Sarah Vaughan Vol.2 (Eight Classic Albums)

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Annotation

List of subparts
CD1 tracks 1 to 9: No Count Sarah (1958)
CD1 tracks 10 to 20: Vaughan & Violins (1958)
CD2 tracks 1 to 12: Dreamy (1960)
CD2 tracks 13 to 23: The Divine One (1960)
CD3 tracks 1 to 11: Count Basie / Sarah Vaughan (1961)
CD3 tracks 12 to 22: After Hours (1961)
CD4 tracks 1 to 12: You're Mine You (1962)
CD4 tracks 13 to 23: Sarah + 2 (1962)

Issued in a "fat boy" jewel case.

Other Identifiers
Rights Society (Logo): mcps

Annotation last modified on 2025-04-23 21:18 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleRatingLength
1You're Mine You
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
You’re Mine, You (in 1962-01)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
4:00
2The Best Is Yet to Come
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
The Best Is Yet to Come (in 1962-01)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
2:52
3Witchcraft
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Witchcraft (in 1962-01)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
2:56
4So Long
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones
arranger:
Quincy Jones
recording of:
So Long (in 1962-01)
writer:
Remus Harris, Irving Melsher and Russ Morgan (Big Band orchestra leader)
2:54
5The Second Time Around
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
The Second Time Around
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher) and Twentieth Century Music Corp. (in 1960, in 1988)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:42
6I Could Write a Book
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
I Could Write a Book (in 1962-01)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
2:22
7Maria
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
recording of:
West Side Story: Maria (Tony) (in 1962-01)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
3:13
8Baubles, Bangles and Beads
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
conductor:
Quincy Jones (in 1962-01)
arranger:
Quincy Jones
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (in 1962-01)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
3:35
9Fly Me to the Moon
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:54
10Moonglow
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Moonglow (in 1962-01)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
2:29
11Invitation
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan
orchestra:
Quincy Jones and His Orchestra
cover recording of:
Invitation (in 1962-01)
lyricist:
Paul Francis Webster
composer:
Bronisław Kaper
2:17
12On Green Dolphin Street
recorded in:
New York, New York, United States (in 1962-01)
vocals:
Sarah Vaughan (in 1962-01)
orchestra:
Quincy Jones and His Orchestra
cover recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
3:04
13Just in Time
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Just in Time (Bells Are Ringing) (from 1962-08-07 until 1962-08-08)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:19
14When Sunny Gets Blue
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Sunny Gets Blue (in 1962-08)
lyricist:
Jack Segal (US songwriter)
writer:
Fisher and Segal (US songwriter)
composer:
Marvin Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
part of:
The Real Book (compilation of jazz standards, volume I)
3:50
15All I Do Is Dream of You
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI United Partnership Ltd.
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
2:56
16I Understand
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
I Understand (in 1962-08)
lyricist:
Kim Gannon
composer:
Mabel Wayne
4:27
17Goodnight Sweetheart
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
recording of:
Goodnight, Sweetheart
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ray Noble
translator:
Rudy Vallée
publisher:
Campbell Connelly Inc. (ASCAP affiliated) and EMI Robbins Catalog Inc. (ASCAP)
part of:
1941
3:34
18Baby, Won't You Please Come Home
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Baby Won’t You Please Come Home (from 1962-08-07 until 1962-08-08)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
2:35
19When Lights Are Low
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
When Lights Are Low (from 1962-08-07 until 1962-08-08)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
2:55
20Key Largo
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Key Largo (in 1962-08)
lyricist:
Leah Worth
composer:
Benny Carter and Karl Suessdorf
3:28
21Just Squeeze Me (But Please Don't Tease Me)
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
Just Squeeze Me (but Don’t Tease Me) (in 1962-08)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:13
22All or Nothing at All
producer:
Teddy Reig
bass and double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All or Nothing at All (from 1962-08-07 until 1962-08-08)
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:12
23The Very Thought of You
producer:
Teddy Reig
bass:
Joe Comfort (in 1962-08)
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (in 1962-08, from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (in 1962-08, from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
The Very Thought of You (in 1962-08)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:12

Credits

Release group

part of:… Classic Albums (Real Gone Jazz) (order: 31)
Discogs:https://www.discogs.com/master/3301729 [info]