Gilbert and Sullivan Edition

~ Parution par D'Oyly Carte Opera Company (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1▶CD : The Gondoliers (Version with dialogue)
2▶CD : The Gondoliers (Version with dialogue) (continued)
3▶CD : The Grand Duke
4▶CD : The Grand Duke (Continued)
5▶CD : H.M.S. Pinafore (Act One)
6▶CD : H.M.S. Pinafore (Act Two)
7▶CD : Iolanthe or The Peer and The Peri (Version with dialogue) (Act One)
8▶CD : Iolanthe or The Peer and The Peri (Version with dialogue) (Act Two)
9▶CD : The Mikado or The Town of Titipu (Version without dialogue) (Act One)
10▶CD : The Mikado or The Town of Titipu (Version without dialogue) (Act Two)
11▶CD : Patience (Version with dialogue) (Act One)
12▶CD : Patience (Version with dialogue) (Act One continued, Act Two)
13▶CD : The Pirates of Penzance or The Slave of Duty (Version with dialogue) (Act One)
14▼CD : The Pirates of Penzance or The Slave of Duty (Version with dialogue) (Act One continued, Act Two)
noTitreÉvaluationDurée
1Oh, men of dark and dismal fate
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de baryton [Major‐General Stanley] :
John Reed (actor, member of the D’Oyly Carte Opera Company) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act I Finale, no. 14 “Oh, Men of dark and dismal fate” (Major‐General) (first song of Act I Finale) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
2Hail Poetry, thou heav'n born maid!
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act I Finale, no. 14 “Hail, Poetry, Thou Heav’n Born Maid” (Ensemble) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
3You may go, for you're at liberty
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de baryton [Major‐General Stanley] :
John Reed (actor, member of the D’Oyly Carte Opera Company) (du 1967-12-04 au 1967-12-08)
voix de baryton [Samuel] :
George Cook (operatic bass-baritone and actor)
voix de baryton basse [The Pirate King] :
Donald Adams (operatic bass-baritone) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act I Finale, no. 14 “You may go, for you’re at liberty” (Pirate King, Samuel, Major‐General, Chorus) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
4Pray observe the magnanimity
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act I Finale, no. 14 “Pray Observe the Magnanimity” (Ensemble) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act I, Finale no. 14. “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major‐General, Ruth, Chorus) (has sub-parts)
?:??
5Oh, dry the glist'ning tear
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de soprano [Mabel] :
Valerie Masterson (soprano) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 15. “Oh, dry the glist’ning tear” (Mabel, Girls) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
6Then Frederic
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de baryton [Major‐General Stanley] :
John Reed (actor, member of the D’Oyly Carte Opera Company) (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 16. “Then, Frederic, let your escort lion‐hearted” (Frederic, Major‐General) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
7When the foeman bares his steel
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de basse [Sergeant of Police] :
Owen Brannigan (operatic bass) (du 1967-12-04 au 1967-12-08)
voix de mezzo-soprano [Edith] :
Jean Allister (du 1967-12-04 au 1967-12-08)
voix de soprano [Mabel] :
Valerie Masterson (soprano) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 17. “When the foeman bares his steel” (Mabel, Edith, Sergeant, Policemen, Girls) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
8Now for the pirates lair!
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de baryton basse [The Pirate King] :
Donald Adams (operatic bass-baritone) (du 1967-12-04 au 1967-12-08)
voix de contralto [Ruth] :
Christene Palmer (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 18 “Now for the Pirates’ Lair!…” (Frederic, Ruth, Pirate King) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
9When you had left our pirate fold
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de baryton basse [The Pirate King] :
Donald Adams (operatic bass-baritone) (du 1967-12-04 au 1967-12-08)
voix de contralto [Ruth] :
Christene Palmer (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 19. “When you had left our pirate fold” (Ruth, Frederic, Pirate King) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
10Away, away, my heart's on fire
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de baryton basse [The Pirate King] :
Donald Adams (operatic bass-baritone) (du 1967-12-04 au 1967-12-08)
voix de contralto [Ruth] :
Christene Palmer (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 20. “Away, away, my heart’s on fire” (Ruth, Frederic, Pirate King) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
11All is prepared
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de soprano [Mabel] :
Valerie Masterson (soprano) (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 21. “All is prepar’d! Your gallant crew await you” (Mabel, Frederic) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
12Stay, Fred'ric stay!
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de soprano [Mabel] :
Valerie Masterson (soprano) (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!” (Mabel, Frederic) (first duet only) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
?:??
13Ah, leave me not to pine alone and desolate
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix de soprano [Mabel] :
Valerie Masterson (soprano) (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 22. “Ah, Leave Me Not to Pine” (Mabel, Frederic) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
recording of :
The Pirates of Penzance: Act II, no. 22. “In 1940 I of Age Shall Be” (Frederic, Mabel) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
?:??
14Oh, here is love and here is truth
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 22. “Oh, Here Is Love, and Here Is Truth” (Ensemble) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) (has sub‐parts)
?:??
15No, I'll be brave
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de basse [Sergeant of Police] :
Owen Brannigan (operatic bass) (du 1967-12-04 au 1967-12-08)
voix de soprano [Mabel] :
Valerie Masterson (soprano) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 23. “No, I’ll be brave…” (Mabel, Sergeant, Policemen) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
16Sergeant approach (Dialogue)
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
?:??
17When a felon's not engaged in his employment
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de basse [Sergeant of Police] :
Owen Brannigan (operatic bass) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 24. “When a felon’s not engaged in his employment” (Sergeant, Policemen) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
18A rollicking band of pirates we
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de basse [Sergeant of Police] :
Owen Brannigan (operatic bass) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 25. “A Rollicking Band of Pirates We” (Sergeant, Pirates, Policemen) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
19With cat-like tread
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de baryton [Samuel] :
George Cook (operatic bass-baritone and actor)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
20Hush! Hush! Not a word
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de baryton [Major‐General Stanley] :
John Reed (actor, member of the D’Oyly Carte Opera Company) (du 1967-12-04 au 1967-12-08)
voix de baryton basse [The Pirate King] :
Donald Adams (operatic bass-baritone) (du 1967-12-04 au 1967-12-08)
voix de ténor [Frederic] :
Philip Potter (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II, no. 27. “Hush! Hush! Not a word” (Frederic, Pirate King, Major‐General, Policemen, Pirates) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
21Sighing softly to the river
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de baryton [Major‐General Stanley] :
John Reed (actor, member of the D’Oyly Carte Opera Company) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II Finale, no. 28. “Sighing softly to the river” (Major‐General, Men) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II
?:??
22Now what is this, and what is that
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de baryton basse [The Pirate King] :
Donald Adams (operatic bass-baritone) (du 1967-12-04 au 1967-12-08)
voix de mezzo-soprano [Edith] :
Jean Allister (du 1967-12-04 au 1967-12-08)
voix de mezzo-soprano [Kate] :
Pauline Wales (operatic mezzo-soprano) (du 1967-12-04 au 1967-12-08)
voix de soprano [Mabel] :
Valerie Masterson (soprano) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II Finale, no. 28 “Now What Is This” (Daughters, Pirate King, Pirates) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
23We triumph now
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de baryton basse [The Pirate King] :
Donald Adams (operatic bass-baritone) (du 1967-12-04 au 1967-12-08)
voix de basse [Sergeant of Police] :
Owen Brannigan (operatic bass) (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II Finale, no. 28 “We Triumph Now” (Sergeant, Pirate King, Police, Pirates) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
24Away with them, and place them at the bar
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
voix de baryton [Major‐General Stanley] :
John Reed (actor, member of the D’Oyly Carte Opera Company) (du 1967-12-04 au 1967-12-08)
voix de contralto [Ruth] :
Christene Palmer (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II Finale, no. 28 “Away with them” (Major‐General, Ruth, Ensemble) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
25Poor wand'ring ones, though ye have surely straye
soutien divers :
Bridget D’Oyly Carte, D.B.E. (head of the D’Oyly Carte Opera Company from 1948–1982) (tâche : recorded under the supervision/direction of)
voix :
The D’Oyly Carte Opera Company (du 1967-12-04 au 1967-12-08)
orchestre :
Royal Philharmonic Orchestra (du 1967-12-04 au 1967-12-08)
conductor :
Isidore Godfrey (conductor) (du 1967-12-04 au 1967-12-08)
droits phonographiques (℗) par :
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (le 1968)
enregistré à :
Decca Studios dans West Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni (du 1967-12-04 au 1967-12-08)
recording of :
The Pirates of Penzance: Act II Finale, no. 28 “Poor Wand’ring Ones!” (Ensemble) (du 1967-12-04 au 1967-12-08)
parolier :
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
compositeur :
Arthur Sullivan (Sir Arthur Sullivan, composer)
partie de :
The Pirates of Penzance: Act II Finale, no. 28. “Now what is this” (Major‐General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen)
?:??
15▶CD : Princess Ida or Castle Adamant (Version without dialogue) (Act One and Two)
16▶CD : Princess Ida or Castle Adamant (Version without dialogue) (Act Three), Pineapple Poll (arr. Mackerras)
17▶CD : Ruddigore or The Witch's Curse (Without dialogue)
18▶CD : Ruddigore or The Witch's Curse (Without dialogue)
19▶CD : The Sorcerer (Version without dialogue)
20▶CD : The Sorcerer (Version without dialogue) (Act Two)
21▶CD : Utopia Limited (Comic opera in two acts) (Act One)
22▶CD : Utopia Limited (Comic opera in two acts) (Act Two)
23▶CD : The Yeomen of the Guard (Version without dialogue) (Act One)
24▶CD : The Yeomen of the Guard (Version without dialogue) (Act Two)
25▶CD : Songs And Snatched (First International CD Release)