker Big Band

~ Veröffentlichung von Charlie Parker Big Band (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

45 RPM, mono

Anmerkung zuletzt geändert am 2017-08-26 05:13 UTC.

Titelliste

1▼7″-Vinyl
Nr.TitelBewertungLänge
A1Night and Day
Produzent(in):
Norman Granz
alto saxophone:
Murray Williamson (am 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1952-03-25) und Harry Terrill (Musician - Saxophone Player) (am 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (am 1952-03-25)
Bass und Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-25)
Gitarre:
Freddie Green (am 1952-03-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1952-03-25), Lou McGarity (am 1952-03-25) und Bart Varsalona (am 1952-03-25)
Schlagzeug:
Don Lamond (am 1952-03-25)
Tenorsaxophon:
Flip Phillips (am 1952-03-25) und Hank Ross (am 1952-03-25)
Trompete:
Jimmy Maxwell (Trumpet) (am 1952-03-25), Carl Pool (big-band era trumpet player) (am 1952-03-25), Carl Poole (US trumpeter) (am 1952-03-25), Al Porcino (am 1952-03-25) und Bernie Privin (am 1952-03-25)
Orchester:
Joe Lipman & His Orchestra (am 1952-03-25)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1952-03-25)
arranger:
Joe Lipman (Joseph P. Lippman)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1952-03-25)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1952-03-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:50
A2I Can’t Get Started
recorded in:
New York, New York, Vereinigte Staaten (am 1952-03-25)
Produzent(in):
Norman Granz
alto saxophone:
Murray Williamson (am 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1952-03-25) und Harry Terrill (Musician - Saxophone Player) (am 1952-03-25)
baritone saxophone und bass saxophone:
Danny Bank (reeds) (am 1952-03-25)
Gitarre:
Freddie Green (am 1952-03-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1952-03-25), Lou McGarity (am 1952-03-25) und Bart Varsalona (am 1952-03-25)
Schlagzeug:
Don Lamond (am 1952-03-25)
Tenorsaxophon:
Flip Phillips (am 1952-03-25) und Hank Ross (am 1952-03-25)
Trompete:
Jimmy Maxwell (Trumpet) (am 1952-03-25), Carl Pool (big-band era trumpet player) (am 1952-03-25), Carl Poole (US trumpeter) (am 1952-03-25), Al Porcino (am 1952-03-25) und Bernie Privin (am 1952-03-25)
Orchester:
Joe Lipman & His Orchestra (am 1952-03-25)
conductor:
Don Lamond (am 1952-03-25) und Joe Lipman (Joseph P. Lippman) (am 1952-03-25)
arranger:
Don Lamond und Joe Lipman (Joseph P. Lippman)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1952-03-25)
instrumental recording of:
I Can’t Get Started (am 1952-03-25)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:08
B1What Is This Thing Called Love
recorded in:
New York, New York, Vereinigte Staaten (am 1952-03-25)
Produzent(in):
Norman Granz
alto saxophone:
Murray Williamson (am 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1952-03-25) und Harry Terrill (Musician - Saxophone Player) (am 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (am 1952-03-25)
Gitarre:
Freddie Green (am 1952-03-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1952-03-25), Lou McGarity (am 1952-03-25) und Bart Varsalona (am 1952-03-25)
Schlagzeug:
Don Lamond (am 1952-03-25)
Tenorsaxophon:
Flip Phillips (am 1952-03-25) und Hank Ross (am 1952-03-25)
Trompete:
Jimmy Maxwell (Trumpet) (am 1952-03-25), Carl Pool (big-band era trumpet player) (am 1952-03-25), Carl Poole (US trumpeter) (am 1952-03-25), Al Porcino (am 1952-03-25) und Bernie Privin (am 1952-03-25)
Orchester:
Joe Lipman & His Orchestra (am 1952-03-25)
conductor:
Joe Lippman (Joseph P. Lippman) (am 1952-03-25)
arranger:
Joe Lippman (Joseph P. Lippman) (am 1952-03-25)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1952-03-25)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1952-03-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:36
B2Almost Like Being in Love
Produzent(in):
Norman Granz
alto saxophone:
Murray Williamson (am 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1952-03-25) und Harry Terrill (Musician - Saxophone Player) (am 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (am 1952-03-25)
Bass und Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-25)
Gitarre:
Freddie Green (am 1952-03-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1952-03-25), Lou McGarity (am 1952-03-25) und Bart Varsalona (am 1952-03-25)
Schlagzeug:
Don Lamond (am 1952-03-25)
Tenorsaxophon:
Flip Phillips (am 1952-03-25) und Hank Ross (am 1952-03-25)
Trompete:
Jimmy Maxwell (Trumpet) (am 1952-03-25), Carl Pool (big-band era trumpet player) (am 1952-03-25), Carl Poole (US trumpeter) (am 1952-03-25), Al Porcino (am 1952-03-25) und Bernie Privin (am 1952-03-25)
Orchester:
Joe Lipman & His Orchestra (am 1952-03-25)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1952-03-25)
arranger:
Joe Lipman (Joseph P. Lippman)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1952-03-25)
instrumental cover recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1952-03-25)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:33

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