Gilbert and Sullivan Edition

~ Release by D'Oyly Carte Opera Company (see all versions of this release, 1 available)

Tracklist

1▶CD: The Gondoliers (Version with dialogue)
2▶CD: The Gondoliers (Version with dialogue) (continued)
3▶CD: The Grand Duke
4▶CD: The Grand Duke (Continued)
5▶CD: H.M.S. Pinafore (Act One)
6▶CD: H.M.S. Pinafore (Act Two)
7▶CD: Iolanthe or The Peer and The Peri (Version with dialogue) (Act One)
8▶CD: Iolanthe or The Peer and The Peri (Version with dialogue) (Act Two)
9▶CD: The Mikado or The Town of Titipu (Version without dialogue) (Act One)
10▶CD: The Mikado or The Town of Titipu (Version without dialogue) (Act Two)
11▶CD: Patience (Version with dialogue) (Act One)
12▶CD: Patience (Version with dialogue) (Act One continued, Act Two)
13▶CD: The Pirates of Penzance or The Slave of Duty (Version with dialogue) (Act One)
14▼CD: The Pirates of Penzance or The Slave of Duty (Version with dialogue) (Act One continued, Act Two)
#TitleRatingLength
1Oh, men of dark and dismal fate
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
baritone vocals [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “Oh, Men of dark and dismal fate” (Major‐General) (first song of Act I Finale) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
2Hail Poetry, thou heav'n born maid!
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “Hail, Poetry, Thou Heav’n Born Maid” (Ensemble) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
3You may go, for you're at liberty
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
baritone vocals [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (from 1967-12-04 until 1967-12-08)
baritone vocals [Samuel]:
George Cook (operatic bass-baritone and actor)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “You may go, for you’re at liberty” (Pirate King, Samuel, Major‐General, Chorus) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
4Pray observe the magnanimity
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act I Finale, no. 14 “Pray Observe the Magnanimity” (Ensemble) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
5Oh, dry the glist'ning tear
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
soprano vocals [Mabel]:
Valerie Masterson (soprano) (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 15. “Oh, dry the glist’ning tear” (Mabel, Girls) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
6Then Frederic
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
baritone vocals [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 16. “Then, Frederic, let your escort lion‐hearted” (Frederic, Major‐General) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
7When the foeman bares his steel
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass vocals [Sergeant of Police]:
Owen Brannigan (operatic bass) (from 1967-12-04 until 1967-12-08)
mezzo-soprano vocals [Edith]:
Jean Allister (from 1967-12-04 until 1967-12-08)
soprano vocals [Mabel]:
Valerie Masterson (soprano) (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 17. “When the foeman bares his steel” (Mabel, Edith, Sergeant, Policemen, Girls) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
8Now for the pirates lair!
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (from 1967-12-04 until 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 18 “Now for the Pirates’ Lair!…” (Frederic, Ruth, Pirate King) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
9When you had left our pirate fold
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (from 1967-12-04 until 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 19. “When you had left our pirate fold” (Ruth, Frederic, Pirate King) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
10Away, away, my heart's on fire
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (from 1967-12-04 until 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 20. “Away, away, my heart’s on fire” (Ruth, Frederic, Pirate King) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
11All is prepared
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
soprano vocals [Mabel]:
Valerie Masterson (soprano) (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 21. “All is prepar’d! Your gallant crew await you” (Mabel, Frederic) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
12Stay, Fred'ric stay!
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
soprano vocals [Mabel]:
Valerie Masterson (soprano) (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!” (Mabel, Frederic) (first duet only) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
?:??
13Ah, leave me not to pine alone and desolate
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
soprano vocals [Mabel]:
Valerie Masterson (soprano) (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 22. “Ah, Leave Me Not to Pine” (Mabel, Frederic) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
recording of:
The Pirates of Penzance: Act II, no. 22. “In 1940 I of Age Shall Be” (Frederic, Mabel) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
?:??
14Oh, here is love and here is truth
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 22. “Oh, Here Is Love, and Here Is Truth” (Ensemble) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
?:??
15No, I'll be brave
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass vocals [Sergeant of Police]:
Owen Brannigan (operatic bass) (from 1967-12-04 until 1967-12-08)
soprano vocals [Mabel]:
Valerie Masterson (soprano) (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 23. “No, I’ll be brave…” (Mabel, Sergeant, Policemen) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
16Sergeant approach (Dialogue)
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
?:??
17When a felon's not engaged in his employment
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass vocals [Sergeant of Police]:
Owen Brannigan (operatic bass) (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 24. “When a felon’s not engaged in his employment” (Sergeant, Policemen) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
18A rollicking band of pirates we
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass vocals [Sergeant of Police]:
Owen Brannigan (operatic bass) (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 25. “A Rollicking Band of Pirates We” (Sergeant, Pirates, Policemen) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
19With cat-like tread
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
baritone vocals [Samuel]:
George Cook (operatic bass-baritone and actor)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
20Hush! Hush! Not a word
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
baritone vocals [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (from 1967-12-04 until 1967-12-08)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (from 1967-12-04 until 1967-12-08)
tenor vocals [Frederic]:
Philip Potter (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II, no. 27. “Hush! Hush! Not a word” (Frederic, Pirate King, Major‐General, Policemen, Pirates) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
21Sighing softly to the river
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
baritone vocals [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28. “Sighing softly to the river” (Major‐General, Men) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II
?:??
22Now what is this, and what is that
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (from 1967-12-04 until 1967-12-08)
mezzo-soprano vocals [Edith]:
Jean Allister (from 1967-12-04 until 1967-12-08)
mezzo-soprano vocals [Kate]:
Pauline Wales (operatic mezzo-soprano) (from 1967-12-04 until 1967-12-08)
soprano vocals [Mabel]:
Valerie Masterson (soprano) (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “Now What Is This” (Daughters, Pirate King, Pirates) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
23We triumph now
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
bass vocals [Sergeant of Police]:
Owen Brannigan (operatic bass) (from 1967-12-04 until 1967-12-08)
bass-baritone vocals [The Pirate King]:
Donald Adams (operatic bass-baritone) (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “We Triumph Now” (Sergeant, Pirate King, Police, Pirates) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
24Away with them, and place them at the bar
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
baritone vocals [Major‐General Stanley]:
John Reed (actor, member of the D’Oyly Carte Opera Company) (from 1967-12-04 until 1967-12-08)
contralto vocals [Ruth]:
Christene Palmer (from 1967-12-04 until 1967-12-08)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “Away with them” (Major‐General, Ruth, Ensemble) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
25Poor wand'ring ones, though ye have surely straye
miscellaneous support:
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (task: recorded under the supervision/direction of)
vocals:
The D’Oyly Carte Opera Company (from 1967-12-04 until 1967-12-08)
orchestra:
Royal Philharmonic Orchestra (from 1967-12-04 until 1967-12-08)
conductor:
Isidore Godfrey (conductor) (from 1967-12-04 until 1967-12-08)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1967-12-04 until 1967-12-08)
recording of:
The Pirates of Penzance: Act II Finale, no. 28 “Poor Wand’ring Ones!” (Ensemble) (from 1967-12-04 until 1967-12-08)
lyricist:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
composer:
Arthur Sullivan (Sir Arthur Sullivan, composer)
part of:
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
15▶CD: Princess Ida or Castle Adamant (Version without dialogue) (Act One and Two)
16▶CD: Princess Ida or Castle Adamant (Version without dialogue) (Act Three), Pineapple Poll (arr. Mackerras)
17▶CD: Ruddigore or The Witch's Curse (Without dialogue)
18▶CD: Ruddigore or The Witch's Curse (Without dialogue)
19▶CD: The Sorcerer (Version without dialogue)
20▶CD: The Sorcerer (Version without dialogue) (Act Two)
21▶CD: Utopia Limited (Comic opera in two acts) (Act One)
22▶CD: Utopia Limited (Comic opera in two acts) (Act Two)
23▶CD: The Yeomen of the Guard (Version without dialogue) (Act One)
24▶CD: The Yeomen of the Guard (Version without dialogue) (Act Two)
25▶CD: Songs And Snatched (First International CD Release)