Sarah Vaughan Vol.2 (Eight Classic Albums)

~ Pubblicazione di Sarah Vaughan (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

List of subparts
CD1 tracks 1 to 9: No Count Sarah (1958)
CD1 tracks 10 to 20: Vaughan & Violins (1958)
CD2 tracks 1 to 12: Dreamy (1960)
CD2 tracks 13 to 23: The Divine One (1960)
CD3 tracks 1 to 11: Count Basie / Sarah Vaughan (1961)
CD3 tracks 12 to 22: After Hours (1961)
CD4 tracks 1 to 12: You're Mine You (1962)
CD4 tracks 13 to 23: Sarah + 2 (1962)

Issued in a "fat boy" jewel case.

Other Identifiers
Rights Society (Logo): mcps

Annotazione modificata l'ultima volta il 2025-04-23 21:18 UTC.

Elenco tracce

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#TitoloValutazioneDurata
1You're Mine You
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan (nel 1962-01)
orchestra:
Quincy Jones and His Orchestra
registrazione cover di:
You’re Mine, You (nel 1962-01)
paroliere:
Edward Heyman
compositore:
Johnny Green (composer and conductor, often credited as John Green)
4:00
2The Best Is Yet to Come
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
direttore d'orchestra:
Quincy Jones (nel 1962-01)
arrangiatore:
Quincy Jones
registrazione cover di:
The Best Is Yet to Come (nel 1962-01)
paroliere:
Carolyn Leigh (nel 1959)
compositore:
Cy Coleman (nel 1959)
editore:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. e WB Music Corp. (1929–2019)
2:52
3Witchcraft
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan (nel 1962-01)
orchestra:
Quincy Jones and His Orchestra
registrazione cover di:
Witchcraft (nel 1962-01)
paroliere:
Carolyn Leigh
compositore:
Cy Coleman
editore:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC e WB Music Corp. (1929–2019)
2:56
4So Long
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
direttore d'orchestra:
Quincy Jones
arrangiatore:
Quincy Jones
registrazione di:
So Long (nel 1962-01)
autore:
Remus Harris, Irving Melsher e Russ Morgan (Big Band orchestra leader)
2:54
5The Second Time Around
voce:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
registrazione cover di:
The Second Time Around
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher) e Twentieth Century Music Corp. (nel 1960, nel 1988)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
parte di:
The 33rd Academy Award for Best Original Song (numero: 2)
3:42
6I Could Write a Book
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan (nel 1962-01)
orchestra:
Quincy Jones and His Orchestra
direttore d'orchestra:
Quincy Jones (nel 1962-01)
arrangiatore:
Quincy Jones
registrazione cover di:
I Could Write a Book (nel 1962-01)
paroliere:
Lorenz Hart
compositore:
Richard Rodgers (composer)
editore:
Chappell & Co. e Chappell & Co., Inc. (USA)
parte di:
Pal Joey
2:22
7Maria
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan (nel 1962-01)
orchestra:
Quincy Jones and His Orchestra
registrazione di:
West Side Story: Maria (Tony) (nel 1962-01)
paroliere:
Stephen Sondheim (nel 1956)
compositore:
Leonard Bernstein (American conductor, composer, pianist) (nel 1956)
editore:
Campbell Connelly & Co. Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
West Side Story
3:13
8Baubles, Bangles and Beads
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan (nel 1962-01)
orchestra:
Quincy Jones and His Orchestra
direttore d'orchestra:
Quincy Jones (nel 1962-01)
arrangiatore:
Quincy Jones
registrazione cover di:
Baubles, Bangles and Beads (from “Kismet”) (nel 1962-01)
autore:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Frank Music Corp. e Scheffel Music Corp
si basa su:
String Quartet no. 2 in D major: II. Scherzo. Allegro
parte di:
Kismet (full musical)
3:35
9Fly Me to the Moon
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:54
10Moonglow
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan (nel 1962-01)
orchestra:
Quincy Jones and His Orchestra
registrazione cover di:
Moonglow (nel 1962-01)
paroliere:
Eddie DeLange
compositore:
Will Hudson e Irving Mills
2:29
11Invitation
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
registrazione cover di:
Invitation (nel 1962-01)
paroliere:
Paul Francis Webster
compositore:
Bronisław Kaper
2:17
12On Green Dolphin Street
registrata a:
New York, New York, Stati Uniti (nel 1962-01)
voce:
Sarah Vaughan (nel 1962-01)
orchestra:
Quincy Jones and His Orchestra
registrazione cover di:
On Green Dolphin Street
paroliere:
Ned Washington (nel 1947)
compositore:
Bronisław Kaper (nel 1947)
editore:
Catharine Hinen Music, Leo Feist Inc. e Patti Washington Music
3:04
13Just in Time
produttore:
Teddy Reig
basso e contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione di:
Just in Time (Bells Are Ringing) (dal 1962-08-07 al 1962-08-08)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
2:19
14When Sunny Gets Blue
produttore:
Teddy Reig
basso :
Joe Comfort (nel 1962-08)
chitarra :
Barney Kessel (nel 1962-08, dal 1962-08-07 al 1962-08-08)
contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (nel 1962-08, dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
When Sunny Gets Blue (nel 1962-08)
paroliere:
Jack Segal (US songwriter)
autore:
Fisher e Segal (US songwriter)
compositore:
Marvin Fisher
editore:
Sony/ATV Tunes LLC (ASCAP)
parte di:
The Real Book (compilation of jazz standards, volume I)
3:50
15All I Do Is Dream of You
produttore:
Teddy Reig
basso :
Joe Comfort
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
All I Do Is Dream of You (Singin’ in the Rain) (nel 1962-08)
paroliere:
Arthur Freed
compositore:
Nacio Herb Brown (US songwriter)
editore:
EMI United Partnership Ltd.
parte di:
Singin’ in the Rain (stage musical)
parte di:
Singin’ in the Rain (soundtrack of the 1952 film)
2:56
16I Understand
produttore:
Teddy Reig
basso :
Joe Comfort
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione di:
I Understand (nel 1962-08)
paroliere:
Kim Gannon
compositore:
Mabel Wayne
4:27
17Goodnight Sweetheart
produttore:
Teddy Reig
basso :
Joe Comfort
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione di:
Goodnight, Sweetheart
autore:
James Campbell (British songwriter and music publisher), Reginald Connelly e Ray Noble
traduttore:
Rudy Vallée
editore:
Campbell Connelly Inc. (ASCAP affiliated) e EMI Robbins Catalog Inc. (ASCAP)
parte di:
1941
3:34
18Baby, Won't You Please Come Home
produttore:
Teddy Reig
basso e contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
Baby Won’t You Please Come Home (dal 1962-08-07 al 1962-08-08)
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
2:35
19When Lights Are Low
produttore:
Teddy Reig
basso e contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
When Lights Are Low (dal 1962-08-07 al 1962-08-08)
paroliere:
Spencer Williams (US jazz composer, pianist & singer)
compositore:
Benny Carter
editore:
Bee Cee Music Co. e Mills Music
2:55
20Key Largo
produttore:
Teddy Reig
basso :
Joe Comfort (nel 1962-08)
chitarra :
Barney Kessel (nel 1962-08, dal 1962-08-07 al 1962-08-08)
contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (nel 1962-08, dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
Key Largo (nel 1962-08)
paroliere:
Leah Worth
compositore:
Benny Carter e Karl Suessdorf
3:28
21Just Squeeze Me (But Please Don't Tease Me)
produttore:
Teddy Reig
basso :
Joe Comfort (nel 1962-08)
chitarra :
Barney Kessel (nel 1962-08, dal 1962-08-07 al 1962-08-08)
contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (nel 1962-08, dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
Just Squeeze Me (but Don’t Tease Me) (nel 1962-08)
paroliere:
Lee Gaines (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
4:13
22All or Nothing at All
produttore:
Teddy Reig
basso e contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
chitarra :
Barney Kessel (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
All or Nothing at All (dal 1962-08-07 al 1962-08-08)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Arthur Altman e Jack Lawrence (US songwriter)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. e Universal‐MCA Music Publishing (US)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:12
23The Very Thought of You
produttore:
Teddy Reig
basso :
Joe Comfort (nel 1962-08)
chitarra :
Barney Kessel (nel 1962-08, dal 1962-08-07 al 1962-08-08)
contrabbasso :
Joe Comfort (dal 1962-08-07 al 1962-08-08)
voce:
Sarah Vaughan (nel 1962-08, dal 1962-08-07 al 1962-08-08)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
registrata presso:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (dal 1962-08-07 al 1962-08-08)
registrazione cover di:
The Very Thought of You (nel 1962-08)
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
4:12

Accreditamenti

Gruppo di pubblicazioni

parte di:… Classic Albums (Real Gone Jazz) (ordine: 31)
Discogs:https://www.discogs.com/master/3301729 [info]