The Boat That Rocked: Movie Soundtrack

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

Annotazione

LINER NOTES:

These are some of my favourite pop songs and I hope they will bring you pleasure. I don't buy the argument, ever, that the best days are done - there are lots of fantastic songs around now - but there certainly were a lot of great songs in the 60s, and this is just a taster of them. When we made The Boat That Rocked, every day, as we bobbed around in the ocean on our rusty boat, at lunchtime, the sound crew would put these songs on, really loud, and the actors would sit around in their absurd sideburns an hair cuts and shirts - and sometimes it seemed as though it actually was 1966 again, and we were actually there, riding and rocking on the ocean waves. I hope when you listen to these CDs, you can close your eyes, sway a bit - and join us on the high seas.

Richard Curtis - Writer / Director / Fan

Annotazione modificata l'ultima volta il 2020-09-26 03:32 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Friday on My Mind
produttore:
Shel Talmy
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967) e United Artists (nel 1966)
è stato produttore per:
Albert Productions
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats3.52:53
2My Generation
produttore:
Shel Talmy
basso :
John Entwistle (il 1965-10-13)
batteria e percussione :
Keith Moon (drummer) (il 1965-10-13)
chitarra :
Pete Townshend (of The Who) (il 1965-10-13)
pianoforte :
Nicky Hopkins (pianist and organist) (il 1965-10-13)
voce:
John Entwistle (il 1965-10-13) e Pete Townshend (of The Who) (il 1965-10-13)
voce principale:
Roger Daltrey (il 1965-10-13)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1965, nel 1970) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-10-13)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 37) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 232)
registrazione di:
My Generation (il 1965-10-13)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH e Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.43:20
3I Feel Free
tecnico:
John Timperley
produttore:
Robert Stigwood
basso e pianoforte :
Jack Bruce (dal 1966-07 al 1966-09)
batteria :
Ginger Baker (dal 1966-07 al 1966-09)
chitarra :
Eric Clapton (dal 1966-07 al 1966-09)
voce:
Ginger Baker (dal 1966-07 al 1966-09), Jack Bruce (dal 1966-07 al 1966-09) e Eric Clapton (dal 1966-07 al 1966-09)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1966) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1966)
registrata presso:
Chalk Farm Studios in London (Greater London), England, Regno Unito (dal 1966-07 al 1966-09) e Mayfair Studios (England) in London (Greater London), England, Regno Unito (dal 1966-07 al 1966-09)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (il 1966-12-08)
registrazione di:
I Feel Free (dal 1966-07 al 1966-09)
paroliere:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
compositore:
Jack Bruce
editore:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Unichappell-Stigwood Music (nel 1967)
Cream4.22:55
4The Wind Cries Mary
tecnico:
Dave Siddle (DeLane Lea) (engineer) (nel 1967-02) e Eddie Kramer (Olympic) (engineer) (nel 1967-02)
produttore:
Chas Chandler
basso elettrico :
Noel Redding (nel 1967-02)
batteria :
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (nel 1967-02)
chitarra elettrica e voce principale:
Jimi Hendrix (nel 1967-02)
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1967) e Experience Hendrix, L.L.C. (nel 2010)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1967-02) e Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1967-02-08)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 371)
registrazione di:
The Wind Cries Mary (nel 1967-02)
paroliere e compositore:
Jimi Hendrix
editore:
Bella Godiva Music, Experience Hendrix, L.L.C. e Sea-Lark Enterprises, Inc.
Jimi Hendrix3.93:22
5A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
6These Arms of Mine
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-10)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1962-10)
chitarra :
Steve Cropper (nel 1962-10) e Johnny Jenkins (US blues guitarist) (nel 1962-10)
chitarra basso :
Lewie Steinberg (nel 1962-10)
organo :
Booker T. Jones (nel 1962-10)
pianoforte :
Steve Cropper (nel 1962-10)
sassofono baritono :
Floyd Newman (nel 1962-10)
sassofono tenore :
Charles “Packy” Axton (nel 1962-10)
voce:
Otis Redding (nel 1962-10)
registrazione di:
These Arms of Mine (nel 1962-10)
paroliere e compositore:
Otis Redding
editore:
Irving Music, Inc. e Regent Music Corp. (BMI)
Otis Redding3.52:33
7Cleo’s Mood
produttore:
Harvey Fuqua
registrazione di:
Cleo’s Mood
compositore:
Autry De Walt, Harvey Fuqua e Willie Woods (US guitarist & songwriter)
Jr. Walker & the All Stars2:43
8The Happening
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1967-03-02)
strumenti:
The Funk Brothers (il 1967-03-02)
voce di accompagnamento:
Florence Ballard (il 1967-03-02) e Mary Wilson (il 1967-03-02)
voce principale:
Diana Ross (il 1967-03-02)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-02)
registrazione di:
The Happening (il 1967-03-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Frank De Vol, Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes52:51
9She’d Rather Be With Me
esecutore:
The Turtles (late 60s US rock band)
registrazione di:
She’d Rather Be With Me
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
The Turtles3.352:21
1098.6
registrazione di:
98.6
autore:
George Fischoff e Tony Powers
The Bystanders3:20
11Sunny Afternoon
tecnico di registrazione:
Shel Talmy (il 1966-05-13)
assistente tecnico:
Alan O’Duffy
tecnico:
Alan McKenzie (engineer)
produttore:
Shel Talmy
batteria :
Mick Avory (il 1966-05-13)
chitarra :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (il 1966-05-13) e Ray Davies (UK singer/songwriter, member of The Kinks) (il 1966-05-13)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (il 1966-05-13)
clavicembalo e tastiera :
Nicky Hopkins (pianist and organist) (il 1966-05-13)
voce:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (il 1966-05-13) e Ray Davies (UK singer/songwriter, member of The Kinks) (il 1966-05-13)
voce di accompagnamento:
Rasa Didzpetris-Davies (il 1966-05-13) e Pete Quaife (Kinks' bass guitarist) (il 1966-05-13)
esecutore:
Ray Davies (UK singer/songwriter, member of The Kinks) (il 1966-05-13)
arrangiatore strumenti:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) e Ray Davies (UK singer/songwriter, member of The Kinks)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1966) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1966)
è stato produttore per:
Shel Talmy Productions
registrata presso:
Pye Studios, Studio 2 in London (Greater London), England, Regno Unito (il 1966-05-13)
registrazione di:
Sunny Afternoon (il 1966-05-13)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation, Davray Music Ltd., Carlin (nel 1984) e Davray (publisher) (nel 1984)
The Kinks4.53:34
12Father and Son
produttore:
Paul Samwell-Smith
batteria :
Harvey Burns (nel 1970-07)
chitarra e tastiera :
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
chitarra [2nd] :
Alun Davies (nel 1970-07)
chitarra basso :
John Ryan (producer a/k/a “The Chicago Kid”) (nel 1970-07)
violino solista :
John Rostein (nel 1970-07)
voce:
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
arrangiatore archi :
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970) e Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1970)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1970-07)
versione strumentale di:
Father and Son di Giacomo Bucci
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 408)
registrazione di:
Father and Son (Cat Stevens) (nel 1970-07)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (dal 1970 a oggi) e Irving Music, Inc. (dal 1970 a oggi)
Cat Stevens4.253:42
13Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.44:26
14You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:50
15Stay With Me
produttore:
Jerry Ragovoy
direttore d'orchestra:
Garry Sherman (mid-20th century composer, arranger & conductor)
arrangiatore:
Jerry Ragovoy e Garry Sherman (mid-20th century composer, arranger & conductor)
registrazione di:
Stay With Me (nel 1966-07)
autore:
Jerry Ragovoy e George David Weiss
editore:
TRO Essex Music Ltd.
Lorraine Ellison43:34
16Hang On Sloopy
registrazione di:
Hang On Sloopy
autore:
Bert Russell Berns e Wes Farrell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc e Robert Mellin Music, Inc.
The McCoys33:53
17This Old Heart of Mine
produttore:
Lamont Dozier, Holland–Dozier (with Brian Holland) e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966)
registrazione di:
This Old Heart of Mine (Is Weak for You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Sylvia Moy
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) e Stone Agate Music Division
The Isley Brothers4.252:51
18Let’s Dance
tecnico e tecnico di missaggio:
Bob Clearmountain
produttore:
David Bowie (English singer‐songwriter) e Nile Rodgers
assistente tecnico di missaggio:
David Bowie (English singer‐songwriter) e Nile Rodgers
chitarra solista :
Stevie Ray Vaughan
voce principale:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1983)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1982-12 al 1983-01)
registrazione di:
Let’s Dance (dal 1982-12 al 1983-01)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd e Watanabe Music Publishing CM division
David Bowie44:07

Accreditamenti

Pubblicazione

note di libretto:Richard Curtis (NZ/UK screenwriter, music producer, actor and film director)
Discogs:https://www.discogs.com/release/2046464 [info]
ASIN:UK: B001TH16BK [info]