The Boat That Rocked: Movie Soundtrack

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

LINER NOTES:

These are some of my favourite pop songs and I hope they will bring you pleasure. I don't buy the argument, ever, that the best days are done - there are lots of fantastic songs around now - but there certainly were a lot of great songs in the 60s, and this is just a taster of them. When we made The Boat That Rocked, every day, as we bobbed around in the ocean on our rusty boat, at lunchtime, the sound crew would put these songs on, really loud, and the actors would sit around in their absurd sideburns an hair cuts and shirts - and sometimes it seemed as though it actually was 1966 again, and we were actually there, riding and rocking on the ocean waves. I hope when you listen to these CDs, you can close your eyes, sway a bit - and join us on the high seas.

Richard Curtis - Writer / Director / Fan

Annotation last modified on 2020-09-26 03:32 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Stay With Me Baby
assistant engineer:
Sam Okell (engineer, Abbey Road Studios)
engineer:
Pete Cobben
producer and mixer:
Bernard Butler
bass:
Tom Lammiman-Hinley
guitar:
Bernard Butler
membranophone:
Makoto Sakamoto (Japanese drummer)
saxophone:
Jim Hunt
trombone:
Nichol Thomson (British trombonist, trumpet, brass)
trumpet:
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
conductor:
Sally Herbert (violinist, composer, and conductor)
strings arranger:
Sally Herbert (violinist, composer, and conductor)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
mixed at:
West Heath Studio in West Heath, Bexley (London Borough of Bexley), London (Greater London), England, United Kingdom
recording of:
Stay With Me Baby
lyricist:
Walter Marks
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Duffy3:53
2All Day and All of the Night
producer:
Shel Talmy
bass guitar:
Pete Quaife (Kinks' bass guitarist) (on 1964-09-23)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (on 1964-09-23)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1964-09-23)
piano:
Perry Ford (English pop singer) (on 1964-09-23)
background vocals:
Johnny B. Great (on 1964-09-23)
lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (on 1964-09-23)
publisher:
Edward Kassner Music Co. Ltd.
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 23)
recording of:
All Day and All of the Night (on 1964-09-23)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy and Kassner Associated Publishers Ltd.
The Kinks4.552:23
3Elenore
recording of:
Elenore
lyricist and composer:
John Barbata, Howard Kaylan, Al Nichol, Jim Pons and Mark Volman
publisher:
Doraflo Music, Inc., EMI Longitude Music and High Concept Music
The Turtles52:31
4Judy in Disguise
phonographic copyright (℗) by:
Pye International (in 1968)
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & His Playboy Band3.852:54
5Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves & the Vandellas3.552:36
6Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1966-01-22)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bass guitar:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
guitar:
Bill Pitman (on 1966-01-22)
mandoguitar:
Barney Kessel (on 1966-01-22)
percussion:
Frank Capp (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
piano [track piano]:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
background vocals:
Al Jardine (guitarist and singer) (on 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1966-01-22), Carl Wilson (Beach Boys) (on 1966-01-22) and Dennis Wilson (Beach Boys) (on 1966-01-22)
lead vocals:
Mike Love (Beach Boys) (on 1966-01-22) and Brian Wilson (Beach Boys co‐founder) (on 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
recording of:
Wouldn’t It Be Nice (on 1966-01-22)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.352:23
7Ooo Baby Baby
producer:
Bill “Smokey” Robinson (on 1965-01-21)
background vocals:
The Miracles (aka Smokey Robinson and The Miracles) (on 1965-01-21)
lead vocals:
Smokey Robinson (on 1965-01-21)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 20) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 262)
recording of:
Ooo Baby Baby (on 1965-01-21)
writer:
Warren “Pete” Moore and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Smokey Robinson & the Miracles52:45
8This Guy’s in Love With You
engineer:
Larry Levine
producer:
Herb Alpert and Jerry Moss (record company founder and inductee)
vocals:
Herb Alpert
arranger:
Herb Alpert and Burt Bacharach
phonographic copyright (℗) by:
Herb Alpert Presents (Herb Alpert label) (in 2015)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1968)
recording of:
This Guy’s in Love With You (in 1968)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
cover recording of:
This Guy’s in Love With You
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Herb Alpert & the Tijuana Brass3.54:01
9Crimson and Clover
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 188)
recording of:
Crimson and Clover
writer:
Tommy James (American musician, singer, songwriter and record producer) and Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) and Big Seven Music Corp. (in 1987)
Tommy James and the Shondells45:25
10Hi Ho Silver Lining
producer:
Mickie Most (English record producer) (on 1967-01-19)
bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (on 1967-01-19)
drums (drum set):
Clem Cattini (on 1967-01-19)
electric guitar and lead vocals:
Jeff Beck (English rock guitarist) (on 1967-01-19)
background vocals:
Rod Stewart (on 1967-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-19)
recording of:
Hi Ho Silver Lining (on 1967-01-19)
writer:
Scott English and Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:49
11I Can See for Miles
executive producer:
Chris Stamp
producer:
Kit Lambert
bass guitar:
John Entwistle
drums (drum set) and percussion:
Keith Moon (drummer)
guitar:
Pete Townshend (of The Who)
lead vocals:
Roger Daltrey
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1967)
recorded at:
CBS Studios (London, 1967 - 1972) in London (Greater London), England, United Kingdom (from 1967-05-28 until 1967-05-29), Talent Masters Studios in New York, New York, United States (in 1967-07) and Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1967-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 258)
recording of:
I Can See for Miles (from 1967-05-28 until 1967-05-29)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) and TRO-Essex Music, Inc.
recording of:
I Can See for Miles (in 1967-07)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) and TRO-Essex Music, Inc.
recording of:
I Can See for Miles (in 1967-09)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) and TRO-Essex Music, Inc.
The Who4.454:07
12With a Girl Like You
recording of:
With a Girl Like You
writer:
Reg Presley
The Troggs4.42:07
13The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.151:54
14I’m Alive
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
I’m Alive
lyricist and composer:
Clint Ballard, Jr.
The Hollies2:25
15Yesterday Man
producer:
Peter Columbus
recording of:
Yesterday Man
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Chris Andrews2:32
16I’ve Been a Bad Bad Boy
recording of:
I’ve Been a Bad Bad Boy
composer:
Mike Leander
publisher:
Leeds Music Ltd. and Universal/MCA Music Publishing Pty Ltd
Paul Jones2:21
17Silence Is Golden
producer:
Mike Smith (60’s & 70’s UK Producer)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1967) and CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
cover recording of:
Silence Is Golden
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. and Windswept Pacific Music Ltd.
The Tremeloes3.653:09
18The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:39
2▼CD
#TitleArtistRatingLength
1Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967) and United Artists (in 1966)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:53
2My Generation
producer:
Shel Talmy
bass:
John Entwistle (on 1965-10-13)
drums (drum set) and percussion:
Keith Moon (drummer) (on 1965-10-13)
guitar:
Pete Townshend (of The Who) (on 1965-10-13)
piano:
Nicky Hopkins (pianist and organist) (on 1965-10-13)
lead vocals:
Roger Daltrey (on 1965-10-13)
vocals:
John Entwistle (on 1965-10-13) and Pete Townshend (of The Who) (on 1965-10-13)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1965, in 1970) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1965-10-13)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 37) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 232)
recording of:
My Generation (on 1965-10-13)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Devon Music Inc., Essex Music of Australia P/L, Essex Musikvertrieb GmbH and Fabulous Music, Ltd. (this is a publisher, not an imprint!)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
The Who4.43:20
3I Feel Free
engineer:
John Timperley
producer:
Robert Stigwood
bass and piano:
Jack Bruce (from 1966-07 until 1966-09)
drums (drum set):
Ginger Baker (from 1966-07 until 1966-09)
guitar:
Eric Clapton (from 1966-07 until 1966-09)
vocals:
Ginger Baker (from 1966-07 until 1966-09), Jack Bruce (from 1966-07 until 1966-09) and Eric Clapton (from 1966-07 until 1966-09)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1966) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1966)
recorded at:
Chalk Farm Studios in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09) and Mayfair Studios (England) in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (on 1966-12-08)
recording of:
I Feel Free (from 1966-07 until 1966-09)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Unichappell-Stigwood Music (in 1967)
Cream4.22:55
4The Wind Cries Mary
engineer:
Dave Siddle (DeLane Lea) (engineer) (in 1967-02) and Eddie Kramer (Olympic) (engineer) (in 1967-02)
producer:
Chas Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (in 1967-02)
electric bass guitar:
Noel Redding (in 1967-02)
electric guitar and lead vocals:
Jimi Hendrix (in 1967-02)
phonographic copyright (℗) by:
PolyGram International Music B.V. (not for release label use!) (in 1967) and Experience Hendrix, L.L.C. (in 2010)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1967-02) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-02-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 371)
recording of:
The Wind Cries Mary (in 1967-02)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C. and Sea-Lark Enterprises, Inc.
Jimi Hendrix3.93:22
5A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
6These Arms of Mine
recorded in:
Memphis, Tennessee, United States (in 1962-10)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
bass guitar:
Lewie Steinberg (in 1962-10)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
guitar:
Steve Cropper (in 1962-10) and Johnny Jenkins (US blues guitarist) (in 1962-10)
organ:
Booker T. Jones (in 1962-10)
piano:
Steve Cropper (in 1962-10)
tenor saxophone:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
lyricist and composer:
Otis Redding
publisher:
Irving Music, Inc. and Regent Music Corp. (BMI)
Otis Redding3.52:33
7Cleo’s Mood
producer:
Harvey Fuqua
recording of:
Cleo’s Mood
composer:
Autry De Walt, Harvey Fuqua and Willie Woods (US guitarist & songwriter)
Jr. Walker & the All Stars2:43
8The Happening
recording engineer:
Russ Terrana
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (on 1967-03-02)
instruments:
The Funk Brothers (on 1967-03-02)
background vocals:
Florence Ballard (on 1967-03-02) and Mary Wilson (on 1967-03-02)
lead vocals:
Diana Ross (on 1967-03-02)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1967-03-02)
recording of:
The Happening (on 1967-03-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Frank De Vol, Lamont Dozier and Brian Holland (Motown producer & songwriter)
The Supremes52:51
9She’d Rather Be With Me
performer:
The Turtles (late 60s US rock band)
recording of:
She’d Rather Be With Me
writer:
Garry Bonner (singer and songwriter) and Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
The Turtles3.352:21
1098.6
recording of:
98.6
writer:
George Fischoff and Tony Powers
The Bystanders3:20
11Sunny Afternoon
recording engineer:
Shel Talmy (on 1966-05-13)
assistant engineer:
Alan O’Duffy
engineer:
Alan McKenzie (engineer)
producer:
Shel Talmy
bass guitar:
Pete Quaife (Kinks' bass guitarist) (on 1966-05-13)
drums (drum set):
Mick Avory (on 1966-05-13)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1966-05-13) and Ray Davies (UK singer/songwriter, member of The Kinks) (on 1966-05-13)
harpsichord and keyboard:
Nicky Hopkins (pianist and organist) (on 1966-05-13)
background vocals:
Rasa Didzpetris-Davies (on 1966-05-13) and Pete Quaife (Kinks' bass guitarist) (on 1966-05-13)
vocals:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (on 1966-05-13) and Ray Davies (UK singer/songwriter, member of The Kinks) (on 1966-05-13)
performer:
Ray Davies (UK singer/songwriter, member of The Kinks) (on 1966-05-13)
instruments arranger:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) and Ray Davies (UK singer/songwriter, member of The Kinks)
phonographic copyright (℗) by:
Castle Communications PLC (not for label use, copyright holder) (in 1966) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1966)
produced for:
Shel Talmy Productions
recorded at:
Pye Studios, Studio 2 in London (Greater London), England, United Kingdom (on 1966-05-13)
recording of:
Sunny Afternoon (on 1966-05-13)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Carlin (in 1984) and Davray (publisher) (in 1984)
The Kinks4.53:34
12Father and Son
producer:
Paul Samwell-Smith
bass guitar:
John Ryan (producer a/k/a “The Chicago Kid”) (in 1970-07)
drums (drum set):
Harvey Burns (in 1970-07)
guitar and keyboard:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
guitar [2nd]:
Alun Davies (in 1970-07)
solo violin:
John Rostein (in 1970-07)
vocals:
Cat Stevens (now known as Yusuf Islam) (in 1970-07)
strings arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970) and Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
instrumental version of:
Father and Son by Giacomo Bucci
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 408)
recording of:
Father and Son (Cat Stevens) (in 1970-07)
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (from 1970 to present) and Irving Music, Inc. (from 1970 to present)
Cat Stevens4.253:42
13Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.44:26
14You Don’t Have to Say You Love Me
producer:
John Franz
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 491)
recording of:
You Don’t Have to Say You Love Me
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
Dusty Springfield3.72:50
15Stay With Me
producer:
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Jerry Ragovoy and Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Stay With Me (in 1966-07)
writer:
Jerry Ragovoy and George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison43:34
16Hang On Sloopy
recording of:
Hang On Sloopy
writer:
Bert Russell Berns and Wes Farrell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc and Robert Mellin Music, Inc.
The McCoys33:53
17This Old Heart of Mine
producer:
Lamont Dozier, Holland–Dozier (with Brian Holland) and Brian Holland (Motown producer & songwriter)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
This Old Heart of Mine (Is Weak for You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland–Dozier–Holland
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) and Stone Agate Music Division
The Isley Brothers4.252:51
18Let’s Dance
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
solo guitar:
Stevie Ray Vaughan
lead vocals:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1982-12 until 1983-01)
recording of:
Let’s Dance (from 1982-12 until 1983-01)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd and Watanabe Music Publishing CM division
David Bowie44:07

Credits

Release

liner notes:Richard Curtis (NZ/UK screenwriter, music producer, actor and film director)
Discogs:https://www.discogs.com/release/2046464 [info]
ASIN:UK: B001TH16BK [info]