The Complete Albums Collection 1954 - 1960

~ Release by Clark Terry (see all versions of this release, 1 available)

Tracklist

1▼CD: Jam Session / Clark Terry
#TitleRatingLength
1What Is This Thing Called Love?
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1954-08-14)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
14:55
2Darn That Dream
recorded in:
Los Angeles, California, United States (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
piano:
Richie Powell (on 1954-08-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
vocals:
Dinah Washington (on 1954-08-14)
cover recording of:
Darn That Dream (on 1954-08-14)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
5:06
3Move
double bass:
Keter Betts (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
cover recording of:
Move (on 1954-08-14)
composer:
Denzil Best
14:29
4Medley: My Funny Valentine / Don’t Worry ’Bout Me / Bess, You Is My Woman Now / It Might As Well Be Spring
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-14)
trumpet:
Clifford Brown (trumpet) (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (American swing trumpeter) (on 1954-08-14)
medley including a recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1954-08-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
medley including a recording of:
Don’t Worry ’Bout Me (on 1954-08-14)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
medley including a recording of:
It Might as Well Be Spring (State Fair) (on 1954-08-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-08-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
11:28
5Swahili
baritone saxophone:
Cecil Payne (on 1955-01-03)
cello:
Oscar Pettiford (on 1955-01-03)
double bass:
Wendell Marshall (on 1955-01-03)
drums (drum set):
Art Blakey (on 1955-01-03)
piano:
Horace Silver (on 1955-01-03)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-03)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-03)
arranger:
Quincy Jones (on 1955-01-03)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-03)
5:41
6Double Play
baritone saxophone:
Cecil Payne (on 1955-01-03)
cello:
Oscar Pettiford (on 1955-01-03)
double bass:
Wendell Marshall (on 1955-01-03)
drums (drum set):
Art Blakey (on 1955-01-03)
piano:
Horace Silver (on 1955-01-03)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-03)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-03)
arranger:
Quincy Jones (on 1955-01-03)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-03)
3:33
7Slow Boat
baritone saxophone:
Cecil Payne (on 1955-01-03)
cello:
Oscar Pettiford (on 1955-01-03)
double bass:
Wendell Marshall (on 1955-01-03)
drums (drum set):
Art Blakey (on 1955-01-03)
piano:
Horace Silver (on 1955-01-03)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-03)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-03)
arranger:
Quincy Jones (on 1955-01-03)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-03)
4:27
8Co‐Op
baritone saxophone:
Cecil Payne (on 1955-01-03)
cello:
Oscar Pettiford (on 1955-01-03)
double bass:
Wendell Marshall (on 1955-01-03)
drums (drum set):
Art Blakey (on 1955-01-03)
piano:
Horace Silver (on 1955-01-03)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-03)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-03)
arranger:
Quincy Jones (on 1955-01-03)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-03)
3:46
9Kitten
baritone saxophone:
Cecil Payne (on 1955-01-04)
cello:
Oscar Pettiford (on 1955-01-04)
double bass:
Wendell Marshall (on 1955-01-04)
drums (drum set):
Art Blakey (on 1955-01-04)
piano:
Horace Silver (on 1955-01-04)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-04)
arranger:
Quincy Jones (on 1955-01-04)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-04)
5:34
10The Countess
baritone saxophone:
Cecil Payne (on 1955-01-04)
cello:
Oscar Pettiford (on 1955-01-04)
double bass:
Wendell Marshall (on 1955-01-04)
drums (drum set):
Art Blakey (on 1955-01-04)
piano:
Horace Silver (on 1955-01-04)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-04)
arranger:
Quincy Jones (on 1955-01-04)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-04)
6:43
11Tuma
baritone saxophone:
Cecil Payne (on 1955-01-04)
cello:
Oscar Pettiford (on 1955-01-04)
double bass:
Wendell Marshall (on 1955-01-04)
drums (drum set):
Art Blakey (on 1955-01-04)
piano:
Horace Silver (on 1955-01-04)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-04)
arranger:
Quincy Jones (on 1955-01-04)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-04)
3:06
12Chuckles
baritone saxophone:
Cecil Payne (on 1955-01-04)
cello:
Oscar Pettiford (on 1955-01-04)
double bass:
Wendell Marshall (on 1955-01-04)
drums (drum set):
Art Blakey (on 1955-01-04)
piano:
Horace Silver (on 1955-01-04)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-01-04)
trumpet:
Clark Terry (American swing trumpeter) (on 1955-01-04)
arranger:
Quincy Jones (on 1955-01-04)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-04)
4:20
2▶CD: Serenade To A Bus Seat / Duke With A Difference
3▶CD: Out On A Limb With Clark Terry / In Orbit
4▶CD: Top and Bottom Brass / Clark Terry and His Orchestra Featuring Paul Gonsalves